"historical representation" » "logical representation" (Expand Search), "mystical representations" (Expand Search), "historic preservation" (Expand Search)
New Readings in Arabic Historiography from Late Medieval Egypt and Syria : Proceedings of the themed day of the Fifth Conference of the School of Mamluk Studies /
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New Readings in Arabic Historiography contributes to research on Arabic texts of history from late medieval Egypt and Syria. Departing from dominant understandings of these texts through the prisms of authenticity and "literarization," it engages with questions of textual constructedness and authorial agency. This edited volume consists of 13 contributions by a new generation of scholars. Each of the volume's three parts represents a different aspect of their new readings of particular texts. Part one looks at concrete instances of textual interdependencies, part two at the creativity of authorial agencies, and part three at the relationship between texts and social practice. New Readings thus participates in the revaluation of late medieval Arabic historiography as a critical field of inquiry.
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1 online resource. :
Includes bibliographical references and index. :
9789004458901
9789004447028
Crutched Pharaoh, Seated Hunter: An Analysis of Artistic Portrayals of Tutankhamun’s Disabilities /
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Academic and popular sources alike regularly refer to Tutankhamun as “disabled” at the time of his death, citing artistic representations from the items in his tomb to back up such claims. This group of objects has been said to depict the young king seated while hunting and using a staff as a walking aid seemingly highlighting the presence of a leg-based disability. This narrative of the image depicting the truth of Tutankhamun’s physical condition has publicly become accepted as fact with images of the seated king even being used in the advertising for the touring exhibit “Tutankhamun: Treasures of the Golden Pharaoh” to suggest Tutankhamun’s “fragile constitution.” A comparison of these depictions to historical representations of kings hunting and using staffs of authority, however, suggests that these depictions of Tutankhamun were part of a traditional iconography utilized by Tutankhamun’s artists, not to highlight his disability, but instead to situate his image within the artwork of kings of the Old, Middle, and New Kingdoms. This study, thus, works to dispel the pervasive myth of the existence of artistic representations of a disabled Tutankhamun, while providing a basis for understanding the true nature of the representation of disability in Egyptian art. Furthermore, this work urges Egyptologists to avoid relying on physical remains to “decipher” mortuary artwork. Such a change in method can only lead to a better understanding of the purpose of the depicted body within the mortuary context and its role as separate but complementary to the physical body in New Kingdom thought.
Studies in medieval Jewish intellectual and social history : festschrift in honor of Robert Chazan /
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For more than four decades Robert Chazan has been a copious source of original insights into the history and culture of medieval European Jewry, challenging conventional wisdom with profound erudition and sober analysis. In this volume, thirteen leading Judaicists and medievalists engage subjects that have been of particular concern to Professor Chazan during his distinguished career: the history of the Jewish communities in Western Christendom during the Middle Ages, Jewish-Christian interactions in medieval Europe, medieval Jewish Biblical exegesis and religious literature, and historical representations of the experience of medieval Jewry. Taken together they offer a comprehensive portrait of the state of the field of medieval Jewish studies.
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1 online resource (342 pages) : illustrations. :
Includes bibliographical references. :
9789004222366 :
1873-9008 ; :
Available to subscribing member institutions only.