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The arts of ornamental geometry : a Persian compendium on similar and complementary interlocking...
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This collective study focuses on a unique anonymous medieval document on ornamental geometry featuring geometrical constructions and textual instructions in Persian. Selections from the unpublished work of Alpay Özdural (d. 2003) on this subject have been updated with original contributions by Jan P. Hogendijk, Elaheh Kheirandish, Gülru Necipoğlu, and Wheeler M. Thackston. The chapters interpreting this fascinating document are followed, for the first time, by a facsimile, transcription, and translation, as well as drawings of incised construction lines invisible in the photographed facsimile. This publication intersects with the current interest in Islamic geometrical patterning as an inspiration for tessellation and parametrically derived forms in contemporary architecture and the arts. It aims to make this celebrated source more accessible, given its multifaceted relevance to historians of art, architecture, and science, as well as mathematicians, physicists, artists, and architects. For those who wish to obtain a copy of the full, unedited original book manuscript of Alpay Özdural, where he discusses the mathematical properties of all geometrical constructions in the Anonymous Compendium as well as the step-by-step method for drawing each one, his work is available online at https://doi.org/10.6084/m9.figshare.5255416
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1 online resource. :
Includes bibliographical references and index. :
9789004315204 :
Available to subscribing member institutions only.
Cantos and strophes in biblical Hebrew poetry III : Psalms 90-150 and Psalm 1 /
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This volume deals with the rhetoric, the formal and thematic framework, of Psalms 90-150 (the Fourth and Fifth Book of the Psalter). It is the conclusion of the Psalms Project started with Psalms 1-41, OTS 53 (2006) , and continued with Psalms 42-89, OTS 57 (2010). Formal and thematic devices demonstrate that the psalms are composed of a consistent pattern of cantos (stanzas) and strophes. The formal devices especially include quantitative balance on the level of the cantos in terms of verselines, verbal repetitions, and (on the level of the strophes) transition markers. The quantitative approach to a psalm in terms of verselines, cola and/or words in most cases clearly discloses a focal message. This massive study is rounded off by an updated introduction to the canto design of biblical poetry (including the book of Job, Lamentations, the Songs of Songs, Deutero-Isaiah and other major poems of the Hebrew Bible).
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1 online resource. :
Includes bibliographical references and index. :
9789004262799 :
0169-7226 ;
Bodies in the streets : the somaesthetics of city life /
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Cities are defined by their complex network of busy streets and the multitudes of people that animate them through physical presence and bodily actions that often differ dramatically: elegant window-shoppers and homeless beggars, protesting crowds and patrolling police. As bodies shape city life, so the city's spaces, structures, economies, politics, rhythms, and atmospheres reciprocally shape the urban soma. This collection of original essays explores the somaesthetic qualities and challenges of city life (in Europe, Asia, Africa, and the Americas) from a variety of perspectives ranging from philosophy, urban theory, political theory, and gender studies to visual art, criminology, and the interdisciplinary field of somaesthetics. Together these essays illustrate the aesthetic, cultural, and political roles and trials of bodies in the city streets.
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Includes index. :
1 online resource. :
9789004411135
The art historian
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System requirements: Macintosh/PowerMac 68040 processor or better, with system 7.0 or later, or Windows/IBM Compatible 486/33 processor or better, with Windows 3.1 or Windows '95; at least 8 MB of RAM; at least 10 MB of available hard disk space; QuickTime extension in the system folder; color monitor (640 x 480) that supports at least 256 colors.
Title from disc label. :
<1 > computer laser disc : col. ; 4 3/4 in. + 1 user's guide (15 p. ; 12 cm.)
Cantos and strophes in biblical Hebrew poetry II : Psalms 42-89 /
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This volume deals with the poetic framework and material content of the Second and Third Books of the Psalter (Psalms 42-72 and 73-89). It is a continuation of the Psalms Project started in OTS 53 (2006). Formal and thematic devices demonstrate that the psalms are composed of a consistent pattern of cantos (stanzas) and strophes. The formal devices include quantitative balance on the level of cantos in terms of the number of verselines, verbal repetitions and transition markers. A quantitative structural approach also helps to identify the focal message of the poems. Introductions to the design of biblical poetry and the rhetorical centre of the psalms conclude this massive study. The third volume, dealing with the Fourth and Fifth Books of the Psalter (Psalms 90-106 and 107-151), is in preparation.
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Sequel to: Cantos and strophes in biblical Hebrew poetry, with special reference to the first book of the Psalter (Oudtestamentische studiën ; d. 53). :
1 online resource. :
Includes bibliographical references (p. [561]-566) and index. :
9789004182332 :
Available to subscribing member institutions only.
The Rhetorical Design of Isaiah 40-48/55 : Zion's Incomparable Saviour and His Servants /
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In this volume, Pieter van der Lugt offers a comprehensive analysis of the rhetorical structure of Isaiah. As in his previous studies on the Book of Job and the Psalter the author demonstrates that classical Hebrew poetry displays a well-defined structure consisting of balanced main parts (cantos) and subdivision into strophes. This rhetorical starting point is of crucial importance for the delimitation of the individual poems in Isaiah 40-48 and in many cases determines their interpretation. Subsequently, it is demonstrated that the successive compositions form well-defined and coherent cycles of poems.
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This book analyzes the `strophic' structure of the poems in Isaiah 40-48 and discusses the consequence of this approach for their interpretation. Among other things, the autor takes a critical stand as to the `redaktionsgeschichtliche' approach of the poems concerned. :
1 online resource. :
Includes bibliographical references and index. :
9789004513976
9789004514768
The Aesthetics of Taste: Eating within the Realm of Art /
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When does eating become art? The Aesthetics of Taste answers this question by exploring the position of taste in contemporary culture and the manner in which taste meanders its way into the realm of art. The argument identifies aesthetic values not only in artistic practices, where they are naturally expected, but also in the spaces of everydayness that seem far removed from the domain of fine arts. As such, it seeks to grasp what artists - who offer aesthetic as well as culinary experiences - actually try to communicate, while also pondering whether a cook can be an artist.
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1 online resource :
9789004534926
9789004534933
Greek art and archaeology : c. 1200-30 BC /
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Surveys Greek archeology from the collapse of the Mycenaean palaces to the subordination of the last Hellenistic kingdoms to Rome. Its aim is to study Greek art through the material record, and against its cultural and social backdrop. Through concise, systematic coverage of the main categories of classical monuments, the reader is taken on a tour of ancient Greece through the most important period in its history, the first millennium BC. Architecture and city planning, sculpture, painting, pottery, metallurgy, jewelry, and numismatics are some of the areas covered. Divided into accessible, user-friendly sections including case studies, terminology, charts, maps, a timeline, and full index, the book is designed primarily for art and archeology students as well as for anyone interested in Greek art and culture.
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Translation of : Hellēnikē technē kai archaiologia. :
303 pages : illustrations (chiefly color), maps (some color) ; 28 cm :
Includes bibliographical references and index. :
9781937040574
1937040577
We Have Always Been Transcultural: The Arts as an Example /
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Wolfgang Welsch demonstrates for the first time that transculturality - the mixed constitution of cultures - is by no means only a characteristic of the present, but has de facto determined the composition of cultures since time immemorial. The historical transculturality is demonstrated using examples from the arts. While transculturality was often viewed with reservation where political, social, or psychological levels were at stake, it was rather welcomed and appreciated in the field of art. The book therefore demonstrates the historical prevalence of transculturality via all areas of art and does so with respect to all cultures and continents of our world.
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1 online resource (238 pages) : illustrations. :
Includes bibliographical references and index. :
9789004697829
Interaction between Judaism and Christianity in history, religion, art and literature /
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This volume contains a variety of essays that deal with the complex relationships between Judaism and Christianity. From the Jewish side, particularly in Orthodox circles, there is a position maintaining the independence of Judaism from outside influences including Christianity. Traditional Christian theology, on the other hand, held a supercessionist view in which Judaism was seen merely as a historical preparation for the later revelation of Christianity. Was there no real interaction? When and how did Judaism and Christianity become two distinct religions? When did the 'parting of ways\' take place, if indeed there really was such a parting of ways? The present volume takes a bold step forward by assuming that no historical period can be excluded from the interactive process between Judaism and Christianity, conscious or unconscious, as a polemical rejection or as tacit appropriation.
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1 online resource. :
Includes bibliographical references and indexes. :
9789047424826 :
Available to subscribing member institutions only.
Ancient synagogues-archaeology and art : new discoveries and current research /
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Ancient Synagogues - Archaeology and Art. New Discoveries and Current Research presents archaeological evidence - the architecture, art, Jewish symbols, zodiac, biblical tales, inscriptions, and coins - which attest to the importance of the synagogue. When considered as a whole, all these pieces of evidence confirm the centrality of the synagogue institution in the life of the Jewish communities all through Israel and in the Diaspora. Most importantly, the synagogue and its art and architecture played a powerful role in the preservation of the fundamental beliefs, customs, and traditions of the Jewish people following the destruction of the Second Temple and the loss of Jewish sovereignty in the Land of Israel. The book also includes a supplement of the report on the Qazion excavation.
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1 online resource (xxxiv, 738 pages, [64] pages of plates) : illustrations (some color) :
Includes bibliographical references (p. 687-714) and index. :
9789004257726 :
Available to subscribing member institutions only.
Images of cosmology in Jewish and Byzantine art : God's blueprint of creation /
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Does the design of the Tabernacle in the wilderness correspond to God's blueprint of Creation? The Christian Topography, a sixth-century Byzantine Christian work, presents such a cosmology. Its theory is based on the "pattern" revealed to Moses on Mount Sinai when he was told to build the Tabernacle and its implements "after their pattern, which is being shown thee on the Mount." (Exod. 25: 40). The book demonstrates, through texts and images, the motifs that link the Tabernacle and Creation. It traces the long chain of transmission that connects the Jewish and Christian traditions from Syria and ancient Israel to France and Spain from the first through the fourteenth century, revealing new models of interaction between Judaism and Christianity.
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1 online resource (xxi, 318 pages) :
Includes bibliographical references and index. :
9789004252196 :
Available to subscribing member institutions only.