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Inquisitionis Hispanicae artes /
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The Inquisitionis Hispanicae Artes (Heidelberg, 1567), written by exiled Spanish Protestants, is the first systematic denunciation of the Spanish Inquisition. Its first part is a description of the Inquisition's methods, making use of the Inquisition's own instruction manual, which was not publicly known. Its second section presents a gallery of individuals who suffered persecution in Seville during the anti-Protestant repression (1557-1565). The book had a great impact, being almost immediately translated into English, French, Dutch, German, and Hungarian. The portraits very soon passed into Protestant martyrologies, and the most shocking descriptions (torture, auto de fe) became ammunition for anti-Spanish literature. This critical edition presents a new text as well as, for the first time, extensive notes.
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1 online resource. :
Includes bibliographical references and index. :
9789004365766 :
Available to subscribing member institutions only.
Antiquites et objets d'art : collection de Martine, Comtesse de Behague provenant de la succession du Marquis de Ganay.
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Auction catalog.
"Par le ministere de Me M. Th. Escaut-Marquet, Huissier a Monaco."
Catalog contains lots 1-296.
Martine, Comtesse de Behague.
Marquis de Ganay.
Me M. Th. Escaut-Marquet. :
209 pages : illustrations (some color) ; 28 cm
L'art du livre en Asie centrale de la fin du xvie siècle au début du xxe siècle : Étude des...
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Dans L'art du livre en Asie centrale de la fin du XVIe au début du XXe siècle , Marie Efthymiou met en lumière le riche patrimoine manuscrit de cette région encore mal connue. Traditionnellement rattaché au seul monde iranien, il apparaît au confluent de riches transferts culturels et de vastes circuits d'échanges, où émerge le rôle majeur de l'Inde du Nord et d'importantes spécificités locales. Grâce à l'analyse méticuleuse des manuscrits coraniques de l'Institut Al Bīrūnī, Marie Efthymiou décrit les mutations des techniques de fabrication du livre, renouvelant la connaissance du papier de Samarcande et révélant le dynamisme de Kokand comme centre de production. Un questionnement novateur des usages du livre en restitue la place dans la société et les pratiques de dévotion. In L'art du livre en Asie centrale de la fin du XVIe au début du XXe siècle , Marie Efthymiou sheds light on the rich cultural heritage of Central Asia, a still relatively unknown region. Traditionally considered part of a single Persian cultural domain, it in fact bears witness to a rich convergence of cultural transmissions and trade routes, with strong external influences from North India as well as strong local characteristics. By a meticulous analysis of the Quranic manuscripts of the Al Bīrūnī Institute of Oriental Studies, Marie Efthymiou depicts the technical changes of bookmaking, providing new evidence on Samarcand paper and revealing Kokand as a major centre of production. An innovative approach of the manuscripts' uses traces their place in society and in the everyday life of worshippers.
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1 online resource (271 pages) : color illustrations, photographs. :
Includes bibliographical references and index. :
9789004284012 :
1877-9964 ;
1877-9964 :
Available to subscribing member institutions only.
L'apologie de Jérôme contre Rufin : un commentaire /
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In the three books of his Contra Rufinum , a work dating back to his mature period (401-402), Jerome (ca 347-420) fought against his erstwhile friend turned rival, Rufinus: the two Latin monks, one settled in Bethlehem, the other in Jerusalem, had come to confront each other on such issues as the timeliness and ways (translation, commentary...) of transmitting an Oriental heritage to the West, Greek (in particular the works of Origen [ca. 185-ca. 253], whose Peri Archôn they both translated in competition) as well as Jewish (the biblical hebraica veritas which Jerome championed). They were also at variance on the appreciation of profane culture (the Latin classics). Jerome's Contra Rufinum is a masterpiece by a brilliant polemist and an important document as to a knowledge of the actors and the vicissitudes of a controversy which mobilised many Christians, Eastern and Western alike, on the eve of the sacking of Rome by the Barbarians. This commentary seeks to analyse the treatise in all its facets (historical and theological, philological and rhetorical), and to elucidate its connections with the different traditions (classical, biblical, patristic) to which it belongs. The Contra Rufinum thus turns out to be a remarkable vantage point from which to illuminate the entire corpus of an author whose work, spread over nearly half a century, was immensely influential during the Middle Ages and the Renaissance.
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1 online resource (xxxii, 564 pages) : illustrations. :
Includes bibliographical references and indexes. :
9789004312814 :
0920-623X ; :
Available to subscribing member institutions only.
Scholarship between Europe and the Levant : Essays in Honour of Alastair Hamilton /
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Scholarship between Europe and the Levant is a collection of essays in honour of Professor Alastair Hamilton. His pioneering research into the history of European Oriental studies has deeply enhanced our understanding of the dynamics and processes of cultural and religious exchange between Christian Europe and the Islamic world. Written by students, friends and colleagues, the contributions in this volume pay tribute to Alastair Hamilton's work and legacy. They discuss and celebrate intellectual, artistic and religious encounters between Europe and the cultural area stretching from Northern Africa to the Arabian Peninsula, and spanning the period from the sixteenth to the late nineteenth century. Contributors: Asaph Ben-Tov, Alexander Bevilacqua, Maurits H. van den Boogert, Charles Burnett, Ziad Elmarsafy, Mordechai Feingold, Aurélien Girard, Bernard Heyberger, Robert Irwin, Tarif Khalidi, J.M.I. Klaver, Noel Malcolm, Martin Mulsow, Francis Richard, G. J. Toomer, Arnoud Vrolijk, Nicholas Warner, Joanna Weinberg, and Jan Just Witkam.
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1 online resource. :
Includes bibliographical references and index. :
9789004429321
9789004429314
L'Intrigue dénouée. Mythe, littérature et communauté dans la pensée de Jean-Luc Nancy /
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Cet ouvrage est la première étude systématique du rapport entre communauté et littérature dans la pensée de Jean-Luc Nancy. L'auteure développe la thèse originale que cette relation doit être comprise comme une refonte du mythe. Traversant l'œuvre de Nancy dans son intégralité, elle démontre de façon incomparable comment s'articulent les questions centrales de la communauté et de la littérature. De plus, en faisant ce lien en termes de « mythe », ce livre situe l'œuvre de Nancy dans une tradition plus large, allant du romantisme allemand aux théories contemporaines de la pertinence sociale de la littérature. This is the first book to provide a systematic investigation of the relation between community and literature in the work of Jean-Luc Nancy. It develops the original claim that this relation has to be understood as a rethinking of myth. Traversing the entirety of Nancy's vast oeuvre, the author offers an incomparable account of the ways in which Nancy's central questions of community and literature are linked together. Moreover, by putting this linkage in terms of 'myth', this book situates Nancy's work within a larger tradition, leading from German Romanticism to contemporary theories of the social relevance of literature.
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Cet ouvrage est le premier à proposer une recherche systématique du rapport entre communauté et littérature dans la pensée de Jean-Luc Nancy. L'auteure développe la thèse originale que cette relation doit être comprise comme une refonte du mythe.This is the first book to provide a systematic investigation of the relation between community and literature in the work of Jean-Luc Nancy. The author develops the original claim that this relation has to be understood as a rethinking of myth. :
1 online resource. :
Includes bibliographical references and index. :
9789004518674
9789004515574
L'Intrigue dénouée. Mythe, littérature et communauté dans la pensée de Jean-Luc Nancy /
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Cet ouvrage est la première étude systématique du rapport entre communauté et littérature dans la pensée de Jean-Luc Nancy. L'auteure développe la thèse originale que cette relation doit être comprise comme une refonte du mythe. Traversant l'œuvre de Nancy dans son intégralité, elle démontre de façon incomparable comment s'articulent les questions centrales de la communauté et de la littérature. De plus, en faisant ce lien en termes de « mythe », ce livre situe l'œuvre de Nancy dans une tradition plus large, allant du romantisme allemand aux théories contemporaines de la pertinence sociale de la littérature. This is the first book to provide a systematic investigation of the relation between community and literature in the work of Jean-Luc Nancy. It develops the original claim that this relation has to be understood as a rethinking of myth. Traversing the entirety of Nancy's vast oeuvre, the author offers an incomparable account of the ways in which Nancy's central questions of community and literature are linked together. Moreover, by putting this linkage in terms of 'myth', this book situates Nancy's work within a larger tradition, leading from German Romanticism to contemporary theories of the social relevance of literature.
:
Cet ouvrage est le premier à proposer une recherche systématique du rapport entre communauté et littérature dans la pensée de Jean-Luc Nancy. L'auteure développe la thèse originale que cette relation doit être comprise comme une refonte du mythe.This is the first book to provide a systematic investigation of the relation between community and literature in the work of Jean-Luc Nancy. The author develops the original claim that this relation has to be understood as a rethinking of myth. :
1 online resource. :
Includes bibliographical references and index. :
9789004518674
9789004515574