Aesthetic value in classical antiquity /
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How do people respond to and evaluate their sensory experiences of the natural and man-made world? What does it mean to speak of the 'value' of aesthetic phenomena? And in evaluating human arts and artifacts, what are the criteria for success or failure? The sixth in a series exploring 'ancient values', this book investigates from a variety of perspectives aesthetic value in classical antiquity. The essays explore not only the evaluative concepts and terms applied to the arts, but also the social and cultural ideologies of aesthetic value itself. Seventeen chapters range from the 'life without the Muses' to 'the Sublime', and from philosophical views to middle-brow and popular aesthetics. Aesthetic value in classical antiquity should be of interest to classicists, cultural and art historians, and philosophers.
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Title from PDF title page (viewed on Oct. 2, 2012). :
1 online resource (484 pages) :
Includes bibliographical references and index. :
9789004232822 :
Available to subscribing member institutions only.
Brill's companion to the reception of classics in international modernism and the avant-garde /
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Brill's Companion to the Reception of Classics in International Modernism and the Avant-Garde examines how the writers and artists who lived from roughly the last quarter of the nineteenth century to the middle of the twentieth sought to build a new world from the ashes of one marked by two world wars, global economic depression, the rise of nationalism, and the collapse of empires. By surveying the modernist appropriation of Ancient Greece and Rome, the fourteen chapters in this volume demonstrate how the Classics, as foundational texts of the old order, were nevertheless adapted to suit the stylistic innovation and formal experimentation that characterized modernist and avant-garde literature and art.
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1 online resource. :
9789004335493 :
Available to subscribing member institutions only.
Les lieux communs du roman : stéréotypes grecs d'aventure et d'amour /
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The author uses an extensive study of the five Greek novels preserved by tradition since Roman times (Chariton, Chaireas and Callirhoe , Longus, Daphnis and Chloe , Xenophon of Ephesus, Ephesiaca , Achilles Tatius, Leucippe and Clitophon , Heliodorus, Ethiopica ) to show how the novel form, from its origins, has been based upon the repetition of commonplaces, τόποι, which allows an interplay with the reader. The commonest of these commonplaces, love-Eros, provides the plot of the five novels, in an order which is itself topical: meeting and love at first sight, wounds of love and lovesickness, lovers separated, lovers put to the test by the sea and by pirates, lovers reunited. The heroes of Greek novels, always young, good-looking and well-born (even if their identities are left unclear), allow for easy reader identification. From Xenophon of Ephesus (the most primitive form of the novel) to the Ethiopica (a true work of art), the Greek novel had already explored all the main narrative possibilities of the genre.
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1 online resource (vii, 248 pages) : illustrations. :
Includes bibliographical references (p. 240-248) and indexes. :
9789004329195 :
0169-8958 ; :
Available to subscribing member institutions only.