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Gods and heroes of the European Bronze Age /
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"25th Council of Europe Art Exhibition"--Pages iv.
"Catalogue" : pages [207]-279.
OCLC 40609819
Published on the occasion of the exhibition "Gods and heroes of the Bronze Age. Europe at the time of Ulysses", etc., held from Dec. 19, 1998-April 5, 1999, at the National Museum of Denmark, Copenhagen; from May 13 to Aug. 22, 1999, at the Kunst- und Ausstellungshalle der Bundesrepublik Deutschlands, Bonn; from Sept. 28, 1999, to Jan. 9, 2000 at the Galeries nationales du Grand Palais, Paris; and from Feb. 11 to May 7, 2000 at the National Archaeological Museum, Athens. :
xi, 304 pages : illustrations (some color), maps ; 29 cm. :
Includes bibliographical references (p. 280-296). :
0500019150
Montreal Museum of Fine Arts, collection of Mediterranean antiquities =Musée des beaux-arts de...
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This catalogue raisonné describes the lamps and statuettes in terracotta of the Montreal Museum of Fine Arts, to which are added two lamps made of bronze. The collection, small but eclectic, has mostly been assembled in recent years and represents a wide variety of types in these two categories. After an introduction discussing the techniques involved in the production of these objects, the catalogue proper presents 44 lamps, 21 figurines and a single arula with full illustration. This catalogue makes the collection available to a wide readership: students, curators, archaeologists, art historians, collectors and everybody with serious interest in the material culture of the ancient world. This is the second volume of a series intended to make public the different parts of the museum's collection of Mediterranean antiquities. Ce catalogue raisonné présente les lampes et les figurines en terre cuite du Musée des beaux-arts de Montréal ainsi que deux lampes de bronze. La collection, petite mais éclectique, a été formée récemment et comprend un bon échantillon de ces types d'objets. Après en avoir expliqué les techniques de fabrication, le catalogue illustré décrit 44 lampes, 21 statuettes et une arula . Ce livre s'adresse aux étudiants, aux conservateurs, aux archéologues, aux historiens d'art et aux collectionneurs, bref à ceux qu'intéresse l'archéologie du monde antique. Il s'agit du deuxième catalogue d'une série qui vise à publier la collection des antiquités du Musée.
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1 online resource. :
Includes bibliographical references and index. :
9789004193260 :
Available to subscribing member institutions only.
Syria : Revue d'Art Oriental et D'archaeologie
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T. 1 (1920)- :
"Revue d'art oriental et d'archéologie."
Issues for 2006- have subtitle: Archéologie, art, et histoire.
Editors: 1920-34, E. Pottier, R. Dussaud (with G. Migeon, 1920-30); 1934- R. Dussaud. :
volumes : illustrations, plates, plans ; 29 cm
Also issued on microfilm by American Theological Library Association. :
Annual, 1996- :
Includes section "Bibliographie." :
0039-7946 :
Vols. 1 (1920)-10 (1929) in v. 10; v. 11 (1930)-20 (1939) in v. 20; v. 21 (1940)-30 (1953) in v. 30; v. 31 (1954)-40 (1963) in v. 40.
Peace philosophy and public life : commitments, crises, and concepts for engaged thinking /
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To a world assaulted by private interests, this book argues that peace must be a public thing. Distinguished philosophers of peace have always worked publicly for public results. Opposing nuclear proliferation, organizing communities of the disinherited, challenging violence within status quo establishments, such are the legacies of truly engaged philosophers of peace. This volume remembers those legacies, reviews the promise of critical thinking for crises today, and expands the free range of thinking needed to create more mindful and peaceful relations. With essays by committed peace philosophers, this volume shows how public engagement has been a significant feature of peace philosophers such as Camus, Sartre, Dewey, and Dorothy Day. Today we also confront historical opportunities to transform practices for immigration, police interrogation, and mental health, as we seek to sustain democracies of increasing multicultural diversity. In such cases our authors consider points of view developed by renowned thinkers such as Weil, Mouffe, Conway, and Martín-Baró. This volume also presents critical analysis of concepts for thinking about violence, reconsiders Plato's philosophy of justice, and examines the role of ethical theory for liberation struggles such as Occupy!
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1 online resource. :
Includes bibliographical references (p.163-174) and index. :
9789401210522 :
Available to subscribing member institutions only.
A guide to the fourth, fifth and sixth Egyptian rooms, and the Coptic room : a series of collections of small Egyptian antiquities, which illustrate the manners and customs, the arts and crafts...
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At head of title : British Museum.
Includes index.
Preface signed : E. A. Wallis Budge. :
xvi, 376 pages : illustrations ; 22 cm. :
Bibliography : pages 373-376.
The Literary Coptic manuscripts in the A.S. Pushkin State Fine Arts Museum in Moscow /
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This volume contains the first complete publication of the collection of Coptic literary manuscripts now in the A.S. Pushkin Fine Arts Museum, Moscow. The collection formed in 1870-1908 by Vladimir Golenischev is of great value since it covers almost the entire field of early Christian literature in Egypt and substantially aids to fill up serious lacunae in many well-known literary works, to say nothing of the texts hitherto unknown. Important is also the fact that Coptica Golenischeviana largely derives from the library of St. Shenoute's monastery at Sohag, this virtual National Library of Christian Egypt, the source of the riches of the museums and libraries of Paris, Vienna, Berlin et cetera.
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Includes facsimiles of original manuscripts, translations, and commentary. :
1 online resource (vii, 527 pages, 192 pages of plates) : illustrations. :
Includes bibliographical references and indexes. :
9789004312845 :
0920-623X ; :
Available to subscribing member institutions only.
Interpretation and transformation : explorations in art and the self /
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In this book, Michael Krausz addresses the concept of interpretation in the visual arts, the emotions, and the self. He examines competing ideals of interpretation, their ontological entanglements, reference frames, and the relation between elucidation and self-transformation. The series Interpretation and Translation explores philosophical issues of interpretation and its cultural objects. It also addresses commensuration and understanding among languages, conceptual schemes, symbol systems, reference frames, and the like. The series publishes theoretical works drawn from philosophy, rhetoric, linguistics, anthropology, religious studies, art history, and musicology.
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1 online resource (xii, 154 pages) :
Includes bibliographical references (p. 133-136) and index. :
9789401204200 :
Available to subscribing member institutions only.
Montreal Museum of Fine Arts, Collection of Mediterranean Antiquities, Vol. 3, The Metal Objects...
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This is the third out of eight projected volumes making available to the public the contents in the collection of Greek and Roman Antiquities in one of Canada's most prestigious museums. Here are presented a variety of metal objects (mostly bronze figurines, medical instruments, brooches, weaponry and a lead sarcophagus), the small collection of jewelry and the ancient gems and seal stones (mainly Roman) some still set in rings. Ce volume est le troisième de la série de huit volumes projetés qui vise à publier la collection des antiquités grecques et romaines d'un des grands musées canadiens. Nous présentons ici des objets métalliques très variés (surtout des statuettes de bronze, des instruments médicaux, des épingles, des armes et un sarcophage de plomb), un petit nombre de bijoux et de gemmes anciennes (surtout romaines) certaines encore serties dans une bague.
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1 online resource. :
Includes bibliographical references and index. :
9789004383319 :
Available to subscribing member institutions only.
Haecceities.
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Haecceities: Essentialism, Identity, and Abstraction is both an artistic and philosophical examination of the limits of Abstraction in art and of kinds of radical identity that are determined in the identification of those limits. Building on his work Subjects and Objects , Strayer shows how the fundamental conditions of making and apprehending works of art can be used, in concert with language, thought, and perception, as 'material' for producing the more Abstract and radical artworks possible. Certain limits of Abstraction and possibilities of radical identity are then identified that are critically and philosophically considered. They prove to be so extreme that the concepts artwork, abstraction, identity, and object in art, philosophy, and philosophy of art, have to be reconsidered.
:
Description based upon print version of record.
10.2 Dualities and Identities. :
1 online resource. :
9789004338449 :
Available to subscribing member institutions only.
Interaction between Judaism and Christianity in history, religion, art and literature /
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This volume contains a variety of essays that deal with the complex relationships between Judaism and Christianity. From the Jewish side, particularly in Orthodox circles, there is a position maintaining the independence of Judaism from outside influences including Christianity. Traditional Christian theology, on the other hand, held a supercessionist view in which Judaism was seen merely as a historical preparation for the later revelation of Christianity. Was there no real interaction? When and how did Judaism and Christianity become two distinct religions? When did the 'parting of ways\' take place, if indeed there really was such a parting of ways? The present volume takes a bold step forward by assuming that no historical period can be excluded from the interactive process between Judaism and Christianity, conscious or unconscious, as a polemical rejection or as tacit appropriation.
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1 online resource. :
Includes bibliographical references and indexes. :
9789047424826 :
Available to subscribing member institutions only.