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Mediaeval Manichaean Book Art : A Codicological Study of Iranian and Turkic Illuminated Book Fragments from 8th-11th Century East Central Asia /
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Mediaeval Manichean Book Art focuses on a corpus of c. one hundred fragments of exquisitely illuminated manuscripts that were produced under the patronage of the Turkic-speaking Uygurs in the Turfan region of East Central Asia between the 8th and 11th centuries CE, and used in service of the local Manichaean church. By applying a codicological approach to the analysis of these sources, this study casts light onto a lost episode of Central Asian art history and religious book culture. Each of the five chapters in this book accomplishes a well-defined goal. The first justifies the formation of the corpus . The second examines its dating on the basis of scientific and historical evidence. Chapter three assesses the artistry of their bookmakers, scribes, and illuminators. The fourth documents the patterns of page layout preserved on the fragments. The final chapter analyses the contextual relationship of their painted and written contents . Mediaeval Manichaean Book Art represents a pioneer study in its subject, research methodology, and illustrations. It extracts codicological and art historical data from torn remains of lavishly decorated Middle-Persian, Sogdian, and Uygur language manuscripts in codex, scroll, and "palm-leaf" formats. Through detailed analyses and carefully argued interpretations aided by precise computer drawings, the author introduces an important group of primary sources for future comparative research in Central Asian art, mediaeval book illumination, and Manichaean studies.
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1 online resource. :
Includes bibliographical references and index. :
9789047405962
9789004139947
A Walk in the Park: Kinesthesia in the Arts of Landscape /
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Current neuroscience discloses that all emotional feeling originates as movement. Kinesthesia, our sixth sense, begins with movement of muscle cells and ends as emotion. Depth perception, which depends on movement, is always feeling-laden. To be expressive, art must somehow move our bodies. Studies of expressive dance demonstrate that we unconsciously model observed movements, duplicating in ourselves the feelings that generated the dancer's movements. The art of landscape creates choreography for a walk. But each of the fine arts play a role in landscape design. Here, then, is a new theory of landscape that easily extends to all the fine arts, explaining our enjoyment in landscape, as well as aesthetic enjoyment more generally.
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1 online resource (452 pages) : illustrations. :
Includes bibliographical references and index. :
9789004697591
Under the Adorned Dome, Four Essays on the Arts of Iran and India : Ehsan Yarshater Lecture Series /
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These essays are the revised and updated version of four lectures given in the Yarshater Lecture Series, at SOAS in London in 2013. They concern some aspects of the arts from pre-modern Iran and India, namely, the "making of" of Persian illustrated manuscripts, the iconography of Kashan wares, the use and re-use of luster tiles in Ilkhanid Iran, and the glazed tiles made in three Indian sultanates (Delhi, Bengal and Malwa). These four topics share concepts of influence and impact, although inflected on different modes. The productions they embody represent many poles of influence, even if working on different scales, from the extensive diffusion of products, techniques, and systems to almost isolated productions.
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1 online resource (270 pages) : illustrations. :
Includes bibliographical references and index. :
9789004549722
Scribes and translators : Septuagint and Old Latin in the Books of Kings /
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Scribes and Translators is a critical reflection on the textual pluralism as reflected in the book of Kings. The first part of the book examines the diverse texts transmitted by the manuscripts. Special attention is paid to the Antiochene text of the Septuagint that is being edited in Madrid. The second part is devoted to the analysis of Old Latin readings, transmitted by a Spanish family of Vulgate Bibles, with no support in any of the known manuscripts. Finally, the whole evidence is discussed in the frame of the plurality of texts confirmed by the Qumran documents for those books. Based on Old Latin material recently published it sheds light on the text transmission of Kings and on the translation techniques and the history of the Biblical texts in general.
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"The Grinfield Lectures 1991 and 1992 ... at the University of Oxford"--Preface. :
1 online resource (98 pages, [6] pages of plates) : illustrations. :
Includes bibliographical references (p. 88-91) and indexes. :
9789004275782 :
0083-5889 ; :
Available to subscribing member institutions only.
Machiavelli's Art of Politics.
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In Machiavelli's Art of Politics Alejandro Bárcenas offers a reexamination of Niccolò Machiavelli's political thought in order to propose a concise and historically accurate portrayal of his ideas and intellectual context. This study provides a nuanced view of the complexities of Machiavelli's thought by analyzing his classical background, taking into particular consideration the influence of Xenophon, and his view of the ideal ruler as someone who creates the conditions for a flourishing human life. In addition, Bárcenas explains why Machiavelli defends a republican political order that encourages citizens to live according to their own laws while serving a common good and revises his legacy through the writings of Leo Strauss, Eric Voegelin and Maurizio Viroli.
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Description based upon print version of record. :
1 online resource (173 pages) :
9789004298026 :
Available to subscribing member institutions only.
Knowledge, Art, and Power : An Outline of a Theory of Experience /
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In Knowledge, Art, and Power: An Outline of a Theory of Experience John Ryder presents an original theory of experience rooted in the American pragmatic naturalist philosophical tradition. The operative assumption of the book is that a clearer understanding of experience provides a richer conception of human being. Beginning with the Deweyan idea of experience as the mutually constitutive engagement of an individual with her environing conditions, the theory posits that there are three general dimensions that condition all of our experience - cognitive (knowledge), aesthetic (art), and political (power). All other constituents and forms of experience, such as language, emotions, ethics, religion, and others, are conditioned by these three general threads that define the fabric of experience and of human life.
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1 online resource. :
9789004429185
9789004429178