Epigraphy of art : ancient Greek vase-inscriptions and vase-paintings /
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Ancient Greek vase-paintings offer broad-ranging and unprecedented early perspectives on the often intricate interplay of images and texts. By bringing together, for the first time, an international group of leading scholars in classical art and archaeology who have worked on vase-inscriptions, this book investigates both epigraphic technicalities of Attic and non-Attic inscriptions, and their broader, iconographic and sociocultural, significance. The ten chapters in this book propose original and expert methodological approaches to the study of vase-inscriptions and vase-paintings, while also foregrounding the outstanding but not fully examined importance of the area of vase-inscriptions for current research on ancient Greek visual representations.
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Previously issued in print: 2016. :
1 online resource : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references and index. :
9781784914875 (ebook) :
The early black-figured pottery of Attika in context (c. 630-570 BCE) /
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Setting as a starting point the introduction of the black-figure technique in Attic workshops at around 630 BCE, this book attempts a contextual analysis of Attic pottery until late in the first quarter of the sixth century BCE. The shapes and their functions, as well as the iconographic themes are explored through this perspective. This offers an interesting insight into funerary, cultic and profane activities in Athens and the Attic countryside, which is completed by an extensive study of the trade and distribution of Attic vases during this period. The result is a complete overview of early black-figure Attic production, enabling an afresh archaeological approach to late seventh-and early sixth-century Attic society.
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1 online resource. :
Includes bibliographical references (p. [xii]-xxxix) and indexes. :
9789004192317 :
0169-8850 ; :
Available to subscribing member institutions only.
Dionysos in classical Athens : an understanding through images /
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Dionysos, with his following of satyrs and women, was a major theme in a big part of the figure painted pottery in 500-300 B.C. Athens. As an original testimonial of their time, the imagery on these vases convey what this god meant to his worshippers. It becomes clear that - contrary to what is usually assumed - he was not only appropriate for wine, wine indulgence, ecstasy and theatre. Rather, he was present in both the public and private sphere on many, both happy and sad, occasions. In addition, the vase painters have emphasized different aspects of Dionysos for their customers inside and outside of Athens, depending on the political and cultural situation.
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1 online resource (xx, 290 pages) : illustrations. :
Includes bibliographical references and indexes. :
9789004270121 :
0927-7633 ; :
Available to subscribing member institutions only.