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The Rhetorical Design of Isaiah 40-48/55 : Zion's Incomparable Saviour and His Servants /
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In this volume, Pieter van der Lugt offers a comprehensive analysis of the rhetorical structure of Isaiah. As in his previous studies on the Book of Job and the Psalter the author demonstrates that classical Hebrew poetry displays a well-defined structure consisting of balanced main parts (cantos) and subdivision into strophes. This rhetorical starting point is of crucial importance for the delimitation of the individual poems in Isaiah 40-48 and in many cases determines their interpretation. Subsequently, it is demonstrated that the successive compositions form well-defined and coherent cycles of poems.
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This book analyzes the `strophic' structure of the poems in Isaiah 40-48 and discusses the consequence of this approach for their interpretation. Among other things, the autor takes a critical stand as to the `redaktionsgeschichtliche' approach of the poems concerned. :
1 online resource. :
Includes bibliographical references and index. :
9789004513976
9789004514768
Catalogue of the Western Asiatic seals in the British Museum. impressions of stamp seals on cuneiform tablets, clay bullae, and jar handles /
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This volume publishes drawings of the impressions of stamp seals preserved on Babylonian and Assyrian cuneiform tablets, and other clay objects in the collections of The British Museum. The majority of these seals bears precise dates, ranging from the 9th to the 2nd centuries B.C.; represens the Neo-Assyrian, Neo-Babylonian, Achaemenian and Hellenistic periods; and are set out in chronological order so that the changes in seal design can be clearly seen. Among the images from the Hellenistic period are representations of zodiacal signs. The volume also includes details of seal impressions on the handles of pottery jars from Palestine. Full bibliographical references to previous publications of the cuneiform texts are given, and the volume concludes with concordances and indices, including a pictorial index of all the seal images arranged typologically.
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From the collection deposited at the Dept. of Ancient Near East Antiquities of the British Museum. :
1 online resource. :
Includes bibliographical references (p. [25]-30) and indexes. :
9789047423393 :
Available to subscribing member institutions only.
Boats, ships and shipyards : proceedings of the Ninth International Symposium on Boat and Ship Archaeology, Venice 2000 /
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"ISBSA 9."
"Università Ca' Foscari Venezia, Dipartimento di scienze dell'antichità e del Vicino Oriente." :
xiv, 362 p. : ill. ; 31 cm. :
Includes bibliographical references. :
1842170937
Constructions of Greek Past : Identity and Historical Consciousness from Antiquity to the Present /
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In May 1999, a second conference of Hellenists (of all periods and subject areas) from the Dutch-speaking countries was organized in Groningen. The theme of this second conference was 'Constructions of Greek Past. Identity and Historical Consciousness from Antiquity to the Present.' The conference theme was described as follows: When seeking to establish its own identity, a culture (country, people, nation) readily resorts to its own history, which it uses either as an example or as something to react against. In recent years there has been a growing awareness that this process often reveals more about a culture in the present day than the historical era to which it harks back: its own identity, and thus its own history, are 'constructed' in this way. The constructional approach is usually applied to the birth of new nation states and the development of their national ideologies, particularly in the nineteenth century. But it can be applied more broadly too. Greek culture is an excellent subject area for studying this phenomenon even further back in history, precisely because its history is so long and included several 'Golden Ages' to which later periods could (and can) hark back. Greek culture still presents itself as a product of Ancient Greek and/or Byzantine culture. However, the problem of continuity in Greek culture has frequently manifested itself, particularly during periods of radical political, ideological or demographic change. The Homeric influence on the Mycenaean world is therefore also an aspect of this phenomenon. The Homeric world served as an example for later periods, as did the Attic period for the Greeks in the Hellenistic-Roman age. The tensions between the Hellenistic and Roman character of the Greek world had a strong influence on the shaping of the Greek identity during late Antiquity and the Middle Ages. Those tensions still exist today (ellenismós/ellenikótita v. romiosyni). The theme was designed to bring together Hellenists of all periods and disciplines (literature, language, history, archaeology, ecclesiastical history, sociology etc.) relating to the Greek world. The colloquium sessions were held in Dutch, but the papers are published in English (two in French).
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1 online resource. :
Includes bibliographical references and index. :
9789004495463
9789069801438
Ancient Egyptian Image-Writing: Between the Unspoken and Visual Poetics /
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This article highlights the significance of considering the visual mediums of the ancient Egyptian (henceforth AE) writing system, in reading and translating AE literary texts. Despite their importance for understanding the internal mechanism of AE literary expressions, modern scholarship has not assimilated these visual mediums into its exploration. A possible theoretical framework for AE morphology structure may identify two input systems,, one visual for visually presented materials that are more related to visual comprehension, and the other phonological for material presented using the auditory modality. The studied examples confirm that the AE writers had the opportunity to invite their receivers to take part in two experiential tasks (visual and phonological) to provoke two different behaviours, to get the right meaning intended by the resourceful writer. The article is divided into two parts. The first part is concerned with the role of innovative imagination in forming both the “eloquent content” and its inseparable “poetic vocal form,” with full consideration of the creative relationship between these two elements. The second part is related to the ancient and modern reader’s reception of such visual-verbal interactions. The article demonstrates the significance of looking into such visual aesthetics—which were mainly designed to stimulate the eyes of the indigenous readers—to shape any theory related to the literary nature of ancient Egyptian writing. http://dx.doi.org/10.5913/jarce.55.2019.a009