Performing the sacra : priestly roles and their organisation in Roman Britain /
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'Performing the Sacra' addresses a range of cultural responses to the Roman conquest of Britain with regard to priestly roles. The approach is based on current theoretical trends focussing on dynamics of adaptation, multiculturalism, and appropriation and discarding a sharp distinction between local and Roman cults. The perspective is shifted from a centre-periphery model towards a spectrum of cultural responses. The text investigates a wide range of published and unpublished evidence to examine three main themes: a model of priesthood organisation, the embodiment of priestly authorities in a provincial environment, and how the different depositional contexts of priestly regalia contribute to our understanding of these roles.
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Previously issued in print: 2019. :
1 online resource (viii, 174 pages) : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781789690989 (ebook) :
Performing the sacra : priestly roles and their organisation in Roman Britain /
:
'Performing the Sacra' addresses a range of cultural responses to the Roman conquest of Britain with regard to priestly roles. The approach is based on current theoretical trends focussing on dynamics of adaptation, multiculturalism, and appropriation and discarding a sharp distinction between local and Roman cults. The perspective is shifted from a centre-periphery model towards a spectrum of cultural responses. The text investigates a wide range of published and unpublished evidence to examine three main themes: a model of priesthood organisation, the embodiment of priestly authorities in a provincial environment, and how the different depositional contexts of priestly regalia contribute to our understanding of these roles.
:
Previously issued in print: 2019. :
1 online resource (viii, 174 pages) : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781789690989 (ebook) :
Performative Identities in Culture : From Literature to Social Media /
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This book's primary task is to test the contemporary value of performance and performativity. Performative Identities in Culture: From Literature to Social Media undertakes this task via a host of chapters on a vast spectrum of performativity-related topics such as: literature (British, American, Welsh), film, art, social media, and sports. Within these contexts, the book raises a number of questions relevant today. How is minority culture constructed and performed in literature? How can one manifest identity in multicultural contexts? How has performativity been transformed in audiovisual media, like film, video games and social media? And, can the digital itself be performative?
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1 online resource (255 pages) : illustrations. :
Includes bibliographical references and index. :
9789004703858
Performing Ensemble : Practices, Theatre, and Social Change /
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The book presents a novel analysis supporting the idea that a theatre ensemble is not just an entity but an emergent process. Through the lens of a theatre company's performative, creative, organizational, and activist practices, the ensemble is conceptualized in its collective becoming. This socio-historical and new materialist analysis of a European theatre company over thirty years highlights how a group's performative capacity to make-ensemble stimulates its organizational and social processes. With a commitment to participation, listening, and horizontality, the ensemble is shown to challenge the structures of capitalism, and fosters a vision of hope for societies.
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1 online resource (154 pages) : illustrations. :
Includes bibliographical references and index. :
9789004720565
The performative structure : ritualizing the pyramid of Pepy I /
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In The Performative Structure: Ritualizing the Pyramid of Pepy I , Nils Billing investigates the ancient Egyptian pyramid complex as a performative structure, ritualized through the operative faculty inherent in monumental architecture, text, and image. The main body of research is given over to an analysis of the Pyramid Texts found in the pyramid of king Pepy I of the Sixth Dynasty (ca 2300 BCE). It is demonstrated that the texts were distributed on distinct space-bound thematic and ritual levels in order to perpetuate a cultic activity from which the lord of the tomb could be transformed by moving through the different chambers and corridors towards the exit. Just as the decoration program of the mortuary temple once delineated the ritual and ideological structure of the royal mortuary cult, the corpus of texts distributed in the pyramid provided a monumentalized performative structure that effectuated the perennial rebirth for its owner.
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"This is a lightly revised version of a doctoral thesis in the History of Religions, defended in the spring term of 2013 at the Faculty of Theology, Uppsala University." :
1 online resource. :
9789004372375 :
Available to subscribing member institutions only.
Signalling and performance : ancient rock art in Britain and Ireland /
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This lavishly illustrated volume presents a state of the art survey of the ancient rock art of Britain and Ireland. Bringing together new discoveries and new interpretations, it enhances our understanding and further establishes ancient British and Irish rock art as a significant archaeological assemblage worthy of attention and additional study.
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Also issued in print: 2022. :
1 online resource (344 pages) : illustrations (black and white, and colour) :
Specialized. :
Includes bibliographical references. :
9781803272528 (PDF ebook) :
Performing death : social analyses of funerary traditions in the ancient Near East and Mediterranean /
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Proceedings from the 2nd annual University of Chicago Oriental Institute seminar held at the Oriental Institute , February 17-18, 2006. :
xviii, 317 pages : illustrations, maps, plans ; 26 cm. :
Includes bibliographical references. :
1885923503
9781885923509
Performing Islam : gender and ritual in Iran /
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Performing Islam takes as its main focus the rich array of ceremonial activities that shape and inform the lives of circles of women in south Tehran. Based on anthropological fieldwork, the book describes and analyses rituals that mark religious anniversaries and life course events in Iran today. Arguing that the ritual performances are powerful forums where ideas develop, and where rules, symbols and discourses are contested, this book discusses the values and beliefs underpinning gender constructions in a rapidly changing and complex society. The ambiguous metaphorical language of the rituals is examined, revealing how gender ideologies are projected and renewed, but also challenged, destabilized and ridiculed. Thus the rituals provide possibilities for self-expression, innovation and incremental change. This study goes beyond questions of meaning and culture to interrogate the dynamics of gender performance as products of power and politics.
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1 online resource. :
Includes bibliographical references (p. [261]-280) and indexes. :
9789047410546 :
1570-7628 ; :
Available to subscribing member institutions only.
Text, context, and performance : Gagauz folk religion in discourse and practice /
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Past scholarship on the Gagauz people has focused on their ethnic origins and the tension between their Christian faith and Turkish linguistic identity. This study, based on extensive fieldwork in the Republic of Moldova, approaches the problem of this central dichotomy in Gagauz identity through the lens of daily religious practices. This empirical approach reveals how scholarly discourses on 'folk religion' guide the local fieldworker's identification of what are 'folk' religious practices and thus actualises 'folk religion' in a given context.The book offers a fresh methodological perspective on 'folk religion' as discourse and object of study and is the first monograph in a Western European language on the religion, history and identity of this under-studied European people.
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1 online resource. :
Includes bibliographical references (p. ) and index. :
9789004216341 :
0169-8834 ; :
Available to subscribing member institutions only.
Phenomenology as performative exercise /
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"This volume, edited by Lucilla Guidi and Thomas Rentsch, establishes the first systematic connection between phenomenology and performativity. On the one hand, it outlines the performativity of phenomenology by exploring its enactment and the transformation of attitude it effects; this exploration is conducted through a number of parallels between phenomenology and the ancient understanding of philosophy as an exercise and a way of life. On the other hand, the volume examines different notions of performativity from a phenomenological perspective, so as to show that a phenomenological understanding of embodied experience complements a linguistic account of performativity and can also offer a ground for bodily practices of resistance, critique, and self-transformation in our own day and age".
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1 online resource. :
9789004420991
A painted ridge : rock art and performance in the Maclear District, Eastern Cape Province, South Africa /
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The San (Bushmen) practice of rock painting is examined in this text. David Witelson explores a suite of spatially close San rock painting sites in the Maclear District of South Africa's Eastern Cape Province. As a suite, the sites are remarkable because, despite their proximity to each other, they share patterns of similarity and simultaneous difference. They are a microcosm that reflects, in a broad sense, a trend found at other painted sites in South Africa. The bygone and almost unrecorded practice of San rock art is considered relative to ethnographically well-documented and observed forms of San expressive culture. The approach in the book draws on concepts and terminology from the discipline of performance studies to characterise the San practice of image-making as well as to coordinate otherwise disparate ideas about that practice.
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1 online resource (x, 148 pages) : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781789692457 (PDF ebook) :
A painted ridge : rock art and performance in the Maclear District, Eastern Cape Province, South Africa /
:
The San (Bushmen) practice of rock painting is examined in this text. David Witelson explores a suite of spatially close San rock painting sites in the Maclear District of South Africa's Eastern Cape Province. As a suite, the sites are remarkable because, despite their proximity to each other, they share patterns of similarity and simultaneous difference. They are a microcosm that reflects, in a broad sense, a trend found at other painted sites in South Africa. The bygone and almost unrecorded practice of San rock art is considered relative to ethnographically well-documented and observed forms of San expressive culture. The approach in the book draws on concepts and terminology from the discipline of performance studies to characterise the San practice of image-making as well as to coordinate otherwise disparate ideas about that practice.
:
1 online resource (x, 148 pages) : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781789692457 (PDF ebook) :
Butoh and Suzuki Performance in Australia : Bent Legs on Strange Grounds, 1982-2023 /
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In Butoh and Suzuki Performance in Australia: Bent Legs on Strange Grounds, 1982-2023 , Marshall considers how the originally Japanese forms of butoh dance and Suzuki's theatre reconfigure historical lineages to find ancient yet transcultural ancestors within Australia and beyond. Marshall argues that artists working in Australia with butoh and Suzuki techniques develop conflicted yet compelling diasporic, multicultural, spiritually and corporeally compelling interpretations of theatrical practice. Marshall puts at the centre of butoh historiography the work of Tess de Quincey, Yumi Umiumare, Tony Yap, Lynne Bradley, Simon Woods, Frances Barbe, and Australian Suzuki practitioners Jacqui Carroll and John Nobbs. Jonathan W. Marshall's Bent Legs on Strange Grounds is an important contribution to the body of literature on butoh, as well as to studies of dance in Australia that will be valuable to practitioners and scholars alike. Detailed discussions of Australian butoh artists open up consideration of how global and local histories, migrations, and landscapes not only were key to butoh's formation in Japan, but also to its continued development around the world. Attention to butoh's emplacement in Australia, Marshall convincingly argues, reveals insights about national identity, race, power, and more that are relevant well beyond the Australian performance context. - Rosemary Candelario, Texas Woman's University, co-editor, Routledge Companion to Butoh Performance (2018) Marshall's Bent Legs on Strange Grounds explores the remarkable transformative era of Australia's reconsideration of its place in the region. A definitive study of Australian experiments in butoh and the theatrical vision of Suzuki Tadashi, the book shows how new corporeal and spatial dramaturgies of the Japanese avant-garde fundamentally changed Australian performance. Expansively researched and annotated, this impressive study connects Australian performance after the New Wave with globalization, postmodern dance, Indigeneity, and subcultures, and it details the work of leading Australian/Asian artists. Bent Legs on Strange Grounds speaks about the development of embodied knowledge and the consequential refiguration of Australia's sense of being in the world. It is also a study of butoh and Suzuki's legacy in global terms, wherein Australian experimental performance also becomes something larger than itself. - Peter Eckersall, The Graduate Center, CUNY, author of Performativity and Event in 1960s Japan (2013).
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1 online resource (305 pages) : illustrations. :
Includes bibliographical references and index. :
9789004712317
Performance in Greek and Roman theatre /
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In recent years, classicists have begun aggressively to explore the impact of performance on the ways in which Greek and Roman plays are constructed and appreciated, both in their original performance context and in reperformances down to the present day. While never losing sight of the playscripts, it is necessary to adopt a more inclusive point of view, one integrating insights from archaeology, art, history, performance theory, theatre semiotics, theatrical praxis, and modern performance reception. This volume contributes to the restoration of a much-needed balance between performance and text: it is devoted to exploring how performance-related considerations (including stage business, masks, costumes, props, performance space, and stage-sets) help us attain an enhanced appreciation of ancient theatre.
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1 online resource (ix, 591 pages) :
Includes bibliographical references and index. :
9789004245457 :
Available to subscribing member institutions only.
The performing arts in medieval Islam : shadow play and popular poetry in Ibn Daniyal's Mamluk Cairo /
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This is a study of the life and work of Ibn Dāniyāl (d. 1310), a Cairo-based eye doctor, poet, playwright, court jester, and arguably one of the most controversial cultural figures of his time. Drawing on medieval Arabic sources, many still in manuscript and some used for the first time, the author further contextualizes Ibn Dāniyāl's work with respect to poetry production and popular culture in the Islamic Near East in the post-Mongol period. The book also presents the first full English translation of "The Phantom," one of Ibn Dāniyāl's three shadow plays, the only surviving pre-Ottoman Arabic theatrical texts.
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1 online resource (xiii, 240 pages) :
Includes bibliographical references (p. [229]-233) and index. :
9789004218802 :
0929-2403 ; :
Available to subscribing member institutions only.
Oral performance and its context /
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This volume is concerned with aspects of orality and literacy in the ancient world. It arises from the tremendous contemporary interest among scholars in questions of how literacy and orality co-exist and interact in the ancient world. The contents of the book are refereed papers originally presented at the fifth biennial 'Orality and Literacy in ancient Greece' held at The University of Melbourne in 2002. Papers are offered by scholars from Britain, the USA, Canada and Australia which deal with a range of periods and genres in antiquity, from Homer through to Roman literature. The book will be of great interest to students and scholars of the ancient world.
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Papers presented at the University of Melbourne conference in July 2002. :
1 online resource (viii, 208 pages) :
Includes bibliographical references. :
9789047412601 :
0169-8958 ; :
Available to subscribing member institutions only.