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Ports and fortifications in the Muslim World : coastal military architecture from the Arab Conquest to the Ottoman Period /
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Harbors; Islamic Empire; history, Military.
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vii, 240 pages : illustrations (cheifly color), maps (cheifly color) ; 33 cm. :
Includes bibliographical references. :
9782724707656 :
0768-4703
Mobile peoples - permanent places : nomadic landscapes and stone architecture from the Hellenistic to early Islamic periods in north-eastern Jordan /
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This study explores the relationship between nomadic communities in the Black Desert of north-eastern Jordan (c. 300 BC and 900 AD) and the landscapes they inhabited and extensively modified. This book focuses on the architectural features created in the landscape some 2000 years ago which were used and revisited on multiple occasions.
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"Available both in print and Open Access"--Homepage. :
1 online resource (xxii, 243 pages) : illustrations (black and white, and colour), maps (colour). :
Specialized. :
Includes bibliographical references. :
9781789693140 (PDF ebook) :
Building the Bronze Age : architectural and social change on the Greek mainland during Early Helladic III, Middle Helladic and Late Helladic I /
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Wiersma analyses Early Helladic III, Middle Helladic and Late Helladic I domestic architecture with reference to social organization and social change. This book covers domestic architecture from the southern and central Greek mainland up to southern Thessaly.
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1 online resource : illustrations (black and white, and colour) :
Specialized. :
Includes bibliographical references. :
9781905739899 (PDF ebook) :
Survival Boogie Woogie. Neo-Japonisme, Architectural Photography & Abstraction /
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What links are there between Piet Mondrian's unfinished work Victory Boogie Woogie (1942-4) and post-war Japanese and Japanese-style architectural photography? As far back as the mid-1950s, critics and photographers were inclined to link Mondria
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Includes bibliographical references and index. :
9789004711426
The Image of an Ottoman City : Imperial Architecture and Urban Experience in Aleppo in the 16th and 17th Centuries /
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This urban and architectural study of Aleppo, a center of early modern global trade, draws upon archival and narrative texts, architectural evidence, and contemporary theoretical discussions of the relation between imperial ideology, urban patterns and rituals, and architectural form. The first two centuries of Ottoman rule fostered tremendous urban development and reorientation through judiciously sited acts of patronage. Monumental structures endowed by Ottoman officials both introduced a new imperial architecture from Istanbul and incorporated formal elements from the local urban visual language. By viewing the urban and social contexts of these acts, tracing their evolution over two centuries, and examining their discussion in Ottoman and Arabic sources, this book proposes a new model for understanding the local reception and adaptation of imperial forms, institutions and norms.
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1 online resource. :
Includes bibliographical references and index. :
9789047404224
9789004124547
Ancient Egyptian architecture in fifteen monuments /
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"The monuments of ancient Egypt have held scholars and tourists in their thrall for centuries. The sheer mass of the pyramids of Giza, the interaction of the temples at Deir al-Bahari with the natural environment, and the use of light in the hypostyle hall of Karnak all make these buildings world-class masterpieces of architecture, rivaling those of Greece and Rome. Ancient Egyptian Architecture in Fifteen Monuments presents an authoritative overview of Egyptian architecture from the point of view of an archaeologist and architectural historian with decades of fieldwork experience in Egypt and elsewhere. It focuses on fifteen selected masterpieces, from well-known structures such as the Bent Pyramid in Dahshur and the temple of Horus at Edfu to lesser-known monuments in Hierakonpolis, Abydos, Hawara, and Bubastis, each building representing an important stage in the development of Egyptian architecture and a different vision of what architecture should aspire to achieve. Using sixty reconstruction drawings and black-and-white photographs, Felix Arnold presents new insights into form, meaning, and the organization of space, providing a fresh perspective on ancient Egyptian culture and society."--
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xiii, 109 pages : illustrations, maps, plans ; 20 x 25 cm. :
Includes bibliographical references and index. :
9781617972836
1617972835
The origins of visual culture in the Islamic world : aesthetics, art and architecture in early Islam /
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"In tenth-century Iraq, a group of Arab intellectuals and scholars known as the Ikhwan al-Safa began to make their intellectual mark on the society around them. A mysterious organisation, the identities of its members have never been clear. But its contribution to the intellectual thought, philosophy, art and culture of the era - and indeed subsequent ones - is evident. In the visual arts, for example, Hamdouni Alami argues that the theory of human proportions which the Ikwan al-Safa propounded (something very similar to those of da Vinci), helped shape the evolution of the philosophy of aesthetics, art and architecture in the tenth and eleventh centuries CE, in particular in Egypt under the Fatimid rulers. With its roots in Pythagorean and Neoplatonic views on the role of art and architecture, the impact of this theory of specific and precise proportion was widespread. One of the results of this extensive influence is a historic shift in the appreciation of art and architecture and their perceived role in the cultural sphere. The development of the understanding of the interplay between ethics and aesthetics resulted in a movement which emphasised more abstract and pious contemplation of art, as opposed to previous views which concentrated on the enjoyment of artistic works (such as music, song and poetry). And it is with this shift that we see the change in art forms from those devoted to supporting the Umayyad caliphs and the opulence of the Abbasids, to an art which places more emphasis on the internal concepts of 'reason' and 'spirituality'. Using the example of Fatimid art and views of architecture (including the first Fatimid mosque in al-Mahdiyya, Tunisia), Hamdouni Alami offers analysis of the debates surrounding the ethics and aesthetics of the appreciation of Islamic art and architecture from a vital time in medieval Middle Eastern history, and shows their similarity with aesthetic debates of Italian Renaissance." -- Publisher's website.
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xiii, 184 pages : illustrations, plans ; 23 cm. :
Includes bibliographical references and index. :
9781784530402
1784530409
The art and architecture of Islam, 650-1250 /
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Overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar's original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book. With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.
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Continued by : The art and architecture of Islam 1250-1800 / Sheila S. Blair and Jonathan M. Bloom. New Haven, Conn. : Yale University Press, 1994. (Yale University Press Pelican history of art) :
448 pages : illustrations ; 22 cm. :
Includes bibliographical references (pages [415]-428) and index. :
0300053304