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Ship 17 : a baris from Thonis-Heracleion /
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A study of the construction, structure and identification of Ship 17, a Late Period baris-vessel discovered during underwater excavations at Thonis-Heracleion, a sunken city in Aboukir Bay. Ship 17 is placed within the traditions of naval architecture both in Egypt and the wider Mediterranean.
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xii, 140 pages : illustrations (mostly color), color maps ; 31 cm. + 1 poster. :
Includes bibliographical references (pages 125-133) and index. :
9781905905362
The arts of ornamental geometry : a Persian compendium on similar and complementary interlocking...
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This collective study focuses on a unique anonymous medieval document on ornamental geometry featuring geometrical constructions and textual instructions in Persian. Selections from the unpublished work of Alpay Özdural (d. 2003) on this subject have been updated with original contributions by Jan P. Hogendijk, Elaheh Kheirandish, Gülru Necipoğlu, and Wheeler M. Thackston. The chapters interpreting this fascinating document are followed, for the first time, by a facsimile, transcription, and translation, as well as drawings of incised construction lines invisible in the photographed facsimile. This publication intersects with the current interest in Islamic geometrical patterning as an inspiration for tessellation and parametrically derived forms in contemporary architecture and the arts. It aims to make this celebrated source more accessible, given its multifaceted relevance to historians of art, architecture, and science, as well as mathematicians, physicists, artists, and architects. For those who wish to obtain a copy of the full, unedited original book manuscript of Alpay Özdural, where he discusses the mathematical properties of all geometrical constructions in the Anonymous Compendium as well as the step-by-step method for drawing each one, his work is available online at https://doi.org/10.6084/m9.figshare.5255416
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1 online resource. :
Includes bibliographical references and index. :
9789004315204 :
Available to subscribing member institutions only.
Bodies in the streets : the somaesthetics of city life /
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Cities are defined by their complex network of busy streets and the multitudes of people that animate them through physical presence and bodily actions that often differ dramatically: elegant window-shoppers and homeless beggars, protesting crowds and patrolling police. As bodies shape city life, so the city's spaces, structures, economies, politics, rhythms, and atmospheres reciprocally shape the urban soma. This collection of original essays explores the somaesthetic qualities and challenges of city life (in Europe, Asia, Africa, and the Americas) from a variety of perspectives ranging from philosophy, urban theory, political theory, and gender studies to visual art, criminology, and the interdisciplinary field of somaesthetics. Together these essays illustrate the aesthetic, cultural, and political roles and trials of bodies in the city streets.
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Includes index. :
1 online resource. :
9789004411135
Boats, ships and shipyards : proceedings of the Ninth International Symposium on Boat and Ship Archaeology, Venice 2000 /
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"ISBSA 9."
"Università Ca' Foscari Venezia, Dipartimento di scienze dell'antichità e del Vicino Oriente." :
xiv, 362 p. : ill. ; 31 cm. :
Includes bibliographical references. :
1842170937
The Resurgam submarine : 'a project for annoying the enemy' /
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The Resurgam is one of the earliest 'working' submarines, designed by Victorian engineer George William Garrett. This text describes how the Resurgam was built, how she may have worked and what happened to her.
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Previously issued in print: 2017. :
1 online resource : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781784915834 (ebook) :
Porti e approdi fluviali in Italia peninsulare : dall'età romana all'anno mille /
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Most Roman ports were located at river mouths and/or in lagoon areas and were connected with inland areas by rivers or artificial canals. For this reason, port structures (piers and warehouses) were set at some distance from the sea, as in Rome (Emporium of Testaccio along the Tiber), in Pisa-San Rossore and in the Po valley. According to historical sources, many river wharves were located along the Po while San Vincenzo abbey managed the Volturno river. The Carolingian river wharves of San Vincenzo were composed of timber, stone and, according to the Roman tradition, concrete structures. A slow recovery of maritime trades is already evident in the Carolingian Age. This book analyses the Roman and early medieval ports of Italy and the building techniques used in their structures; it displays the elements of continuity and discontinuity revealed during these centuries.
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1 online resource (x, 106 pages) : illustrations (black and white). :
Specialized. :
Includes bibliographical references. :
9781789692211 (ebook) :
A Walk in the Park: Kinesthesia in the Arts of Landscape /
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Current neuroscience discloses that all emotional feeling originates as movement. Kinesthesia, our sixth sense, begins with movement of muscle cells and ends as emotion. Depth perception, which depends on movement, is always feeling-laden. To be expressive, art must somehow move our bodies. Studies of expressive dance demonstrate that we unconsciously model observed movements, duplicating in ourselves the feelings that generated the dancer's movements. The art of landscape creates choreography for a walk. But each of the fine arts play a role in landscape design. Here, then, is a new theory of landscape that easily extends to all the fine arts, explaining our enjoyment in landscape, as well as aesthetic enjoyment more generally.
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1 online resource (452 pages) : illustrations. :
Includes bibliographical references and index. :
9789004697591
Greek art : from Oxford to Portugal and back again /
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One of the most fascinating topics in the study of ancient art concerns artistic practices and models and the means of transmission of iconographic designs and decorative compositions. This phenomenon, although well known, has not drawn much attention of scholars of the ancient art. Apart from copies of originals, the practice dates back to the first civilizations and may be even older. The media used could be painted vignettes on papyri, paint on leather, or sketches painted on ostraca, used as pattern books. This issue is practically unheard of regarding ancient Greece, although a few media have been found which may have facilitated the transmission of iconographic designs and decorative compositions. In this study we present some examples that suggest the existence of pattern books in the Greek world.
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Previously issued in print: 2017. :
1 online resource : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781784915872 (ebook) :
We Have Always Been Transcultural: The Arts as an Example /
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Wolfgang Welsch demonstrates for the first time that transculturality - the mixed constitution of cultures - is by no means only a characteristic of the present, but has de facto determined the composition of cultures since time immemorial. The historical transculturality is demonstrated using examples from the arts. While transculturality was often viewed with reservation where political, social, or psychological levels were at stake, it was rather welcomed and appreciated in the field of art. The book therefore demonstrates the historical prevalence of transculturality via all areas of art and does so with respect to all cultures and continents of our world.
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1 online resource (238 pages) : illustrations. :
Includes bibliographical references and index. :
9789004697829
The Emperor's Qualities and Virtues in the Inscriptions from Augustus to the Beginning of Constantine's Reign: "Mirrors for prince"? : Qualités et vertus de l'empereur dans les inscriptions d'Auguste...
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This anthology provides valuable new insights into discussions about the virtues, qualities, and position of the emperor in the Roman world (especially with regard to the perception of imperial dominion in the eastern provinces) by systematically focusing on documentary sources, i.e. inscriptions in particular. In addition, the assembled texts contribute to the study of Roman political thought, shaped by earlier traditions primarily during the Principate and the beginning of the Later Roman Empire. Cet ouvrage collectif apporte de nouveaux éclairages précieux aux discussions sur les vertus, les qualités, la position de l'empereur dans le monde romain (notamment sur la perception de la domination impériale dans les provinces orientales), en se concentrant systématiquement sur les sources, c'est-à-dire les inscriptions en particulier. Les textes réunis contribuent également à l'étude de la pensée politique romaine, façonnée par des traditions antérieures, surtout pendant le Principat et le début de l'Antiquité Tardive.
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1 online resource :
Includes bibliographical references and index. :
9789004515086
9789004515093
Greek art and archaeology : c. 1200-30 BC /
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Surveys Greek archeology from the collapse of the Mycenaean palaces to the subordination of the last Hellenistic kingdoms to Rome. Its aim is to study Greek art through the material record, and against its cultural and social backdrop. Through concise, systematic coverage of the main categories of classical monuments, the reader is taken on a tour of ancient Greece through the most important period in its history, the first millennium BC. Architecture and city planning, sculpture, painting, pottery, metallurgy, jewelry, and numismatics are some of the areas covered. Divided into accessible, user-friendly sections including case studies, terminology, charts, maps, a timeline, and full index, the book is designed primarily for art and archeology students as well as for anyone interested in Greek art and culture.
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Translation of : Hellēnikē technē kai archaiologia. :
303 pages : illustrations (chiefly color), maps (some color) ; 28 cm :
Includes bibliographical references and index. :
9781937040574
1937040577
The Aesthetics of Taste: Eating within the Realm of Art /
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When does eating become art? The Aesthetics of Taste answers this question by exploring the position of taste in contemporary culture and the manner in which taste meanders its way into the realm of art. The argument identifies aesthetic values not only in artistic practices, where they are naturally expected, but also in the spaces of everydayness that seem far removed from the domain of fine arts. As such, it seeks to grasp what artists - who offer aesthetic as well as culinary experiences - actually try to communicate, while also pondering whether a cook can be an artist.
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1 online resource :
9789004534926
9789004534933