Choreonarratives : Dancing Stories in Greek and Roman Antiquity and Beyond /
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Choreonarratives , a collection of essays by classicists, dance scholars, and dance practitioners, explores the uses of dance as a narrative medium. Case studies from Greek and Roman antiquity illustrate how dance contributed to narrative repertoires in their multimodal manifestations, while discussions of modern and contemporary dance shed light on practices, discourses, and ancient legacies regarding the art of dancing stories. Benefitting from the crossover of different disciplinary, historical, and artistic perspectives, the volume looks beyond current narratological trends and investigates the manifold ways in which dance can acquire meaning, disclose storyworlds ranging from myths to individual life-stories, elicit the narratees' responses, and generate powerful narratives of its own. Together, the eclectic approaches of Choreonarratives>/i> rethink dance's capacity to tell, enrich, and inspire stories. Contributors are Sophie M. Bocksberger, Iris J. Bührle, Marie-Louise Crawley, Samuel N. Dorf, Karin Fenböck, Susan L. Foster, Laura Gianvittorio-Ungar, Sarah Olsen, Lucia Ruprecht, Karin Schlapbach, Danuta Shanzer, Christina Thurner, Yana Zarifi-Sistovari, Bernhard Zimmermann.
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1 online resource. :
Includes bibliographical references and index. :
9789004462632
9789004462472
Pentecostal aesthetics : theological reflections in a pentecostal philosophy of art and aesthetics /
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Pentecostals have not sufficiently worked out a distinctively Pentecostal philosophy of art and aesthetics. In Pentecostal Aesthetics: Theological Reflections in a Pentecostal Philosophy of Art and Aesthetics , with a foreword by Amos Yong, Steven Félix-Jäger corrects this by reflecting theologically on art and aesthetics from a global Pentecostal perspective, particularly through a pneumatic Pentecostal lens. Félix-Jäger contends that a Pentecostal philosophy of art and aesthetics must comply with the global, experiential, and pneumatocentric nature of the Pentecostal movement. Such a philosophy can be ontologically grounded in a relativistic theory of art. Theological reflections concerning the nature and purpose of art must then be sensitive to the ontological foundations secured thereof. In this fashion, Pentecostals can gain ample insight about the Spirit's work in today's contemporary artworld.
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1 online resource (ix, 224 pages) : chiefly color illustrations. :
Includes bibliographical references and index. :
9789004291621 :
1876-2247 ; :
Available to subscribing member institutions only.
SOMA 2016 : proceedings of the 20th Symposium on Mediterranean Archaeology /
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'SOMA 2016' focused on the archaeology of the Northern Black Sea; while rich in archaeological sites, the region is also subject to active industrial development. In addition to archaeological finds in various parts of the Mediterranean, papers focus on new ideas for the conservation and management of sites of historical and cultural heritage.
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Also issued in print: 2022.
Conference proceedings. :
1 online resource (126 pages) : illustrations (black and white, and colour), maps (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781803272009 (PDF ebook) : :
Open access.
Interaction between Judaism and Christianity in history, religion, art and literature /
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This volume contains a variety of essays that deal with the complex relationships between Judaism and Christianity. From the Jewish side, particularly in Orthodox circles, there is a position maintaining the independence of Judaism from outside influences including Christianity. Traditional Christian theology, on the other hand, held a supercessionist view in which Judaism was seen merely as a historical preparation for the later revelation of Christianity. Was there no real interaction? When and how did Judaism and Christianity become two distinct religions? When did the 'parting of ways\' take place, if indeed there really was such a parting of ways? The present volume takes a bold step forward by assuming that no historical period can be excluded from the interactive process between Judaism and Christianity, conscious or unconscious, as a polemical rejection or as tacit appropriation.
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1 online resource. :
Includes bibliographical references and indexes. :
9789047424826 :
Available to subscribing member institutions only.
Studies on the Palaeolithic of Western Eurasia : proceedings of the XVIII UISPP World Congress (4-9 June 2018, Paris, France).
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Papers from Session 4 disseminate a wealth of archaeological data from Bavaria to the Russian Plain, and discuss Aurignacian, Gravettian, Epigravettian, and Magdalenian perspectives on lithic tool kits and animal remains. Session 6 was concerned with lithic raw material procurement in the Caucasus and in three areas of the Iberian peninsula.
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Also issued in print: 2021. :
1 online resource (vii, 245 pages) : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781789697186 (PDF ebook) : :
Open access.
Michel Henry et l'affect de l'art : recherches sur l'esthétique de la phénoménologie matérielle /
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Quel est le statut de l'art et de l'affectivité esthétique chez Michel Henry ? Le champ occupé par l'art dans l'économie de la phénoménologie matérielle est-il le lieu le plus propre pour l'exploration immanente de l'apparaître et l'auscultation de l'affectivité transcendantale de la vie ? Ce livre offre un repérage de quelques pistes remarquables à partir desquelles le besoin de poser les jalons d'une esthétique matérielle se fait suffisamment pressant pour qu'on y prête attention. C'est pour frayer cette voie et faire les premiers pas dans la direction qu'elle infléchit que les études ici réunies engagent, chacune à sa manière, l'examen du statut de l'art chez Michel Henry : du côté de la peinture bien sûr, mais aussi dans les champs du langage, de la littérature, de la danse, de l'architecture et de la musique. L'ensemble est précédé par un texte de Michel Henry, consacré à l'œuvre picturale de Pierre Magré. What is the status of art and aesthetic affectivity in Michel Henry? Is the place occupied by art within the economy of his material phenomenology the most appropriate site for the immanent exploration of appearing and the auscultation of the transcendental affectivity of life? This book locates some remarkable avenues through which the need to prepare the ground for a material aesthetic becomes urgent enough to be given attention. In order to clear this path and take the first steps in the direction it leads, the studies gathered here, each in its own way, are engaged in the study of the status of art in Michel Henry, from the perspective of painting, of course, but also the fields of language, literature, dance, architecture and music. The collection is preceded by an essay by Michel Henry, devoted to the painting of Pierre Magré.
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1 online resource (xlii, 343 pages) : illustrations. :
Includes bibliographical references and indexes. :
9789004186811 :
1875-2470 ; :
Available to subscribing member institutions only.
Selves Engraved on Stone: Seals and Identity in the Ancient Near East, ca. 1415-1050 BCE /
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Typically carved in stone, the cylinder seal is perhaps the most distinctive art form to emerge in ancient Mesopotamia. It spread across the Near East from ca. 3300 BCE onwards, and remained in use for millennia. What was the role of this intricate object in the making of a person's social identity? As the first comprehensive study dedicated to this question, Selves Engraved on Stone explores the ways in which different but often intersecting aspects of identity, such as religion, gender, community and profession, were constructed through the material, visual, and textual characteristics of seals from Mesopotamia and Syria.
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1 online resource :
Includes bibliographical references and index. :
9789004524569
9789004524576
Selves Engraved on Stone: Seals and Identity in the Ancient Near East, ca. 1415-1050 BCE /
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Selves Engraved on Stone explores the ways in which multiple aspects of identity were constructed through the material, visual, and textual characteristics of personal seals from ancient Mesopotamia and Syria in the latter half of the 2nd millennium BCE.
Typically carved in stone, the cylinder seal is perhaps the most distinctive art form to emerge in ancient Mesopotamia. It spread across the Near East from ca. 3300 BCE onwards, and remained in use for millennia. What was the role of this intricate object in the making of a person's social identity? As the first comprehensive study dedicated to this question, Selves Engraved on Stone explores the ways in which different but often intersecting aspects of identity, such as religion, gender, community and profession, were constructed through the material, visual, and textual characteristics of seals from Mesopotamia and Syria.
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1 online resource. :
Includes bibliographical references and index. :
9789004524569
9789004524576
Stories in stone : conserving mosaics of Roman Africa : masterpieces from the national museums of Tunisia /
: "Issued in conjunction with the exhibition 'Stories in stone: conserving mosaics of Roman Africa,' held at the Getty Villa, Malibu, Oct. 26-Apr. 30, 2007". : x, 188 pages : color illustrations, color map ; 29 cm. : Includes bibliographical references and index. : 9780892368037
Olbia : eine altgriechische Stadt im nordwestlichen Schwarzmeerraum /
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This book presents a completely new and up-to-date archaeological and historical study of the Black Sea city-state of Olbia. More comprehensive than any other yet produced, it ranges through the millennium of its existence from the Archaic to the Roman period and includes the full range of material remains found in the city and its region. Themes treated include building and architecture, agriculture, the economy of the city (the food economy, crafts, trade and coins), art and religion. The illustrations are copious, well-chosen, and present much material which will be new to Western readers. Also there are many useful maps and reconstructions of buildings. This presentation of the results of the research of scholars from the former Soviet Union into a Greek Pontic city has long been awaited and will form a reliable basis for the next generation of research into the theme.
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1 online resource (x, 168 pages, [94] pages of plates) : illustrations. :
Includes bibliographical references (p. 151-160) and index. :
9789004329546 :
Available to subscribing member institutions only.
The development of ancient Egyptian art, from 3200 to 1315 B.C. /
: "Contains the author's three works Old Kingdom, Middle Kingdom, and New Kingdom art in ancient Egypt, with an additional introductory preface and an index." : 3 volume in 1 : plates, maps ; 19 cm. : Includes bibliographical references.
Ägypten und Syrien zwischen 1317 und 1341 in der Chronik des Mufaḍḍal b. Abī l-Faḍā'il.
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Arabic text of the last chapter of Mufaḍḍal's work has t. p.: al Nahj al-sadīd wa-al-durr al-farīd fīmā baʻd tārīkh Ibn al-ʻAmīd; hawādith al-fatrah bayna sanatay 717 wa 741 Hijriyyah ta'līf Mufaḍḍal inb Abī al-Faḍā'il.
Contains the Arabic text (114 page) and German translation of the last chapter of Mufaḍḍal's chronicle. :
458 page ; 21 cm. :
Bibliography : page 282-298. :
3879970238
God is the light of the heavens and the earth : light in Islamic art and culture /
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"This volume, the latest in a series based on the Hamad bin Khalifa Biennial Symposia on Islamic Art and Culture, presents written versions of the lectures delivered in Palermo, Sicily, from 9-11 November 2013"--Page 3. :
xi, 357 pages : illustrations (chiefly color) ; 30 cm :
Includes bibliographical references (pages 335-346) and index. :
9780300215281
0300215282
Interpretation and transformation : explorations in art and the self /
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In this book, Michael Krausz addresses the concept of interpretation in the visual arts, the emotions, and the self. He examines competing ideals of interpretation, their ontological entanglements, reference frames, and the relation between elucidation and self-transformation. The series Interpretation and Translation explores philosophical issues of interpretation and its cultural objects. It also addresses commensuration and understanding among languages, conceptual schemes, symbol systems, reference frames, and the like. The series publishes theoretical works drawn from philosophy, rhetoric, linguistics, anthropology, religious studies, art history, and musicology.
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1 online resource (xii, 154 pages) :
Includes bibliographical references (p. 133-136) and index. :
9789401204200 :
Available to subscribing member institutions only.
Religious stories we live by : narrative approaches in theology and religious studies /
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Stories have always been important in religion, but systematic explorations of the narrative dimensions of religion are more recent and interdisciplinary explorations of narrative approaches in theology and religious studies are scarce. Religious Stories We Live By paves the ground for these much needed interdisciplinary conversations. It first offers philosophical, psychological, and epistemological reflections on the importance of narrative approaches in the study of religion. The subsequent sections contain case studies and disciplinary overviews of narrative perspectives in biblical, empirical, systematic, and historical approaches in theology and religious studies. Combined, the contributions showcase the potential of narrative perspectives in bridging theology and religious studies, as well as descriptive and normative approaches. Narrative perspectives offer a fruitful common ground for the study of religion. Contributors include Angela Berlis, Marjo Buitelaar, James Day, Maaike de Haardt, Marieke den Braber, Luco van den Brom, Marjet Derks, Toke Elshof, Dorothea Erbele Küster, John Exalto, Ruard Ganzevoort, Joep van Gennip, Annelies van Heijst, Chris Hermans, Liesbeth Hoeven, Anne-Marie Korte, Edwin Koster, Marit Monteiro, Michael Scherer-Rath, Klaas Spronk, Piet Verschuren, Wim Weren, and Willien van Wieringen.
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1 online resource. :
Includes bibliographical references and index. :
9789004264069 :
1566-208X ;