Opposition to philosophy in Safavid Iran : Mulla Muḥammad-Ṭāhir Qummī's Ḥikmat al-ʻārifin /
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In Opposition to Philosophy in Safavid Iran , Ata Anzali and S. M. Hadi Gerami offer a critical edition of a hitherto unpublished manuscript that is arguably the most erudite and extensive polemical work against philosophy and philosophical mysticism from the Safavid period. The introduction offers an extensive and in-depth analysis of the status of philosophy in the late Safavid period, placing Mulla Muhammad-Tahir Qummi's (d. 1689) work in the broader context of the relevant cultural and intellectual developments of his time. The content of Hikmat al-'arifin itself is divided between a refutation of many traditional philosophical arguments about the nature of God and His attributes and, more importantly for those interested in Safavid intellectual history, attacks on Mulla Sadra and his students for synthesizing fundamental elements Ibn 'Arabi's thought into the framework of traditional philosophical discourse.
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Editors' introduction -- Philosophy and philosophers: hapless victims or elite contenders? -- Muḥammad-Ṭāhir Qummī -- Ḥikmat al-ʻārifin -- The critical edition -- Bibliography (sources used in the introduction) -- Critical edition of Ḥikmat al-ʻārifin. :
1 online resource (ix, 458 pages) : illustrations. :
Includes bibliographical references and index. :
9789004345683 :
Available to subscribing member institutions only.
Al-Maqāmāt al-luzūmīya by Abū l-Ṭāhir Muḥammad ibn Yūsuf al-Tamīmī al-Saraqusṭī, ibn al-Aštarkūwī (d. 538/1143) /
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Although the Arabic maqāmah, a branch of the picaresque genre, was much cultivated in the Middle Ages, little is known about it aside from the works of al-Hamadhānī and al-ḥarīrī, its first two cultivators. This translation of the Maqāmāt al-luzūmīyah by the twelfth-century Andalusi author al-Saraqustī makes available to Western scholars of narrative prose a hitherto little-known but important collection of Arabic maqāmāt. The "Preliminary Study" places this specific collection in the context of the overall maqama genre, it further places that genre in the contexts both of Arabic and of world literature, exploring the differences between the picaresque genre and the modern novel. It discusses the meaning of the work, shows the way in which it is original within its genre, and establishes its organic unity. Finally, it shows that late and post-classical Arabic literary works such as that of al-Saraqustī, which were composed during the so-called "period of decadence," are not decadent at all, contrary to the opinion prevalent among scholars in the field.
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1 online resource. :
Includes bibliographical references and index. :
9789004492158
9789004123311