shapes design » ships design (Expand Search), ship design (Expand Search), seals design (Expand Search)
cases design » canto design (Expand Search), basic design (Expand Search)
design 35rt » design art (Expand Search)
arts design » art design (Expand Search), canto design (Expand Search)
design 35 » design 5 (Expand Search), delion 35 (Expand Search), design 8 (Expand Search)
Lux in tenebris : the visual and the symbolic in western esotericism /
:
Lux in Tenebris is a collection of eighteen original interdisciplinary essays that address aspects of the verbal and visual symbolism in the works of significant figures in the history of Western Esotericism, covering such themes as alchemy, magic, kabbalah, angels, occult philosophy, Platonism, Rosicrucianism, and Theosophy. Part I: Middle Ages andamp; Early Modernity ranges from Gikatilla, Ficino, Camillo, Agrippa, Weigel, Böhme, Yvon, and Swedenborg, to celestial divination in Russia. Part II: Modernity andamp; Postmodernity moves from occultist thinkers Schwaller de Lubicz and Evola to esotericism in literature, art, and cinema, in the works of Colquhoun, Degouve de Nuncques, Bruskin, Doitschinoff, and Pérez-Reverte, with an essay on esoteric theories of colour. Contributors are: Michael J.B. Allen, Susanna Åkerman, Lina Bolzoni, Aaron Cheak, Robert Collis, Francesca M. Crasta, Per Faxneld, Laura Follesa, Victoria Ferentinou, Joshua Gentzke, Joscelyn Godwin, Hans Thomas Hakl, Theodor Harmsen, Elke Morlok, Noel Putnik, Jonathan Schorsch, György Szönyi, Carsten Wilke, and Thomas Willard.
:
1 online resource. :
Includes bibliographical references and index. :
9789004334953 :
1871-1405 ; :
Available to subscribing member institutions only.
In-Between Identities: Signs of Islam in Contemporary American Writing.
:
For the writers and artists in In-Between Identities: Signs of Islam in Contemporary American Writing , contemporary Muslim American identity is neither singular nor fixed. Rather than dismiss the tradition in favor of more secular approaches, however, all of the figures here discover in Muhammad's revelation resources for affirming such uncertainty. For them, the Qur'anic notion of a divine "sign" validates creation, even that creativity born of contrasting if not competing assumptions about identity. To develop this claim, individual chapters in the book discuss Muslim faith in the work of poets Naomi Shihab Nye, Kazim Ali, Tyson Amir and Amir Sulaiman; novelists Mohja Kahf, Rabih Alameddine, and Willow Wilson; illustrator Sandow Birk; playwright Ayad Akhtar; and the online record of the 30 Mosques in 30 Days project.
:
1 online resource. :
9789004382541
The Rhetorical Design of Isaiah 40-48/55 : Zion's Incomparable Saviour and His Servants /
:
In this volume, Pieter van der Lugt offers a comprehensive analysis of the rhetorical structure of Isaiah. As in his previous studies on the Book of Job and the Psalter the author demonstrates that classical Hebrew poetry displays a well-defined structure consisting of balanced main parts (cantos) and subdivision into strophes. This rhetorical starting point is of crucial importance for the delimitation of the individual poems in Isaiah 40-48 and in many cases determines their interpretation. Subsequently, it is demonstrated that the successive compositions form well-defined and coherent cycles of poems.
:
This book analyzes the `strophic' structure of the poems in Isaiah 40-48 and discusses the consequence of this approach for their interpretation. Among other things, the autor takes a critical stand as to the `redaktionsgeschichtliche' approach of the poems concerned. :
1 online resource. :
Includes bibliographical references and index. :
9789004513976
9789004514768
The arts of ornamental geometry : a Persian compendium on similar and complementary interlocking...
:
This collective study focuses on a unique anonymous medieval document on ornamental geometry featuring geometrical constructions and textual instructions in Persian. Selections from the unpublished work of Alpay Özdural (d. 2003) on this subject have been updated with original contributions by Jan P. Hogendijk, Elaheh Kheirandish, Gülru Necipoğlu, and Wheeler M. Thackston. The chapters interpreting this fascinating document are followed, for the first time, by a facsimile, transcription, and translation, as well as drawings of incised construction lines invisible in the photographed facsimile. This publication intersects with the current interest in Islamic geometrical patterning as an inspiration for tessellation and parametrically derived forms in contemporary architecture and the arts. It aims to make this celebrated source more accessible, given its multifaceted relevance to historians of art, architecture, and science, as well as mathematicians, physicists, artists, and architects. For those who wish to obtain a copy of the full, unedited original book manuscript of Alpay Özdural, where he discusses the mathematical properties of all geometrical constructions in the Anonymous Compendium as well as the step-by-step method for drawing each one, his work is available online at https://doi.org/10.6084/m9.figshare.5255416
:
1 online resource. :
Includes bibliographical references and index. :
9789004315204 :
Available to subscribing member institutions only.
Bodies in the streets : the somaesthetics of city life /
:
Cities are defined by their complex network of busy streets and the multitudes of people that animate them through physical presence and bodily actions that often differ dramatically: elegant window-shoppers and homeless beggars, protesting crowds and patrolling police. As bodies shape city life, so the city's spaces, structures, economies, politics, rhythms, and atmospheres reciprocally shape the urban soma. This collection of original essays explores the somaesthetic qualities and challenges of city life (in Europe, Asia, Africa, and the Americas) from a variety of perspectives ranging from philosophy, urban theory, political theory, and gender studies to visual art, criminology, and the interdisciplinary field of somaesthetics. Together these essays illustrate the aesthetic, cultural, and political roles and trials of bodies in the city streets.
:
Includes index. :
1 online resource. :
9789004411135
Selves Engraved on Stone: Seals and Identity in the Ancient Near East, ca. 1415-1050 BCE /
:
Selves Engraved on Stone explores the ways in which multiple aspects of identity were constructed through the material, visual, and textual characteristics of personal seals from ancient Mesopotamia and Syria in the latter half of the 2nd millennium BCE.
Typically carved in stone, the cylinder seal is perhaps the most distinctive art form to emerge in ancient Mesopotamia. It spread across the Near East from ca. 3300 BCE onwards, and remained in use for millennia. What was the role of this intricate object in the making of a person's social identity? As the first comprehensive study dedicated to this question, Selves Engraved on Stone explores the ways in which different but often intersecting aspects of identity, such as religion, gender, community and profession, were constructed through the material, visual, and textual characteristics of seals from Mesopotamia and Syria.
:
1 online resource. :
Includes bibliographical references and index. :
9789004524569
9789004524576
Iconoclasm and iconoclash : struggle for religious identity /
:
This book focuses on iconoclastic controversies and, in particular, their impact on the creation of religious identities. In the history of Jewish, Christian and Muslim culture, religious identity was not only formed through historical claims, but also through the use of certain images: 'images of God', 'images of the others', and 'images of the self.' Moreover, in the struggle for religious identity these 'images' were time and again employed for the purpose of establishing distinct groups, both ortho- dox and deviant. At the same time, they supplied weapons in the theological debate and found explicit expression in certain rituals or liturgical traditions. These conference proceedings include a discussion of the role of images in society, politics, theology and liturgy, in particular addressing the 'iconoclash' of physical, mental and verbal images on the construction of religious identity.
:
"Second conference of church historians Utrecht; University of Tilburg, faculty of Catholic Theology, Theology Department of Utrecht University." :
1 online resource. :
Includes bibliographical references and index. :
9789047422495 :
Available to subscribing member institutions only.
Narrative in drama : the art of the Euripidean messenger-speech /
:
This book, consisting of three self-contained studies, deals with the Euripidean messenger-speech. The first study concerns the form of the messenger-speech, which is that of a first-person narrative, and the consequences of this form. The second study analyses the messenger's style of presentation. In the third study the place and function of the messenger-speech within the play is discussed. Although scholars have dealt with the messenger-speech before, there is no single, up-to-date work of reference available. The present study aims at filling this void, while making use of analytical tools deriving from narratology and drama-theory. Eight appendices are added, which provide the reader with complete lists of phenomena discussed in the main text. Often considered transparent and self-explanatory, the messenger-speeches are now shown to be both complex and subtle texts.
:
1 online resource (ix, 214 pages) :
Includes bibliographical references (p. 203-208) and index. :
9789004329126 :
0169-8958 ; :
Available to subscribing member institutions only.