shapes design » ships design (Expand Search), ship design (Expand Search), cases design (Expand Search)
slip design » ship design (Expand Search), ships design (Expand Search)
design art » designer part (Expand Search)
design 35 » delion 35 (Expand Search), design 8 (Expand Search), design ch (Expand Search)
design 5 » design 8 (Expand Search), designs _ (Expand Search), design ch (Expand Search)
design a » design 8 (Expand Search), designs _ (Expand Search), design ch (Expand Search)
The arts of ornamental geometry : a Persian compendium on similar and complementary interlocking...
:
This collective study focuses on a unique anonymous medieval document on ornamental geometry featuring geometrical constructions and textual instructions in Persian. Selections from the unpublished work of Alpay Özdural (d. 2003) on this subject have been updated with original contributions by Jan P. Hogendijk, Elaheh Kheirandish, Gülru Necipoğlu, and Wheeler M. Thackston. The chapters interpreting this fascinating document are followed, for the first time, by a facsimile, transcription, and translation, as well as drawings of incised construction lines invisible in the photographed facsimile. This publication intersects with the current interest in Islamic geometrical patterning as an inspiration for tessellation and parametrically derived forms in contemporary architecture and the arts. It aims to make this celebrated source more accessible, given its multifaceted relevance to historians of art, architecture, and science, as well as mathematicians, physicists, artists, and architects. For those who wish to obtain a copy of the full, unedited original book manuscript of Alpay Özdural, where he discusses the mathematical properties of all geometrical constructions in the Anonymous Compendium as well as the step-by-step method for drawing each one, his work is available online at https://doi.org/10.6084/m9.figshare.5255416
:
1 online resource. :
Includes bibliographical references and index. :
9789004315204 :
Available to subscribing member institutions only.
Bodies in the streets : the somaesthetics of city life /
:
Cities are defined by their complex network of busy streets and the multitudes of people that animate them through physical presence and bodily actions that often differ dramatically: elegant window-shoppers and homeless beggars, protesting crowds and patrolling police. As bodies shape city life, so the city's spaces, structures, economies, politics, rhythms, and atmospheres reciprocally shape the urban soma. This collection of original essays explores the somaesthetic qualities and challenges of city life (in Europe, Asia, Africa, and the Americas) from a variety of perspectives ranging from philosophy, urban theory, political theory, and gender studies to visual art, criminology, and the interdisciplinary field of somaesthetics. Together these essays illustrate the aesthetic, cultural, and political roles and trials of bodies in the city streets.
:
Includes index. :
1 online resource. :
9789004411135
Greek art : from Oxford to Portugal and back again /
:
One of the most fascinating topics in the study of ancient art concerns artistic practices and models and the means of transmission of iconographic designs and decorative compositions. This phenomenon, although well known, has not drawn much attention of scholars of the ancient art. Apart from copies of originals, the practice dates back to the first civilizations and may be even older. The media used could be painted vignettes on papyri, paint on leather, or sketches painted on ostraca, used as pattern books. This issue is practically unheard of regarding ancient Greece, although a few media have been found which may have facilitated the transmission of iconographic designs and decorative compositions. In this study we present some examples that suggest the existence of pattern books in the Greek world.
:
Previously issued in print: 2017. :
1 online resource : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781784915872 (ebook) :
A Walk in the Park: Kinesthesia in the Arts of Landscape /
:
Current neuroscience discloses that all emotional feeling originates as movement. Kinesthesia, our sixth sense, begins with movement of muscle cells and ends as emotion. Depth perception, which depends on movement, is always feeling-laden. To be expressive, art must somehow move our bodies. Studies of expressive dance demonstrate that we unconsciously model observed movements, duplicating in ourselves the feelings that generated the dancer's movements. The art of landscape creates choreography for a walk. But each of the fine arts play a role in landscape design. Here, then, is a new theory of landscape that easily extends to all the fine arts, explaining our enjoyment in landscape, as well as aesthetic enjoyment more generally.
:
1 online resource (452 pages) : illustrations. :
Includes bibliographical references and index. :
9789004697591
Greek art and archaeology : c. 1200-30 BC /
:
Surveys Greek archeology from the collapse of the Mycenaean palaces to the subordination of the last Hellenistic kingdoms to Rome. Its aim is to study Greek art through the material record, and against its cultural and social backdrop. Through concise, systematic coverage of the main categories of classical monuments, the reader is taken on a tour of ancient Greece through the most important period in its history, the first millennium BC. Architecture and city planning, sculpture, painting, pottery, metallurgy, jewelry, and numismatics are some of the areas covered. Divided into accessible, user-friendly sections including case studies, terminology, charts, maps, a timeline, and full index, the book is designed primarily for art and archeology students as well as for anyone interested in Greek art and culture.
:
Translation of : Hellēnikē technē kai archaiologia. :
303 pages : illustrations (chiefly color), maps (some color) ; 28 cm :
Includes bibliographical references and index. :
9781937040574
1937040577
The Aesthetics of Taste: Eating within the Realm of Art /
:
When does eating become art? The Aesthetics of Taste answers this question by exploring the position of taste in contemporary culture and the manner in which taste meanders its way into the realm of art. The argument identifies aesthetic values not only in artistic practices, where they are naturally expected, but also in the spaces of everydayness that seem far removed from the domain of fine arts. As such, it seeks to grasp what artists - who offer aesthetic as well as culinary experiences - actually try to communicate, while also pondering whether a cook can be an artist.
:
1 online resource :
9789004534926
9789004534933
The Torah ark in Renaissance Poland : a Jewish revival of classical antiquity /
:
The volume explores the stone carved shrines for the scrolls of the Mosaic Law from the mid-sixteenth to the mid-seventeenth century synagogues in the former Polish Kingdom. Created on the margin of mainstream art and at a crossroad of diverse cultures, artistic traditions, aesthetic attitudes and languages, these indoor architectural structures have hitherto not been the subject of a monographic study. Revisiting and integrating multiple sources, the author re-evaluates the relationship of the Jewish culture in Renaissance Poland with the medieval Jewish heritage, sepulchral art of the Polish court and nobles, and earlier adaptations of the Christian revival of classical antiquity by Italian Jews. The book uncovers the evolution of artistic patronage, aesthetics, expressions of identities, and emerging visions among a religious minority on the cusp of the modern age.
:
1 online resource (xxviii, 240 pages) :
Includes bibliographical references and index. :
9789004244405 :
Available to subscribing member institutions only.
Cartooning for a modern Egypt /
:
The Egyptian caricature is generally studied as part of Egyptian mass culture, and mainly discussed in the context of Egypt's anti-colonial resistance to British foreign rule, as part of the forging of a "national style". In Cartooning for a Modern Egypt, Keren Zdafee foregrounds the role that Egypt's foreign-local entrepreneurs and caricaturists played in formulating and constructing the modern Egyptian caricature of the interwar years, that was designated for, and reflected, a colonial and cosmopolitan culture of a few. Keren Zdafee illustrates how Egyptian foreign-local caricaturists envisioned and evaluated the past, present, and future of Egyptian society, in the context of Cairo's colonial cosmopolitanism, by adopting a theoretical, semiotic, and historical approach.
:
1 online resource. :
Includes bibliographical references. :
9789004410381
Ancient synagogues-archaeology and art : new discoveries and current research /
:
Ancient Synagogues - Archaeology and Art. New Discoveries and Current Research presents archaeological evidence - the architecture, art, Jewish symbols, zodiac, biblical tales, inscriptions, and coins - which attest to the importance of the synagogue. When considered as a whole, all these pieces of evidence confirm the centrality of the synagogue institution in the life of the Jewish communities all through Israel and in the Diaspora. Most importantly, the synagogue and its art and architecture played a powerful role in the preservation of the fundamental beliefs, customs, and traditions of the Jewish people following the destruction of the Second Temple and the loss of Jewish sovereignty in the Land of Israel. The book also includes a supplement of the report on the Qazion excavation.
:
1 online resource (xxxiv, 738 pages, [64] pages of plates) : illustrations (some color) :
Includes bibliographical references (p. 687-714) and index. :
9789004257726 :
Available to subscribing member institutions only.
La splendeur des dieux: Quatre études iconographiques sur l'hellénisme égyptien (2 vols) /
:
"Why are the rays of the Greek god Helios on the forehead of a crocodile-headed Egyptian deity? Navigating the maze of Greek and Egyptian communities and creeds, Gaëlle Tallet investigates the plasticity of material culture in the polytheistic context of Graeco-Roman Egypt. Using the Ariadne's thread of the manufacturing of new images, suitable to new needs and new understandings of the divine, La Splendeur des dieux opens the doors of the workshops where these images were designed, ordered and crafted. Tallet offers a full re-appraisal of the cultural balance of powers in Graeco-Roman Egypt, depicting the indigenous clergies and artists as integratedactors of an Egyptian Hellenicity that helped promote and preserve their millenaries-old traditions. Que viennent faire les rayons solaires du dieu grec Hélios sur le front d'un dieu crocodile égyptien ? Cette question est au point de départ d'une enquête au cœur de la plasticité du système polythéiste de l'Égypte gréco-romaine. Parcourant le labyrinthe des diverses communautés et croyances grecques et égyptiennes, Gaëlle Tallet utilise le fil d'Ariane de la production des images religieuses, réponses à de nouveaux besoins et de nouvelles perceptions du divin, et ouvre les portes des ateliers où elles ont été conçues, commandées et façonnées. La Splendeur des dieux propose une réévaluation du rôle des clergés et des artistes indigènes dans l'élaboration d'un hellénisme proprement égyptien, qui leur a permis de promouvoir et préserver des traditions millénaires"--
:
Revision of the author's thesis (doctoral)--Université de Strasbourg, 2006, under the title: Les dieux à couronne radiée dans l'iconographie de l'Egypte gréco-romaine. :
1 online resource. :
Includes bibliographical references and index. :
9789004428928
9789004428911
We Have Always Been Transcultural: The Arts as an Example /
:
Wolfgang Welsch demonstrates for the first time that transculturality - the mixed constitution of cultures - is by no means only a characteristic of the present, but has de facto determined the composition of cultures since time immemorial. The historical transculturality is demonstrated using examples from the arts. While transculturality was often viewed with reservation where political, social, or psychological levels were at stake, it was rather welcomed and appreciated in the field of art. The book therefore demonstrates the historical prevalence of transculturality via all areas of art and does so with respect to all cultures and continents of our world.
:
1 online resource (238 pages) : illustrations. :
Includes bibliographical references and index. :
9789004697829
Interaction between Judaism and Christianity in history, religion, art and literature /
:
This volume contains a variety of essays that deal with the complex relationships between Judaism and Christianity. From the Jewish side, particularly in Orthodox circles, there is a position maintaining the independence of Judaism from outside influences including Christianity. Traditional Christian theology, on the other hand, held a supercessionist view in which Judaism was seen merely as a historical preparation for the later revelation of Christianity. Was there no real interaction? When and how did Judaism and Christianity become two distinct religions? When did the 'parting of ways\' take place, if indeed there really was such a parting of ways? The present volume takes a bold step forward by assuming that no historical period can be excluded from the interactive process between Judaism and Christianity, conscious or unconscious, as a polemical rejection or as tacit appropriation.
:
1 online resource. :
Includes bibliographical references and indexes. :
9789047424826 :
Available to subscribing member institutions only.
Beyond the Pharaohs : Egypt and the copts in the 2nd to 7th centuries A.D. /
: "Catalog of an exhibition held at the Museum of Art, Rhode Island School of Design, Feb. 10-Apr. 16, 1989 and Walters Art Gallery, Baltimore, Md., May 21-July 16, 1989". : 296 pages : illustrations (some color), maps ; 31 cm. : 0911517529
Images of cosmology in Jewish and Byzantine art : God's blueprint of creation /
:
Does the design of the Tabernacle in the wilderness correspond to God's blueprint of Creation? The Christian Topography, a sixth-century Byzantine Christian work, presents such a cosmology. Its theory is based on the "pattern" revealed to Moses on Mount Sinai when he was told to build the Tabernacle and its implements "after their pattern, which is being shown thee on the Mount." (Exod. 25: 40). The book demonstrates, through texts and images, the motifs that link the Tabernacle and Creation. It traces the long chain of transmission that connects the Jewish and Christian traditions from Syria and ancient Israel to France and Spain from the first through the fourteenth century, revealing new models of interaction between Judaism and Christianity.
:
1 online resource (xxi, 318 pages) :
Includes bibliographical references and index. :
9789004252196 :
Available to subscribing member institutions only.
Muqarnas : an annual on the visual culture of the Islamic world.
:
Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. In Muqarnas articles are being published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
:
"The Aga Khan Program for Islamic architecture, thirtieth anniversary special volume." :
1 online resource. :
Includes bibliographical references. :
9789047426745 :
Available to subscribing member institutions only.
Islamic arms and armor in the Metropolitan Museum of Art /
:
"From its origins in the 7th century, armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of faith, but also as symbols of status, wealth, and power. More than 120 exceptional examples from the renowned collection of The Metropolitan Museum of Art are presented in detail to demonstrate the remarkable craftsmanship and beauty of Islamic arms and armor. These diverse objects, which have never been catalogued or published in detail, span ten centuries and represent nearly every Islamic culture, from Spain to the Caucasus. Among these masterpieces are rare early works, such as the oldest documented Islamic sword, and fine examples of decorated helmets and body armor from late-15th-century Iran and Anatolia. Also included are lavish gem-studded weapons from royal courts in the Ottoman world and India. Each piece is handsomely photographed, with a detailed discussion of its technical, historical, and artistic importance. Made by master artisans in conjunction with leading designers, goldsmiths, and jewelers, these stunning objects demonstrate how utilitarian military equipment could be transformed into striking and extravagant works of art."--YaleBooks website.
"Armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of the faith, but also as symbols of status, wealth, and power. The finest arms were made by master craftsmen working with the leading designers, goldsmiths, and jewelers, whose work transformed utilitarian military equipment into courtly works of art. This book reveals the diversity and artistic quality of one of the most important and encyclopedic collections of its kind in the West. The Metropolitan Museum's holdings span ten centuries and include representative pieces from almost every Islamic culture from Spain to the Caucasus. Presenting 126 objects, each handsomely photographed and richly documented with a detailed description of discussion of its technical, historical, and artistic importance, this overview of the Met's holdings is supplemented by an introductory essay on the formation of the collection, and appendixes on iconography and on Turkman-style armor."--Publisher's description.
:
xii, 336 pages : illustrations (chiefly color), map ; 32 cm. :
Includes bibliographical references (pages 312-329) and index. :
1588395707
9781588395702