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Creation, covenant, and the beginnings of Judaism : reconceiving historical time in the Second Temple period /
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This study examines the relationship between time and history in Second Temple literature. Numerous sources from that period express a belief that Jewish history began with an act of covenant formation and proceeded in linear fashion until the exile, an unprecedented event which severed the present from the past. The authors of Ben Sira, Jubilees , the Animal Apocalypse , and 4 Ezra responded to this theological challenge by claiming instead that Jewish history began at creation. Between creation and redemption, history unfolds as a series of static, repeating patterns that simultaneously account for the disappointments of the Second Temple period and confirm the eternal nature of the covenant. As iterations of timeless, cyclical patterns, the difficult post-exilic present and the glorious redemption of the future emerge as familiar, unremarkable, and inevitable historical developments.
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1 online resource (xii, 216 pages) :
Includes bibliographical references (p. 191-208) and index. :
9789004281653 :
1384-2161 ; :
Available to subscribing member institutions only.
Haecceities.
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Haecceities: Essentialism, Identity, and Abstraction is both an artistic and philosophical examination of the limits of Abstraction in art and of kinds of radical identity that are determined in the identification of those limits. Building on his work Subjects and Objects , Strayer shows how the fundamental conditions of making and apprehending works of art can be used, in concert with language, thought, and perception, as 'material' for producing the more Abstract and radical artworks possible. Certain limits of Abstraction and possibilities of radical identity are then identified that are critically and philosophically considered. They prove to be so extreme that the concepts artwork, abstraction, identity, and object in art, philosophy, and philosophy of art, have to be reconsidered.
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Description based upon print version of record.
10.2 Dualities and Identities. :
1 online resource. :
9789004338449 :
Available to subscribing member institutions only.
The development of ancient Egyptian art, from 3200 to 1315 B.C. /
: "Contains the author's three works Old Kingdom, Middle Kingdom, and New Kingdom art in ancient Egypt, with an additional introductory preface and an index." : 3 volume in 1 : plates, maps ; 19 cm. : Includes bibliographical references.
Série des papyrus du Livre des morts de l'Égypte ancienne /
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volumes <1-4> : illustrations (some color) ; 24 cm. :
Includes bibliographical references. :
9782915840186 (volume 1 : paperback)
9782915840193 (volume 2 : paperback)
9782915840209 (volume 3 : paperback)
9782915840216 (volume 4 : paperback)
Interpretation and transformation : explorations in art and the self /
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In this book, Michael Krausz addresses the concept of interpretation in the visual arts, the emotions, and the self. He examines competing ideals of interpretation, their ontological entanglements, reference frames, and the relation between elucidation and self-transformation. The series Interpretation and Translation explores philosophical issues of interpretation and its cultural objects. It also addresses commensuration and understanding among languages, conceptual schemes, symbol systems, reference frames, and the like. The series publishes theoretical works drawn from philosophy, rhetoric, linguistics, anthropology, religious studies, art history, and musicology.
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1 online resource (xii, 154 pages) :
Includes bibliographical references (p. 133-136) and index. :
9789401204200 :
Available to subscribing member institutions only.
Montreal Museum of Fine Arts, collection of Mediterranean antiquities =Musée des beaux-arts de...
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This catalogue raisonné describes the lamps and statuettes in terracotta of the Montreal Museum of Fine Arts, to which are added two lamps made of bronze. The collection, small but eclectic, has mostly been assembled in recent years and represents a wide variety of types in these two categories. After an introduction discussing the techniques involved in the production of these objects, the catalogue proper presents 44 lamps, 21 figurines and a single arula with full illustration. This catalogue makes the collection available to a wide readership: students, curators, archaeologists, art historians, collectors and everybody with serious interest in the material culture of the ancient world. This is the second volume of a series intended to make public the different parts of the museum's collection of Mediterranean antiquities. Ce catalogue raisonné présente les lampes et les figurines en terre cuite du Musée des beaux-arts de Montréal ainsi que deux lampes de bronze. La collection, petite mais éclectique, a été formée récemment et comprend un bon échantillon de ces types d'objets. Après en avoir expliqué les techniques de fabrication, le catalogue illustré décrit 44 lampes, 21 statuettes et une arula . Ce livre s'adresse aux étudiants, aux conservateurs, aux archéologues, aux historiens d'art et aux collectionneurs, bref à ceux qu'intéresse l'archéologie du monde antique. Il s'agit du deuxième catalogue d'une série qui vise à publier la collection des antiquités du Musée.
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1 online resource. :
Includes bibliographical references and index. :
9789004193260 :
Available to subscribing member institutions only.
Religion in the Making : The Emergence of the Sciences of Religion /
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This volume explores the ways in which religion became the object of scientific research in the nineteenth and early twentieth centuries. Most obvious is the development of an increasingly autonomous science of religion (with founding fathers like Max Müller and C.P. Tiele). However, within anthropology (Tylor, Frazer), sociology (Durkheim, Max Weber), and psychology (William James), religion also came to be seen as a separate entity to be studied comparatively. To capture this wide field this book focuses on the emergence of the discourse on religion in a broad academic context, among different disciplines. The emphasis is on general socio-historical developments, rather than on individual biographies. Part I deals with the institutionalization of science of religion in France, Britain, and the Netherlands. Part II focuses on boundary disputes between the emerging \'sciences of religion\'. Part III examines new conceptualizations of religion underlying the new endeavour (\'ritual\', \'magic\', \'survival\').
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Papers from a conference held May 22-24, 1997 at the University of Amsterdam. :
1 online resource. :
Includes bibliographical references and indexes. :
9789004379039 :
0169-8834 ;
Practicing pragmatist aesthetics : critical perspectives on the arts /
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This is the first collection in English devoted exclusively to pragmatist aesthetics. Its main aim is to employ the resources of that rich and exciting tradition in studying artistic phenomena such as film, sculpture, bio-art, poetry, the novel, cuisine, and various body arts. But it also attempts to provide a wider background for such studies by sketching the history of pragmatist reflection on the aesthetic and by discussing some of the main positions that this history has produced: the aesthetic conceptions of C.S. Peirce, William James, John Dewey, Joseph Margolis, Richard Shusterman (somaesthetics in particular), and others.
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1 online resource (vi, 224 pages) : illustrations (chiefly color) :
Includes bibliographical references and index. :
9789401210812 :
Available to subscribing member institutions only.
The Pragmatics of Defining Religion : Contexts, Concepts and Contests /
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This volume promotes a pragmatic, anti-essentialist and anti-hegemonic approach to the problem of the definition of religion. It argues that definitions of religion are context-bound strategies for pursuing a variety of purposes, extra-academic as well as academic. Religions being immensely varied, complex and multi-functional phenomena, they need to be studied by several academic disciplines from many different perspectives. It is, therefore, legitimate and useful that many definitions of religions are developed. The volume has contributions from scholars in Philosophy of Religion, the Comparative Study of Religions, Anthropology of Religion, Sociology of Religion and Psychology of Religion. It has chapters on the polemics of defining religion in modern contexts, the history of the concept of religion, and the methodology of its definition; it includes several definition proposals.
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1 online resource. :
Includes bibliographical references and indexes. :
9789004379091 :
0169-8834 ;
The revolt of unreason : Miguel de Unamuno and Antonio Caso on the crisis of modernity /
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This book examines solutions to the crisis of modernity proposed by the Spanish philosopher Miguel de Unamuno and the Mexican philosopher Antonio Caso. Acceptance of the objective claims of modern scientific rationality and the consequent rejection of the objective validity of artistic, moral, and religious claims generates the crisis of modernity. The problem is that of justifying artistic, moral, and religious claims. Miguel de Unamuno in his classic work, The Tragic Sense of Life , addresses the conflict between the belief in personal immortality and modern scientific rationality. Holding that there is no rational justification for the belief in immortality, Unamuno finds a solution in a "saving scepticism" to act "as if" he deserved immortality. In his book Existence as Economy, as Art, and Charity Caso attempts to create an aposteriori metaphysics based on the "current" results of science supplemented by the intuitions of art and morality. In doing so, Caso believes that he has enlarged the scope of the knowable to include objects of art, morality, and religion. Unamuno, by accepting the strict line of demarcation between faith and reason has no other recourse but to turn to decisionism. By turning to intuitionism, Caso believes that he has blurred the line of demarcation. Decisionism and intuitionism, therefore, are worthy of further exploration.
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1 online resource (xii, 193 pages) :
Includes bibliographical references and index. :
9789401208215 :
0929-8436 ; :
Available to subscribing member institutions only.
The divine courtroom in comparative perspective /
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Contributors to The Divine Courtroom in Comparative Perspective treat one of the most pervasive religious metaphors, that of the divine courtroom, in both its historical and thematic senses. In order to shed light on the various manifestations of the divine courtroom, this volume consists of essays by scholars of the ancient Near East, Hebrew Bible, Second Temple Judaism, early Christianity, Talmud, Islam, medieval Judaism, and classical Greek literature. Contributions to the volume primarily center upon three related facets of the divine courtroom: the role of the divine courtroom in the earthly legal system; the divine courtroom as the site of historical justice; and the divine courtroom as the venue in which God is called to answer for his own unjust acts.
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Includes papers presented at a conference held "on February 5-6, 2012, the Leonard and Bea Diener Institute of Jewish Law and the Yeshiva University Center for Jewish Law and Contemporary Civilization, 'The Divine Courtroom,' at the Benjamin N. Cardozo School of Law." :
1 online resource (vi, 308 pages) :
Includes bibliographical references and index. :
9789004281646 :
0928-0731 ; :
Available to subscribing member institutions only.
Paleoart and materiality : the scientific study of rock art /
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This text contains a series of selected papers presented at two symposia entitled 'Scientific Study of Rock Art' in 2012 and 2015. The core topic of the book is the presentation of scientific approaches to the materiality of rock art, ranging from recording and sampling methods to data analyses.
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Selected conference papers.
Previously issued in print: 2016. :
1 online resource : illustrations (black and white, and colour) :
Specialized. :
9781784914301 (ebook) :