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Haecceities.
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Haecceities: Essentialism, Identity, and Abstraction is both an artistic and philosophical examination of the limits of Abstraction in art and of kinds of radical identity that are determined in the identification of those limits. Building on his work Subjects and Objects , Strayer shows how the fundamental conditions of making and apprehending works of art can be used, in concert with language, thought, and perception, as 'material' for producing the more Abstract and radical artworks possible. Certain limits of Abstraction and possibilities of radical identity are then identified that are critically and philosophically considered. They prove to be so extreme that the concepts artwork, abstraction, identity, and object in art, philosophy, and philosophy of art, have to be reconsidered.
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Description based upon print version of record.
10.2 Dualities and Identities. :
1 online resource. :
9789004338449 :
Available to subscribing member institutions only.
Canonization and Decanonization : Papers presented to the International Conference of the Leiden Institute for the Study of Religions (LISOR) held at Leiden 9-10 January 1997. /
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This volume contains the papers read at the Leiden Conference on Canonization and Decanonization of 9-10 January 1997. The emphasis in this rich and wide-ranging contribution to the subject is on the processes of canonization and decanonization in several religions and on the phenomenon of religious canons as well. It has two sections: (De)canonization and the History of Religions, and (De)canonization and Modern Society. In the first section processes out of which canons eventually emerge are highlighted in contributions devoted to particular religions, viz. African religions, Judaism and Christianity, Islam, Buddhism and Zoroastrianism. The articles of the second section are of particular relevance to the contemporary situation in the western world, dealing with aspects such as forms of the survival of a canon in processes of modernization, canonization and the challenge of plurality, and canonization and hermeneutics. The reader may benefit even more from this volume as it contains also An Annotated Bibliography on the subject.
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"Papers presented to the International Conference of the Leiden Institute for the Study of Religions (LISOR), held at Leiden 9-10 January 1997." :
1 online resource. :
Includes bibliographical references (p. 435-506) and indexes. :
9789004379060 :
0169-8834 ;
The Art of Rhetoric (Institutiones Oratoriae, 1711-1741) : From the definitive Latin text and notes...
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Gustavo Costa reviewing the Italian edition of Vico's Institutiones Oratoriae in New Vico Studies 9 (1991), has written that Rhetoric is the mainspring of an important trend of Vichian studies which initiated at the beginning of the twentieth century and had its manifestation in John D. Schaeffer's Sensus Communis: Vico, Rhetoric, and the Limits of Relativism (Durham: Duke University Press, 1990), where Schaeffer aptly noted, summing up a long exegetic tradition, Vico was imbued with rhetoric and convinced of its centrality to Western civilization. Unfortunately, the editions of Vico's works published in English have not yet included the Institutiones Oratoriae , which more or less reflects the lectures on rhetoric given by Vico at the University of Naples, starting with the academic year 1699-1700 and going through 1739-1741. The manual on rhetoric was used in Italy up to the end of the nineteenth century and established the common curriculum in rhetoric to be followed in all Universities. This English edition offers a text of the Institutiones complete on the base of the four known extant manuscripts. It offers the marginal glosses made by Vico's students, a collection of Vico's phrases and explanations of terms collected by some of the students, a glossary of Latin words and rhetorical terms from the Latin text, and a wealth of information in the commentary. The Art of Rhetoric is the manual for everyone who wants to know what rhetoric is, how it was employed in the forum or the courts, how it could be learned from the classic orators, and how it can be used whenever we speak for convincing, praising or motivating.
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1 online resource. :
Includes bibliographical references and index. :
9789401200202
9789051839159
The Aesthetics of Taste: Eating within the Realm of Art /
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When does eating become art? The Aesthetics of Taste answers this question by exploring the position of taste in contemporary culture and the manner in which taste meanders its way into the realm of art. The argument identifies aesthetic values not only in artistic practices, where they are naturally expected, but also in the spaces of everydayness that seem far removed from the domain of fine arts. As such, it seeks to grasp what artists - who offer aesthetic as well as culinary experiences - actually try to communicate, while also pondering whether a cook can be an artist.
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1 online resource :
9789004534926
9789004534933
Interpretation and transformation : explorations in art and the self /
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In this book, Michael Krausz addresses the concept of interpretation in the visual arts, the emotions, and the self. He examines competing ideals of interpretation, their ontological entanglements, reference frames, and the relation between elucidation and self-transformation. The series Interpretation and Translation explores philosophical issues of interpretation and its cultural objects. It also addresses commensuration and understanding among languages, conceptual schemes, symbol systems, reference frames, and the like. The series publishes theoretical works drawn from philosophy, rhetoric, linguistics, anthropology, religious studies, art history, and musicology.
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1 online resource (xii, 154 pages) :
Includes bibliographical references (p. 133-136) and index. :
9789401204200 :
Available to subscribing member institutions only.
We Have Always Been Transcultural: The Arts as an Example /
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Wolfgang Welsch demonstrates for the first time that transculturality - the mixed constitution of cultures - is by no means only a characteristic of the present, but has de facto determined the composition of cultures since time immemorial. The historical transculturality is demonstrated using examples from the arts. While transculturality was often viewed with reservation where political, social, or psychological levels were at stake, it was rather welcomed and appreciated in the field of art. The book therefore demonstrates the historical prevalence of transculturality via all areas of art and does so with respect to all cultures and continents of our world.
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1 online resource (238 pages) : illustrations. :
Includes bibliographical references and index. :
9789004697829
Montreal Museum of Fine Arts, collection of Mediterranean antiquities /
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This catalogue raisonné describes a little-known but very interesting collection originally assembled by one of the important Canadian collectors of the early 20th century. After an account of the collection's history and a brief discussion of the techniques of ancient glass-making, the catalogue proper presents 191 pieces comprising a very wide range of typical forms, each of them fully illustrated. Publishing this extensive collection renders it available to a wide readership: students, curators, archaeologists, art historians, collectors and everybody with serious interest in the material culture of the ancient world. It is the first of a series intended to make public the different parts of the museum's collection of Mediterranean antiquities.
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1 online resource. :
Includes bibliographical references and index. :
9789047431138 :
Available to subscribing member institutions only.
Lux in tenebris : the visual and the symbolic in western esotericism /
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Lux in Tenebris is a collection of eighteen original interdisciplinary essays that address aspects of the verbal and visual symbolism in the works of significant figures in the history of Western Esotericism, covering such themes as alchemy, magic, kabbalah, angels, occult philosophy, Platonism, Rosicrucianism, and Theosophy. Part I: Middle Ages andamp; Early Modernity ranges from Gikatilla, Ficino, Camillo, Agrippa, Weigel, Böhme, Yvon, and Swedenborg, to celestial divination in Russia. Part II: Modernity andamp; Postmodernity moves from occultist thinkers Schwaller de Lubicz and Evola to esotericism in literature, art, and cinema, in the works of Colquhoun, Degouve de Nuncques, Bruskin, Doitschinoff, and Pérez-Reverte, with an essay on esoteric theories of colour. Contributors are: Michael J.B. Allen, Susanna Åkerman, Lina Bolzoni, Aaron Cheak, Robert Collis, Francesca M. Crasta, Per Faxneld, Laura Follesa, Victoria Ferentinou, Joshua Gentzke, Joscelyn Godwin, Hans Thomas Hakl, Theodor Harmsen, Elke Morlok, Noel Putnik, Jonathan Schorsch, György Szönyi, Carsten Wilke, and Thomas Willard.
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1 online resource. :
Includes bibliographical references and index. :
9789004334953 :
1871-1405 ; :
Available to subscribing member institutions only.
Signifying place and space : world perspectives of rock art and landscape /
: "This book is the product of a number of conference sessions run between 1997 and 1999 ; the Theoretical Archaeology Group conference at Bournemouth and Birmingham and the IRAC (International Rock Art Congress) held in Vila Real, Portugal in 1998" -- page vii. : vii, 171 pages : illustrations, maps ; 30 cm. : Includes bibliographical references. : 1841710989
Interaction between Judaism and Christianity in history, religion, art and literature /
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This volume contains a variety of essays that deal with the complex relationships between Judaism and Christianity. From the Jewish side, particularly in Orthodox circles, there is a position maintaining the independence of Judaism from outside influences including Christianity. Traditional Christian theology, on the other hand, held a supercessionist view in which Judaism was seen merely as a historical preparation for the later revelation of Christianity. Was there no real interaction? When and how did Judaism and Christianity become two distinct religions? When did the 'parting of ways\' take place, if indeed there really was such a parting of ways? The present volume takes a bold step forward by assuming that no historical period can be excluded from the interactive process between Judaism and Christianity, conscious or unconscious, as a polemical rejection or as tacit appropriation.
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1 online resource. :
Includes bibliographical references and indexes. :
9789047424826 :
Available to subscribing member institutions only.
The development of ancient Egyptian art, from 3200 to 1315 B.C. /
: "Contains the author's three works Old Kingdom, Middle Kingdom, and New Kingdom art in ancient Egypt, with an additional introductory preface and an index." : 3 volume in 1 : plates, maps ; 19 cm. : Includes bibliographical references.