Sponsored research in the history of art /
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1981-1982 and 1982-1983- :
Includes lists of fellowships and grants awarded by museums, public and private foundations, and U.S. government agencies for research in the humanities and social sciences. :
volumes ; 23 cm. :
Annual. :
0742-0242
0735-3189 :
Every fifth volume is a cumulative record.
Sponsored research in the history of art : 1987-1988 and 1988-1989 /
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"The entries, explanatory notes, heading notes, and indices for Sponsored research 8 have been compiled and prepared with the assistance of Curtis A. Millay. For their contribution to the editorial review of the volume, we would like to thank Lily C. Kecskes [and other]."--Foreward.
Includes indexes. :
565 pages ; 23 cm.
Practicing pragmatist aesthetics : critical perspectives on the arts /
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This is the first collection in English devoted exclusively to pragmatist aesthetics. Its main aim is to employ the resources of that rich and exciting tradition in studying artistic phenomena such as film, sculpture, bio-art, poetry, the novel, cuisine, and various body arts. But it also attempts to provide a wider background for such studies by sketching the history of pragmatist reflection on the aesthetic and by discussing some of the main positions that this history has produced: the aesthetic conceptions of C.S. Peirce, William James, John Dewey, Joseph Margolis, Richard Shusterman (somaesthetics in particular), and others.
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1 online resource (vi, 224 pages) : illustrations (chiefly color) :
Includes bibliographical references and index. :
9789401210812 :
Available to subscribing member institutions only.
The arts of ornamental geometry : a Persian compendium on similar and complementary interlocking figures, Fī tadākhul al-ashkāl al-mutashābiha aw al-mutāwafiqa (Bibliothèque Nation...
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This collective study focuses on a unique anonymous medieval document on ornamental geometry featuring geometrical constructions and textual instructions in Persian. Selections from the unpublished work of Alpay Özdural (d. 2003) on this subject have been updated with original contributions by Jan P. Hogendijk, Elaheh Kheirandish, Gülru Necipoğlu, and Wheeler M. Thackston. The chapters interpreting this fascinating document are followed, for the first time, by a facsimile, transcription, and translation, as well as drawings of incised construction lines invisible in the photographed facsimile. This publication intersects with the current interest in Islamic geometrical patterning as an inspiration for tessellation and parametrically derived forms in contemporary architecture and the arts. It aims to make this celebrated source more accessible, given its multifaceted relevance to historians of art, architecture, and science, as well as mathematicians, physicists, artists, and architects. For those who wish to obtain a copy of the full, unedited original book manuscript of Alpay Özdural, where he discusses the mathematical properties of all geometrical constructions in the Anonymous Compendium as well as the step-by-step method for drawing each one, his work is available online at https://doi.org/10.6084/m9.figshare.5255416
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1 online resource. :
Includes bibliographical references and index. :
9789004315204 :
Available to subscribing member institutions only.
Building the canon through the classics : imitation and variation in Renaissance Italy (1350-1550) /
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Building the Canon through the Classics. Imitation and Variation in Renaissance Italy (1350-1580) provides a comprehensive reappraisal of the construction of a literary canon in Renaissance Italy by exploring the multiple reuses of classical authorities. The volume reshapes current debate on the notion of canon by intertwining two perspectives: analyzing when and in what form a canon emerged, and determining the ways in which an ancient literary canon interacts with the urge to bestow a similar authority on some later and contemporaneous authors. Each chapter makes an original contribution to its selected topic, but the collective strength of the volume relies on its simultaneous appeal to readers in Italian Studies, intellectual history, comparative studies and classical reception studies.
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1 online resource. :
Includes bibliographical references and index. :
9789004398030 :
2212-9405 ;
The Myth of Lycurgus in Aeschylus, Naevius, and beyond /
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Lycurgus, the king of the Thracian tribe of the Edonians, is the hero of the first attested Greek myth about the resistance against the god Dionysus. According to many scholars, Lycurgus was worshipped as a god among the Thracians, Phrygians, and Syrians. His myth might have been used as a hieros logos in the initiations into the 'Bacchic' and 'Orphic' mysteries in Greece and Rome. This book focuses on Aeschylus' tragic tetralogy Lycurgeia and Naevius' tragedy Lycurgus , the two most important texts that shaped the tradition of the Lycurgus myth, and offers a new and, at times, radically different interpretation of these fragmentary plays and related cultural texts.
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1 online resource. :
Includes bibliographical references and index. :
9789004463035
9789004463028
Brill's Companion to Theocritus /
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Through the variety of its scholarly perspectives, Brill Companion to Theocritus offers a tool for the study of one of antiquity's foremost poets. Offering a thorough examination of textual transmission, ancient commentaries, literary dialect, and poetic forms, the present volume considers Theocritus' work from novel theoretical perspectives, such as gender and emotions. It expands the usual field of inquiry to include religion, and the poet's reception in Late Antiquity and early modern times. The various chapters promote Theocritus' profile as an erudite poet, who both responds to and inaugurates a rich and variegated tradition. The combination of these various perspectives places Theocritus at the crossroads of Ptolemaic patronage, contemporary society, and art.
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1 online resource. :
Includes bibliographical references and index. :
9789004466715
9789004373556
Jesus incognito : the hidden Christ in western art since 1960 /
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In this book Martien Brinkman explores the Jesus incognito as found in Western film, literature, and the visual arts since 1960. His interest here is focused primarily on indirect references to the Jesus figure. To his surprise, he found an abundance of allusions to Jesus in key figures in modern art. This confirmed his view that film, literature, and the visual arts make a substantial contribution, even in secular Western culture, to continuing reflection on Jesus' significance. Brinkman finds important characteristics of a hidden Christ in films by Gabriel Axel, Ingmar Bergman, Krzysztof Kieslowski, and Lars von Trier, novels by Peter De Vries, J.M. Coetzee, and Arnon Grunberg, poems by Les Murray and Czeslaw Milosz, and paintings by Andy Warhol, Harald Duwe, and Frans Franciscus. He defines a hidden Christ as a fictional human individual who can be seen as a new embodiment of the meaning that can be attributed in the present to the biblical figure of Jesus. The hidden Christ is therefore a contemporized Jesus figure. This book will be of interest for everyone who shares Brinkman's quest for this Jesus incognito .
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Translation from the Dutch of: Jezus incognito : de verborgen Christus in de westerse kunst vanaf 1960. Zoetermeer : Meinema, 2012. :
1 online resource (viii, 240 pages) : illustrations (some color) :
Includes bibliographical references (p. 217-231) and indexes. :
9789401208949 :
Available to subscribing member institutions only.
Performing the Sacred: Christian Representation and the Arts /
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What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? This book addresses the issue from the Middle Ages to the Modern era and showcases examples of how Christians have represented their biblical narrative.
What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? Performing the Sacred: Christian Representation and the Arts explores both the meaning of re-presentation and the role of performance within the Christian tradition between arts and drama. The essays in this book demonstrate that the idea of performance was central to Christian theology and that-from the Middle Ages to the Early Modern era-it became a device through which people saw, prayed, preached, wrote, imagined, officiated rites, celebrated cults, and practiced devotions. Seen that performance is a habitus within Christianity, performing the sacred does not just mean representing it, but rather enacting it in a tangible, visible and involved way.
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1 online resource. :
Includes bibliographical references and index. :
9789004522183
9789004517462
Euripides and the language of craft
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This first in-depth account of Euripides and the visual arts demonstrates how the tragedian used language to visual effect, whether through allusion or actual references to objects, motifs built around real or imaginary objects, or the use of technical terminology. The evidence presented in this study corroborates the concern for realism and the genre detail for which Euripides is parodied in Aristophanes' Frogs and presents him as a man of his time, like Socrates, fully versed in the ways and means of the visual arts as well as the verbal. In revealing the extent of the visual inclination of Euripides' language, this study reflects upon the larger dialogue between text and image, image and text.
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1 online resource. :
Includes bibliographical references (p. [435]-459) and indexes. :
9789004201149 :
Available to subscribing member institutions only.
Shusterman's Somaesthetics : From Hip Hop Philosophy to Politics and Performance Art /
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This edited collection provides an in-depth and wide-ranging exploration of pragmatist philosopher Richard Shusterman's distinctive project of "somaesthetics," devoted not only to better understanding bodily experience but also to greater mastery of somatic perception, performance, and presentation. Against contemporary trends that focus narrowly on conceptual and computational thinking, Shusterman returns philosophy to what is most fundamental-the sentient, expressive, human body with its creations of living beauty. Twelve scholars here provide penetrating critical analyses of Shusterman on ontology, perception, language, literature, culture, politics, aesthetics, cuisine, music, and the visual arts, including films of his work in performance art.
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1 online resource. :
Includes bibliographical references and index. :
9789004468801
9789004468795
Beyond Aesthetics and Politics : Philosophical and Axiological Studies on the Avant-Garde, Pragmatism, and Postmodernism.
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The book presents five philosophical and axiological studies devoted to the relationship between aesthetics and politics . It shows this relationship throughout the works of some avant-gardists, pragmatists, and postmodernists. It is also a voice in the discussion about the meaning of the fine arts and aesthetics in the context of the political aims and norms. This voice claims that the political dimension of art and aesthetics should be studied much more seriously than it has been till today, and needs more courageous re-interpretations and re-readings.
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7. Deformation of Facial Images as Social Degradation (Gombrowicz). :
1 online resource (176 pages) :
Includes bibliographical references and index. :
9789401209441 :
0929-8436 ; :
Available to subscribing member institutions only.