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Dīwān-i ghazaliyāt-i Asīr-i Shahristānī /
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Persian poetry of the pre-modern era is divided into three successive styles, each belonging to a different period: Khurāsānī, ʿIrāqī and Hindī. The Hindī style's name comes from Safavid times, during which it developed; poets no longer enjoyed the shah's patronage, so that many of them went to India, where Persian poetry had flourished from Ghaznavid times (11th-12th cent.). The Hindī style is often regarded as being of a lesser kind than the Khurāsānī or ʿIrāqī ones, but has the merit of having ended the decline that Persian poetry was suffering from at the time and also, by its accessible language and subject matter, of having brought poetry within reach of the ordinary man. The poems of Asīr Shahristānī (11th/17th cent.), whose ghazal s are published here, are written in the Hindī style. Popular in India, even if he never went there, their appreciation in Iran has varied.
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1 online resource. :
9789004404137
9789646781733
Naqd wa bar rasī-yi Āthār u sharḥ-i aḥwāl-i Jāmī /
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Regarded by many as the last great mystical poet of medieval Persia, ʿAbd al-Raḥmān Jāmī (d. 898/1492) spent the greater part of his life in Herat. As a student, he excelled in every subject he engaged in and appeared destined for an academic career. But then, in his early thirties, he went through a spiritual crisis that ended in him joining the Herat branch of the mystical Naqshbandiyya order, led by the charismatic Saʿd al-Dīn Kāshgharī (d. 860/1456). A protégé of three successive Timurid rulers in Herat, Jāmī's wide network of friendships and relations extended from spiritual and literary circles through the political to the academic. With 39.000 lines of verse and over 30 prose works to his name, Jāmī's literary production is quite overwhelming. The present volume by Aʿlākhān Afṣaḥzād contains an in-depth study of his life, work and significance, concluded by a two hundred-page analysis of his famous Laylī u Majnūn.
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Series taken from jacket. :
1 online resource. :
9789004402478
9789646781160