"history of creative" » "history of creation" (Expand Search), "history of treatise" (Expand Search)
The Conspiracy of the Prince of Macchia and G.B. Vico /
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In September of 1701, events transpired in Naples that, through frequent retellings, became popularly known as "the conspiracy of the Prince of Macchia." Rapidly gaining fame, this apparently anonymous narrative was soon incorporated by different historians in their history of the transition years between the seventeenth and eighteenth centuries. But who was the initial bard or narrator, the town clerk or citizen who first gave testimony of this event by creating a Latin text of the story of the Prince of Macchia? Giambattista Vico was not among the claimants to the authorship of the fabulous story that changed the future of the Kingdom of Naples. Nevertheless, four scholars across the nineteenth and twentieth centuries were themselves convinced, and managed to convince the intellectual world as well, that Vico, then a young teacher of rhetoric at the University of Naples, was indeed the source of this original Latin narration of this oft retold Neapolitan history. This book provides the original Latin text with a parallel translation, as well as historical context and analysis of both the text's authorship history and the account itself.
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Includes a history and critical analysis of Giambattista Vico's text and role as author. :
1 online resource (xvi, 325 pages) : portraits. :
Includes bibliographical references (p. 303-310) and index. :
9789401209120 :
Available to subscribing member institutions only.
Reconfiguring the Imperial Past: Narrative Patterns and Historical Interpretation in Herodian's History of the Empire /
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In the process of recording the history of the Roman Empire, from the death of Marcus Aurelius to the accession of Gordian III, Herodian makes his characters respond to the same situations in similar or different ways. This book shows that each reign in Herodian's History is creatively mapped onto ever-recurring narrative patterns. It argues that patterning is not simply decorative in Herodian's work but constitutes a crucial conceptual and methodological tool for writing interpretative history. Herodian deserves credit as an original and independent author. A careful consideration of the formulaic nature of his historiography indicates that there is more artistry in his composition than had previously been discerned.
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This book argues that Herodian uses an orderly and coherent historiographical form to reconfigure and explicate a most chaotic period of Roman history. Through patterning he offers a distinctive interpretative framework in which successive reigns and individual emperors need to be read in a dovetailed way. :
1 online resource. :
Includes bibliographical references and index. :
9789004516922
9789004516892