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The Apocalypse of Paul (Visio Pauli) in Sahidic Coptic : Critical Edition, Translation and Commentary /
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The apocryphal Apocalypse of Paul (Visio Pauli) plunges us right into the heart of early-Christian conceptions of heaven and hell. Its vivid eyewitness account of otherworldly punishment and reward was translated into many different languages and inspired numerous later authors, among whom Dante. This book offers a re-edition and English translation of the ancient Coptic version. An exhaustive commentary makes the text accessible and situates it in the time and place where it was written, fourth-century Egypt. As this new study shows, the Coptic version is by far the best available witness of the original Apocalypse of Paul .
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1 online resource :
9789004526464
9789004526471
The Apocalypse of Paul (Visio Pauli) in Sahidic Coptic : Critical Edition, Translation and Commentary /
:
The apocryphal Apocalypse of Paul (Visio Pauli) plunges us right into the heart of early-Christian conceptions of heaven and hell. Its vivid eyewitness account of otherworldly punishment and reward was translated into many different languages and inspired numerous later authors, among whom Dante. This book offers a re-edition and English translation of the ancient Coptic version. An exhaustive commentary makes the text accessible and situates it in the time and place where it was written, fourth-century Egypt. As this new study shows, the Coptic version is by far the best available witness of the original Apocalypse of Paul .
:
1 online resource :
9789004526464
9789004526471
Bharatanatyam Evolves : From Temple to Theatre and Back Again /
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Bharatanatyam is currently one of the most popular Indian classical dance styles, performed throughout India and the world. It originated in southern India, where it was taught by males and performed by female Devadasis, both of whom belonged to the same caste. Traditionally, the dance was associated with Hindu temples and courts and was performed in a variety of sacred and secular settings. Since the early twentieth century, both practitioners of and venues for the dance have expanded. It is now taught and performed globally by people from all castes and nationalities, including teachers and dancers of all genders and religions. Most performances are now public events presented on the concert stage. Anne-Marie Gaston traces the development of Bharatanatyam from its religious and secular roots. She gives details of the teachers who were most influential in the transmission of the dance from traditional to modern practitioners and discusses the role of different interpretations (banis). By describing traditional and modern performances and choreography, she traces changes in the repertoire and presentation that have taken place during the post-revival era. Trends in performances at the MMA, considered the most important venue for Bharatanatyam, are described. Comments from the author's in-depth studies of Bharatanatyam, as both performer and academic, give a historical perspective to the current manifestation of the dance. Her observations are drawn especially from recitals at the Madras Winter Festivals, 2011-15. The volume is profusely illustrated with the author's own photographs.
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1 online resource (180 pages) : illustrations. :
Includes bibliographical references and index. :
9789004754010
Miṣr al-Farāʻinah /
: "Hadhā al-kitāb mutarjam ʻan ''Egypt of the Pharaohs'' : an introduction' by Sir Alan Gardiner, al-maṭbūʻ fī Uksfūrd, Maṭbaʻat Kalārindūn, ʻām 1961"--Title page verso. : 513 pages, 22 unnumbered pages of plates : illustrations, maps ; 24 cm. : Includes bibliographical references (pages 9-13) : 9770112917
Greek art : from Oxford to Portugal and back again /
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One of the most fascinating topics in the study of ancient art concerns artistic practices and models and the means of transmission of iconographic designs and decorative compositions. This phenomenon, although well known, has not drawn much attention of scholars of the ancient art. Apart from copies of originals, the practice dates back to the first civilizations and may be even older. The media used could be painted vignettes on papyri, paint on leather, or sketches painted on ostraca, used as pattern books. This issue is practically unheard of regarding ancient Greece, although a few media have been found which may have facilitated the transmission of iconographic designs and decorative compositions. In this study we present some examples that suggest the existence of pattern books in the Greek world.
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Previously issued in print: 2017. :
1 online resource : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781784915872 (ebook) :
Creating medieval Cairo : empire, religion, and architectural preservation in nineteenth-century Egypt /
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"This book argues that the historic city we know as Medieval Cairo was created in the nineteenth century by both Egyptians and Europeans against a background of four overlapping political and cultural contexts: namely, the local Egyptian, Anglo-Egyptian, Anglo-Indian, and Ottoman imperial milieux. Addressing the interrelated topics of empire, local history, religion, and transnational heritage, historian Paula Sanders shows how Cairo's architectural heritage became canonized in the nineteenth and twentieth centuries. The book also explains why and how the city assumed its characteristically Mamluk appearance and situates the activities of the European-dominated architectural preservation committee (known as the Comiť) within the history of religious life in nineteenth-century Cairo. Sanders explores such varied topics as the British experience in India, the Egyptian debate over religious reform, and the influence of The Thousand and One Nights on European notions of the medieval Arab city ... this volume examines the unacknowledged colonial legacy that continues to inform the practice of and debates over preservation in Cairo."
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xv, 216 pages, [16] pages of plates : illustrations ; 24 cm. :
Includes bibliographical references (pages 188-206) and index. :
9774160959