The Lukan lens on wealth and possessions : a perspective shaped by the themes of reversal and right response /
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In The Lukan Lens on Wealth and Possessions: A Perspective Shaped by Reversal and Right Response, Rachel Coleman offers a detailed look at Luke's wealth ethic. The long-debated question of how Luke understands the relationship between followers of Jesus and material possessions is examined with careful exegesis and keen literary and theological sensitivity. The twin motifs established in Luke's introductory unit (Luke 1:5-4:44)-reversal and right response-provide the hermeneutical lenses that allow the reader to discern a consistent Lukan perspective on wealth in the life of disciples. With an engaging style and an eye to the contemporary church, the book will appeal to both scholars and pastors.
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1 online resource. :
Includes bibliographical references and index. :
9789004416345
Nvmina magna : Roma e il culto dei Grandi dei di Samotracia /
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Underlines the main aspects of the cult of the Great Gods of Samothrace in light of the influences of Roman cultural and mythological substratum.
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Previously issued in print: 2019. :
1 online resource (x, 142 pages) : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references and index. :
9781789690927 (ebook) :
Ina marri u qan ṭuppi : Par la bêche et le stylet! : cultures et sociétés syro-mésopotamiennes : mélanges offerts à Olivier Rouault /
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25 papers written by colleagues, friends and former students pay tribute to the career of Professor Olivier Rouault who has conducted extensive research in the fields of both Assyriology and Ancient Near Eastern archaeology.
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This volume is a tribute to the career of Professor Olivier Roualt. :
1 online resource (300 pages). : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781789692839 (PDF ebook) :
Conservation and Documentation of the Tomb Chapel of Menna (TT 69)
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The Tomb of Menna, Theban Tomb number 69, is located in the Theban necropolis of Sheikh Abd el-Qurna in Luxor, Upper Egypt. The rock-cut tomb is famous for the completeness and superb quality of the paintings that adorn its walls. Structurally, the tomb chapel takes the form of an inverted T, with a forecourt, broad hall, and inner hall leading to a statue shrine. The painted decoration is organized symbolically along a central axis that reflected the deceased’s transition from the land of the living in the east to the land of the dead in the west. As such, the walls in the broad hall are concerned primarily with the official duties and celebrations of Menna’s life, while the walls in the long hall depict scenes of his transition to and life in the hereafter. Menna was an elite official recognized and honored by King Amenhotep III with the Gold of Honor collar, a collar of golden disc-shaped beads, which he wears in most scenes. Menna’s official titles reveal that he was a Scribe, and Overseer of the Fields of the Lord of Two Lands and the Temple of Amun. These titles indicate that Menna administered both state and temple fields, which was an unusual occurrence in the 18th Dynasty. The Broad Hall Near Left wall, abbreviated as BHNL, is also known as the “Agricultural Wall,” and depicts some of Menna’s official responsibilities. Menna’s wife, Henuttawy, appears alongside him on most of the tomb’s walls and bore the titles of “Chantress of Amun” and “Mistress of the House.” Also notable is the intentional damage inflicted on Menna’s likeness in an act of damnatio memoriae, and later destruction to the name of Amun by the agents of Akhenaten. The project, directed by Dr. Melinda Hartwig, set an unprecedented standard for the conservation and non-invasive documentation of ancient Egyptian tombs. Dr. Hartwig led an interdisciplinary team of experts that undertook the conservation, archaeometric examination, and digital recording of the tomb. The project resulted in an invaluable collection of high-resolution, digital images that were stitched together to create an exact copy of the tomb walls, which were then traced as vector drawings to create line drawings of the decoration. The collection also includes reports, slides, and digital images shot with raking light and ultraviolet light.
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The conservation of the Tomb of Menna was made possible with funding by the United States Agency for International Development (USAID) Agreement No. 263-A-00-04-00018-00 and administered by the Egyptian Antiquities Conservation Project (EAC) Agreement No. EAC-11-2007 of the American Research Center in Egypt (ARCE). The Interuniversity Attraction Poles Program provided additional financial support.