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Interaction between Judaism and Christianity in history, religion, art and literature /
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This volume contains a variety of essays that deal with the complex relationships between Judaism and Christianity. From the Jewish side, particularly in Orthodox circles, there is a position maintaining the independence of Judaism from outside influences including Christianity. Traditional Christian theology, on the other hand, held a supercessionist view in which Judaism was seen merely as a historical preparation for the later revelation of Christianity. Was there no real interaction? When and how did Judaism and Christianity become two distinct religions? When did the 'parting of ways\' take place, if indeed there really was such a parting of ways? The present volume takes a bold step forward by assuming that no historical period can be excluded from the interactive process between Judaism and Christianity, conscious or unconscious, as a polemical rejection or as tacit appropriation.
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1 online resource. :
Includes bibliographical references and indexes. :
9789047424826 :
Available to subscribing member institutions only.
Islamic art, architecture and material culture : new perspectives /
: "This collection of papers sprang from a workshop hosted in 2007 by the Centre for Advanced Study of the Arab World (CASAW) at the University of Edinburgh."--page iii. : vii, 147 pages : illustrations, maps, plans, facsimiles ; 30 cm. : Includes bibliographical references. : 9781407310350
Under the Adorned Dome, Four Essays on the Arts of Iran and India : Ehsan Yarshater Lecture Series /
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These essays are the revised and updated version of four lectures given in the Yarshater Lecture Series, at SOAS in London in 2013. They concern some aspects of the arts from pre-modern Iran and India, namely, the "making of" of Persian illustrated manuscripts, the iconography of Kashan wares, the use and re-use of luster tiles in Ilkhanid Iran, and the glazed tiles made in three Indian sultanates (Delhi, Bengal and Malwa). These four topics share concepts of influence and impact, although inflected on different modes. The productions they embody represent many poles of influence, even if working on different scales, from the extensive diffusion of products, techniques, and systems to almost isolated productions.
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1 online resource (270 pages) : illustrations. :
Includes bibliographical references and index. :
9789004549722
The Art of Rhetoric (Institutiones Oratoriae, 1711-1741) : From the definitive Latin text and notes...
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Gustavo Costa reviewing the Italian edition of Vico's Institutiones Oratoriae in New Vico Studies 9 (1991), has written that Rhetoric is the mainspring of an important trend of Vichian studies which initiated at the beginning of the twentieth century and had its manifestation in John D. Schaeffer's Sensus Communis: Vico, Rhetoric, and the Limits of Relativism (Durham: Duke University Press, 1990), where Schaeffer aptly noted, summing up a long exegetic tradition, Vico was imbued with rhetoric and convinced of its centrality to Western civilization. Unfortunately, the editions of Vico's works published in English have not yet included the Institutiones Oratoriae , which more or less reflects the lectures on rhetoric given by Vico at the University of Naples, starting with the academic year 1699-1700 and going through 1739-1741. The manual on rhetoric was used in Italy up to the end of the nineteenth century and established the common curriculum in rhetoric to be followed in all Universities. This English edition offers a text of the Institutiones complete on the base of the four known extant manuscripts. It offers the marginal glosses made by Vico's students, a collection of Vico's phrases and explanations of terms collected by some of the students, a glossary of Latin words and rhetorical terms from the Latin text, and a wealth of information in the commentary. The Art of Rhetoric is the manual for everyone who wants to know what rhetoric is, how it was employed in the forum or the courts, how it could be learned from the classic orators, and how it can be used whenever we speak for convincing, praising or motivating.
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1 online resource. :
Includes bibliographical references and index. :
9789401200202
9789051839159
The Aesthetics of Taste: Eating within the Realm of Art /
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When does eating become art? The Aesthetics of Taste answers this question by exploring the position of taste in contemporary culture and the manner in which taste meanders its way into the realm of art. The argument identifies aesthetic values not only in artistic practices, where they are naturally expected, but also in the spaces of everydayness that seem far removed from the domain of fine arts. As such, it seeks to grasp what artists - who offer aesthetic as well as culinary experiences - actually try to communicate, while also pondering whether a cook can be an artist.
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1 online resource :
9789004534926
9789004534933
New advances in the history of archaeology : proceedings of the XVIII UISPP World Congress (4-9 June 2018, Paris, France).
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This volume presents papers from three sessions organised by the History of Archaeology Scientific Commission at the 18th UISPP World Congress (Paris, June 2018) considering the development of stratigraphical methods in archaeology in many European countries, and interdisciplinary perspectives on the history of archaeology.
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Also issued in print: 2021. :
1 online resource (ix, 227 pages) : illustrations (black and white, and colour), maps (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781803270739 (PDF ebook) : :
Open access.
Haecceities.
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Haecceities: Essentialism, Identity, and Abstraction is both an artistic and philosophical examination of the limits of Abstraction in art and of kinds of radical identity that are determined in the identification of those limits. Building on his work Subjects and Objects , Strayer shows how the fundamental conditions of making and apprehending works of art can be used, in concert with language, thought, and perception, as 'material' for producing the more Abstract and radical artworks possible. Certain limits of Abstraction and possibilities of radical identity are then identified that are critically and philosophically considered. They prove to be so extreme that the concepts artwork, abstraction, identity, and object in art, philosophy, and philosophy of art, have to be reconsidered.
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Description based upon print version of record.
10.2 Dualities and Identities. :
1 online resource. :
9789004338449 :
Available to subscribing member institutions only.
Cultural tourism : tourism at world heritage cultural sites : the sites manager's hand book /
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"This is one of a new series of ICOMOS Scientific Publications released on the occasion of its 10th General Assembly in Colombo, 30 July-4 August 1993, sponsored by the Sri Lankan National Committee of ICOMOS"--T.p. verso.
At head of title : International Scientific Committee, 10th General Assembly.
English with preliminary pages in English and French. :
132 pages ; 28 cm. :
Bibliography : pages 111-123. :
9556130322
Montreal Museum of Fine Arts, collection of Mediterranean antiquities /
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This catalogue raisonné describes a little-known but very interesting collection originally assembled by one of the important Canadian collectors of the early 20th century. After an account of the collection's history and a brief discussion of the techniques of ancient glass-making, the catalogue proper presents 191 pieces comprising a very wide range of typical forms, each of them fully illustrated. Publishing this extensive collection renders it available to a wide readership: students, curators, archaeologists, art historians, collectors and everybody with serious interest in the material culture of the ancient world. It is the first of a series intended to make public the different parts of the museum's collection of Mediterranean antiquities.
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1 online resource. :
Includes bibliographical references and index. :
9789047431138 :
Available to subscribing member institutions only.
We Have Always Been Transcultural: The Arts as an Example /
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Wolfgang Welsch demonstrates for the first time that transculturality - the mixed constitution of cultures - is by no means only a characteristic of the present, but has de facto determined the composition of cultures since time immemorial. The historical transculturality is demonstrated using examples from the arts. While transculturality was often viewed with reservation where political, social, or psychological levels were at stake, it was rather welcomed and appreciated in the field of art. The book therefore demonstrates the historical prevalence of transculturality via all areas of art and does so with respect to all cultures and continents of our world.
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1 online resource (238 pages) : illustrations. :
Includes bibliographical references and index. :
9789004697829
Sacred tropes : Tanakh, New Testament, and Qur'an as literature and culture /
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Contemporary sacred text scholarship has been stimulated by a number of intersecting trends: a surging interest in religion, sacred texts, and inspirational issues; burgeoning developments in and applications of literary theories; intensifying academic focus on diverse cultures whether for education or scholarship. Although much has been written individually about Tanakh, New Testament, and Qur'an, no collection combines an examination of all three. Sacred Tropes interweaves Tanakh, New Testament, and Qur'an essays. Contributors collectively and also often individually use mixed literary approaches instead of the older single theory strategy. Appropriate for classroom or research, the essays utilize a variety of literary theoretical lenses including environmental, cultural studies, gender, psychoanalytic, ideological, economic, historicism, law, and rhetorical criticisms through which to examine these sacred works.
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1 online resource. :
Includes bibliographical references and indexes. :
9789047430964 :
Available to subscribing member institutions only.
Aux origines des messianismes juifs : actes du colloque international tenu en Sorbonne, à Paris, les 8 et 9 juin 2010 /
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Les termes « messie » et « messianisme » recouvrent aujourd'hui une désignation exagérément large au regard de leur sens initial dans le judaïsme et le christianisme. Ils sont utilisés dans des contextes qui empruntent souvent inconsciemment aux modèles rhétoriques à l'oeuvre dans le judaïsme ancien et dans le christianisme primitif. Le livre s'intéresse à ces modèles qui caractérisent l'histoire intellectuelle du premier messianisme juif. Tout d'abord, l'émergence du messianisme est examinée à travers les modèles de divinisation du roi dans le Proche-Orient ancien (Égypte, Mésopotamie, culture cananéenne), et à travers l'évolution de l'idéologie royale dans l'Israël ancien. D'autre part, les premiers textes chrétiens ont mis en avant la fusion des attentes messianiques en une seule figure de messie (Jésus-Christ), mais la pluralité des figures messianiques semble prévaloir dans la littérature juive ancienne. ____________________________________ The words 'messiah' and 'messianism' are presently used in a too wide significance in comparison with their original meaning in Judaism and Christianity. Nevertheless, they often borrow unconsciously from rhetorical models at work in Ancient Judaism and Christianity. The book constitutes a series of studies on these models which characterize the intellectual history of the first Jewish messianism. Firstly, the birth of messianism is studied across the divinization of kings in Ancient Near East (Egypt, Mesopotamia, Canaanite culture) and secondly, the change of royal ideology in Ancient Israel to messianism. Thirdly, the first Christian texts have promoted the merging of messianic expectations in one messianic figure (Jesus-Christ), but the plurality of messiahs seem to prevail in early Jewish literature.
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1 online resource (xi, 240 pages) : illustrations. :
Includes bibliographical references and index. :
9789004251670 :
0083-5889 ; :
Available to subscribing member institutions only.