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Imaging and Imagining Palestine : Photography, Modernity and the Biblical Lens, 1918-1948 /
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Imaging and Imagining Palestine is the first comprehensive study of photography during the British Mandate period (1918-1948). It addresses well-known archives, photos from private collections never available before and archives that have until recently remained closed. This interdisciplinary volume argues that photography is central to a different understanding of the social and political complexities of Palestine in this period. While Biblical and Orientalist images abound, the chapters in this book go further by questioning the impact of photography on the social histories of British Mandate Palestine. This book considers the specific archives, the work of individual photographers, methods for reading historical photography from the present and how we might begin the process of decolonising photography. " Imaging and Imagining Palestine presents a timely and much-needed critical evaluation of the role of photography in Palestine. Drawing together leading interdisciplinary specialists and engaging a range of innovative methodologies, the volume makes clear the ways in which photography reflects the shifting political, cultural and economic landscape of the British Mandate period, and experiences of modernity in Palestine. Actively problematising conventional understandings of production, circulation and the in/stability of the photographic document, Imaging and Imagining Palestine provides essential reading for decolonial studies of photography and visual culture studies of Palestine." - Chrisoula Lionis, author of Laughter in Occupied Palestine: Comedy and Identity in Art and Film " Imaging and Imagining Palestine is the first and much needed overview of photography during the British Mandate period. From well-known and accessible photographic archives to private family albums, it deals with the cultural and political relations of the period thinking about both the Western perceptions of Palestine as well as its modern social life. This book brings together an impressive array of material and analyses to form an interdisciplinary perspective that considers just how photography shapes our understanding of the past as well as the ways in which the past might be reclaimed." - Jack Persekian, Founding Director of Al Ma'mal Foundation for Contemporary Art in Jerusalem " Imaging and Imagining Palestine draws together a plethora of fresh approaches to the field of photography in Palestine. It considers Palestine as a central node in global photographic production and the ways in which photography shaped the modern imaging and imagining from within a fresh regional theoretical perspective." - Salwa Mikdadi, Director al Mawrid Arab Center for the Study of Art, New York University Abu Dhabi.
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1 online resource. :
Includes bibliographical references and index. :
9789004437944
9789004437937
Modern and Contemporary Political Theater from the Levant : A Critical Anthology /
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In Modern and Contemporary Political Theater from the Levant, A Critical Anthology , Robert Myers and Nada Saab provide a sense of the variety and complexity of political theater produced in and around the Levant from the 1960s to the present within a context of wider discussions about political theater and the histories and forms of performance from the Islamic and Arab worlds. Five major playwrights are studied, ʿIsam Mahfuz, from Lebanon; Muhammad al-Maghut and Saʿd Allah Wannus, from Syria; Jawad al-Asadi, from Iraq, Syria and Lebanon; and Raʾida Taha, from Palestine. The volume includes translations of their plays The Dictator , The Jester , The Rape , Baghdadi Bath and Where Would I Find Someone Like You, ʿAli? , respectively.
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1 online resource. :
Includes bibliographical references and index. :
9789004385832 :
Available to subscribing member institutions only.
The archaeology of the Holy Land : from the destruction of Solomon's Temple to the Muslim conquest /
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"In the heart of the ancient Near East (modern Middle East) and at a crossroads between once mighty powers such as Assyria to the east and Egypt to the south is a tiny piece of land -- roughly the size of New Jersey -- that is as contested as it is sacred. One cannot even name this territory without sparking controversy. Originally called Canaan after its early inhabitants (the Canaanites), it has since been known by various names. To Jews this is Eretz-Israel (the Land of Israel), the Promised Land described by the Hebrew Bible as flowing with milk and honey. To Christians it is the Holy Land where Jesus Christ -- the messiah or anointed one -- was born, preached, and offered himself as the ultimate sacrifice. Under the Greeks and Romans, it was the province of Judea, a name which hearkened back to the biblical kingdom of Judah. After the Bar-Kokhba revolt ended in 135 C.E., Hadrian renamed the province Syria-Palestina, reviving the memory of the long-vanished kingdom of Philistia. Under early Islamic rule the military district (jund) of Filastin was part of the province of Greater Syria (Arabic Bilad al-Sham). In this book, the term Palestine is used to denote the area encompassing the modern state of Israel, the Hashemite kingdom of Jordan, and the Palestinian territories"--
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xiv, 385 pages : illustrations, maps ; 27 cm. :
Includes bibliographical references and index. :
9780521124133 :
aya
Dīwān-i Ghālib-i Dihlawī : Mushtamil bar ghazaliyyāt u rubāʿiyyāt-i Fārsi /
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Mīrzā Asadallāh Khān, better known by his pen-name of Ghālib Dihlawī, is the last one of the great poets of the Mughal era. Born in Agra in 1212/1797, he traced his origins back to Tūrān, his paternal grandfather having emigrated from Transoxania to India during the reign of Shāh ʿĀlam (r. 1759-1806). While mostly known as one of the foremost Urdu poets, Ghālib's Persian work, poetry and prose, is of comparable quality. In his childhood days, his Persian had been greatly improved thanks to the teachings of a Persian immigrant by the name of ʿAbd al-Ṣamad. But even if Ghālib acknowledged ʿAbd al-Ṣamad's qualities as a teacher and a human being, as a writer of Persian poetry, he regarded his talents as God-given. Ghālib's life was full of drama: an unhappy marriage, the loss of all his children, alcoholism, depression, and years of financial hardship. Plagued by ill health, he died in Delhi, aged 71.
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1 online resource. :
9789004401877
9789648700299