The reception of Greek lyric poetry in the ancient world : transmission, canonization and paratext /
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In The Reception of Greek Lyric Poetry in the Ancient World: Transmission, Canonization and Paratext, a team of international scholars consider the afterlife of early Greek lyric poetry (iambic, elegiac, and melic) up to the 12th century CE, from a variety of intersecting perspectives: reperformance, textualization, the direct and indirect tradition, anthologies, poets' Lives, and the disquisitions of philosophers and scholars. Particular attention is given to the poets Tyrtaeus, Solon, Theognis, Sappho, Alcaeus, Stesichorus, Pindar, and Timotheus. Consideration is given to their reception in authors such as Aristophanes, Herodotus, Plato, Plutarch, Athenaeus, Aelius Aristides, Catullus, Horace, Virgil, Ovid, and Statius, as well as their discussion by Peripatetic scholars, the Hellenistic scholia to Pindar, Horace's commentator Porphyrio, and Eustathius on Pindar.
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Most of the chapters in this volume were originally presented at a conference organized by Oxford University and Reading University under the auspices of the Network of Archaic Greek Song at the University of Reading in 2013. :
1 online resource. :
Includes bibliographical references and index. :
9789004414525
Authorship and Greek song : authority, authenticity, and performance /
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Authorship and Greek Song is a collection of papers dealing with various aspects of authorship in the song culture of Ancient Greece. In this cultural context the idea of the poet as author of his poems is complicated by the fact that poetry in archaic Greece circulated as songs performed for a variety of audiences, both local and "global" (Panhellenic). The volume's chapters discuss questions about the importance of the singers/performers; the nature of the performance occasion; the status of the poet; the authority of the poet/author and/or that of the performer; and the issues of authenticity arising when poems are composed under a given poet's name. The volume offers discussions of major authors such as Pindar, Sappho, and Theognis.
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Selected papers presented at a conference entitled "Authorship, Authority, and Authenticity in Archaic and Classical Greek Song," which was held June 6-9, 2011 at Yale University, organized by the Network for the Study of Archaic and Classical Greek Song. :
1 online resource. :
Includes bibliographical references and index. :
9789004339705 :
0169-8958 ; :
Available to subscribing member institutions only.
Poetry and exegesis in premodern Latin Christianity : the encounter between classical and Christian strategies of interpretation /
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This volume investigates various exegetical possibilities in Christian Latin poetry during Late Antiquity and the Middle Ages. In the Latin West poetry was mainly associated with the powerful pagan tradition of writers like Vergil and Ovid, and by many poetry was considered to tell lies and provide mere entertainment potentially corrupting the soul. Therefore, Christians initially had reservations about this genre and believed it to be incompatible with Christian worship, literacy and intellectual activity. In practice, however, forms of specifically Christian poetry developed from the end of the third century onwards; theoretical reconciliations were developed around 400 A.D. This collection examines specimens of Christian poetry from Juvencus (the first biblical epicist shortly after 300) up to the thirteenth century. Its particular usefulness lies in the combination of literary theory and hermeneutics, close readings of the texts and new readings on a sound philological basis.
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1 online resource (xi, 360 pages) :
Includes bibliographical references and indexes. :
9789047421320 :
Available to subscribing member institutions only.
The newest Sappho (P. Sapph. Obbink and P. GC inv. 105, frs. 1-4) : studies in archaic and classical Greek song, volume 2 /
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In The Newest Sappho Anton Bierl and André Lardinois have edited 21 papers of world-renowned Sappho scholars dealing with the new papyrus fragments of Sappho that were published in 2014. This set of papyrus fragments, the greatest find of Sappho fragments since the beginning of the 20th century, provides significant new readings and additions to five previously known songs of Sappho (frs. 5, 9, 16, 17 and 18), as well as the remains of four previously unknown songs, including the new Brothers Song and the Kypris Song. The contributors discuss the content of these poems as well as the consequence they have for our understanding of Sappho's life and work.
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1 online resource. :
Includes bibliographical references and index. :
9789004314832 :
Available to subscribing member institutions only.
The look of lyric : Greek song and the visual studies in archaic and classical Greek song /
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The Look of Lyric: Greek Song and the Visual addresses the various modes of interaction between ancient Greek lyric poetry and the visual arts as well as more general notions of visuality. It covers diverse poetic genres in a range of contexts radiating outwards from the original performance(s) to encompass their broader cultural settings, the later reception of the poems, and finally also their understanding in modern scholarship. By focusing on the relationship between the visual and the verbal as well as the sensory and the mental, this volume raises a wide range of questions concerning human perception and cultural practices. As this collection of essays shows, Greek lyric poetry played a decisive role in the shaping of both.
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1 online resource. :
Includes bibliographical references and index. :
9789004314849 :
Available to subscribing member institutions only.
The trajectory of archaic Greek trimeters /
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This volume makes clear that even within the short period of their floruit archaic Greek trimeters underwent profound changes. The shift in thematography, use of person, and vocabulary reveals that iambic verse is a complex, definable genre with all the dynamism that implies and with a traceable development. The various chapters examine the subject matter, morphology, and diction of the trimeters both within the genre in a diachronic fashion and in relation to elegy. The metrical inscriptions and later iambic poetry are also considered, as the author ponders the rise of tragedy and the disappearance of serious iambus. This work is of interest not only to scholars of archaic lyric poetry but also of tragedy and sympotic practices.
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Revision of the author's thesis (Ph. D.--Bryn Mawr College, 1996), which was presented under title: The evolving identity of archaic Greek iambus. :
1 online resource (viii, 208 pages) :
Includes bibliographical references (p. 197-204) and index. :
9789047408055 :
0169-8958 ; :
Available to subscribing member institutions only.
Orality, literacy, memory in the ancient Greek and Roman world /
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The volume represents the seventh in the series on Orality and Literacy in the Ancient Greek and Roman Worlds. It comprises a collection of essays on the significance and working of memory in ancient texts and visual documentation, from contexts both oral (or oral-derived) and literate. The authors discuss a variety of interpretations of 'memory' in Homeric epic, lyric poetry, tragedy, historical inscriptions, oratory, and philosophy, as well as in the replication of ancient artworks, and in Greek vase inscriptions. They present therefore a wide-ranging analysis of memory as a fundamental faculty underlying the production and reception of texts and material documentation in a society that gradually moved from an essentially oral to an essentially literate culture.
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1 online resource. :
Includes bibliographical references and index. :
9789047433842 :
Available to subscribing member institutions only.
Flavian poetry and its Greek past /
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Flavian Poetry and its Greek Past breaks new ground by investigating the close interaction between Flavian poetry and Greek literary tradition and by evaluating the meaning of this affiliation in the socio-political and cultural context of the late first century CE. Authors examined include Martial, Silius Italicus, Statius, and Valerius Flaccus. Their interaction with Greek literature is not just thematic or geographical: the Greek literary past is conceived as the poetic influence of a variety of authors, periods, and genres, such as Homer, the Cyclic tradition, Greek lyric poetry, Greek tragedy, Hellenistic poetry and aesthetics, and Greek historiography.
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1 online resource. :
Includes bibliographical references and index. :
9789004266490
A History of Hegelianism in Golden Age Denmark, Tome II : The Martensen Period: 1837-1841, 2nd Revised and Augmented Edition /
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This is the second volume in a three-volume work dedicated to exploring the influence of G.W.F. Hegel's philosophical thinking in Golden Age Denmark. The work demonstrates that the largely overlooked tradition of Danish Hegelianism played a profound and indeed constitutive role in many spheres of the Golden Age culture. This second tome treats the most intensive period in the history of the Danish Hegel reception, namely, the years from 1837 to 1841. The main figure in this period is the theologian Hans Martensen who made Hegel's philosophy a sensation among the students at the University of Copenhagen in the late 1830s. This period also includes the publication of Johan Ludvig Heiberg's Hegelian journal, Perseus , and Frederik Christian Sibbern's monumental review of it, which represented the most extensive treatment of Hegel's philosophy in the Danish language at the time. During this period Hegel's philosophy flourished in unlikely genres such as drama and lyric poetry. During these years Hegelianism enjoyed an unprecedented success in Denmark until it gradually began to be perceived as a dangerous trend.
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1 online resource (767 pages) : illustrations. :
Includes bibliographical references and index. :
9789004534841