modern chicago » modern china (توسيع البحث), modern chian (توسيع البحث)
art studies » area studies (توسيع البحث), east studies (توسيع البحث), case studies (توسيع البحث)
modern sufi » modern saudi (توسيع البحث), modern sunni (توسيع البحث), modern shii (توسيع البحث)
modern art » modern age (توسيع البحث)
Affect, emotion, and subjectivity in early modern Muslim Empires : new studies in Ottoman, Safavid, and Mughal art and culture /
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Affect, Emotion and Subjectivity in Early Modern Muslim Empires presents new approaches to Ottoman Safavid and Mughal art and culture. Taking artistic agency as a starting point, the authors consider the rise in status of architects, the self-fashioning of artists, the development of public spaces, as well as new literary genres that focus on the individual subject and his or her place in the world. They consider the issue of affect as performative and responsive to certain emotions and actions, thus allowing insights into the motivations behind the making and, in some cases, the destruction of works of art. The interconnected histories of Iran,Turkey and India thus highlight the urban and intellectual changes that defined the early modern period. Contributors are: Sussan Babaie, Chanchal Dadlani, Jamal Elias, Emine Fetvaci, Christiane Gruber, Sylvia Hougteling, Kishwar Rizvi, Sunil Sharma, and Marianna Shreve Simpson.
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1 online resource (xii, 222 pages) : illustrations. :
Includes bibliographical references and index. :
9789004352841 :
Available to subscribing member institutions only.
Adab and modernity : a "civilising" process? (sixteenth--twenty-first century) /
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Adab is a concept situated at the heart of Arabic and Islamic civilisation. Adab is etiquette, ethics, and literature. It is also a creative synthesis, a relationship within a configuration. What became of it, towards modernity ? The question of the "civilising process" (Norbert Elias) helps us reflect on this story. During the modern period, maintaining one's identity while entering into what was termed "civilisation" ( al-tamaddun ) soon became a leitmotiv . A debate on what was or what should be culture, ethics, and norms in Middle Eastern societies accompanied this evolution. The resilient notion of adab has been in competition with the Salafist focus on mores ( akhlāq ). Still, humanism, poetry, and transgression are constants in the history of adab . Contributors: Francesca Bellino, Elisabetta Benigni, Michel Boivin, Olivier Bouquet, Francesco Chiabotti, Stéphane Dudoignon, Anne-Laure Dupont, Stephan Guth, Albrecht Hofheinz, Katharina Ivanyi, Felix Konrad, Corinne Lefevre, Cathérine Mayeur-Jaouen, Astrid Meier, Nabil Mouline, Samuela Pagani, Luca Patrizi, Stefan Reichmuth, Iris Seri-Hersch, Chantal Verdeil, Anne-Sophie Vivier-Muresan.
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Includes index. :
1 online resource. :
9789004415997
The Intellectual Conscience of Art /
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At the core of this issue is the question of the concept of art. Could the task of art be transfered to philosophy, as Arthur Danto maintains? Or is there still a moral assignment for art inherent to Modernism? Various artists and theorists will respond to these questions in this issue. Among them are: J.C. Ammann, Victor Burqin, Don Cameron, Arthur Danto, Catherine David, Chris Dercon, Marlene Dumas, Jan Hoet, Joseph Kosuth, Donald Kuspit, Pieter Laurens Mol, Maarten van Nierop, A.B. Oliva, Frank Reynders and Haim Steinbach.
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1 online resource (228 pages) : illustrations. :
Includes bibliographical references and index. :
9789004664777
Performing the Sacred: Christian Representation and the Arts /
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What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? This book addresses the issue from the Middle Ages to the Modern era and showcases examples of how Christians have represented their biblical narrative.
What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? Performing the Sacred: Christian Representation and the Arts explores both the meaning of re-presentation and the role of performance within the Christian tradition between arts and drama. The essays in this book demonstrate that the idea of performance was central to Christian theology and that-from the Middle Ages to the Early Modern era-it became a device through which people saw, prayed, preached, wrote, imagined, officiated rites, celebrated cults, and practiced devotions. Seen that performance is a habitus within Christianity, performing the sacred does not just mean representing it, but rather enacting it in a tangible, visible and involved way.
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1 online resource. :
Includes bibliographical references and index. :
9789004522183
9789004517462
Letters of a Sufi scholar : the correspondence of ʻAbd al-Ghanī al-Nābulusī (1641-1731) /
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As a leading Muslim thinker, 'Abd al-Ghanī al-Nābulusī of Damascus creatively engaged with the social, religious, and intellectual challenges that emerged during the early modern period in which he lived. Yet, at a time of high anti-mystical fervour, his Sufi-inspired views faced strong local antipathy. Through extensive correspondence, presented here for the first time, 'Abd al-Ghanī projected his ideas and teachings beyond the parochial boundaries of Damascus, and was thus able to assert his authority at a wider regional level. The letters he himself selected, compiled, and titled shed fresh lights on the religious and intellectual exchanges among scholars in the eastern Ottoman provinces, revealing a dynamic and rigorous image of Islam, one that is profoundly inspired by humility, tolerance, and love. http://tntypography.com/brill.html
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1 online resource. :
Includes bibliographical references and index. :
9789047424338 :
Available to subscribing member institutions only.
Ancient Egypt in the Modern Imagination : Art, Literature and Culture
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Cover; Half Title; Title; Copyright; Dedication; Contents; Figures; Contributors; Introduction; Part I The Egyptological Imaginary; Chapter 1 'Wonderful Things' in Kingston upon Hull; Chapter 2 'Let Sleeping Scarabs Alone': When Egypt Came to Stonehenge; Chapter 3 3 'Mummy First: Statue After': Wyndham Lewis, Diffusionism, Mosaic Distinctions and the Egyptian Origins of Art; Chapter 4 Ancient Egypt in William S. Burroughs's Novels; Chapter 5 Between Success and Controversy: Christian Jacq and the Marketing of 'Egyptological' Fiction; Part II Death and Mysticism Chapter 6 Egyptomania, English Pyramids and the Quest for ImmortalityChapter 7 Obituaries and Obelisks: Egyptianizing Funerary Architecture and the Cemetery as a Heterotopic Space; Chapter 8 Tutankhartier: Death, Rebirth and Decoration; Or, Tutmania in the 1920s as a Metaphor for a Society in Recovery after World War One; Chapter 9 Celtic Egyptians: Isis Priests of the Lineage of Scota; Chapter 10 Jack the Ripper and the Mummy's Curse: Ancient Egypt in From Hell; Part III Gender and Sexuality; Chapter 11 From Sekhmet to Suffrage: Ancient Egypt in Early Twentieth-Century Women's Culture Chapter 12 'The Use of Old Objects': Ancient Egypt and English Writers around 1920Chapter 13 Women Surrealists and Egyptian Mythology: Sphinxes, Animals and Magic; Chapter 14 Egyptian Excesses: Taylor, Burton and Cleopatra; Chapter 15 The Mummy, the Priestess and the Heroine: Embodying and Legitimating Female Power in 1970s Girls' Comics; Notes; Introduction; 1 'Wonderful Things' in Kingston upon Hull; 2 'Let Sleeping Scarabs Alone': When Egypt Came to Stonehenge; 3 'Mummy First: Statue After': Wyndham Lewis, Diffusionism, Mosaic Distinctions and the Egyptian Origins of Art 4 Ancient Egypt in William S. Burroughs's Novels5 Between Success and Controversy: Christian Jacq and the Marketing of 'Egyptological' Fiction; 6 Egyptomania, English Pyramids and the Quest for Immortality; 7 Obituaries and Obelisks: Egyptianizing Funerary Architecture and the Cemetery as a Heterotopic Space; 8 Tutankhartier: Death, Rebirth and Decoration; Or, Tutmania in the 1920s as a Metaphor for a Society in Recovery after World War One; 9 Celtic Egyptians: Isis Priests of the Lineage of Scota; 10 Jack the Ripper and the Mummy's Curse: Ancient Egypt in From Hell 11 From Sekhmet to Suffrage: Ancient Egypt in Early Twentieth-Century Women's Culture12 'The Use of Old Objects': Ancient Egypt and English Writers around 1920; 13 Women Surrealists and Egyptian Mythology: Sphinxes, Animals and Magic; 14 Egyptian Excesses: Taylor, Burton and Cleopatra; 15 The Mummy, the Priestess and the Heroine: Embodying and Legitimating Female Power in 1970s Girls' Comics; Bibliography; Index
Islam and modernism in Egypt : a study of the modern reform movement inaugurated by Muḥammad ʻAbduh /
: The first part of a dissertation submitted in 1928 to the Graduate faculty of the University of Chicago, Department of Old Testament, for degree of doctor of philosophy. It forms an introductory study for a translation into English, not yet published, of a work on the Islāmic caliphate by ʻAlī ʻAbd al-Rāzik. Cf. Pref. : viii, 283 pages ; 23 cm. : Bibliography : pages [269]-274.
Why look at plants? : the botanical emergence in contemporary art /
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Why Look at Plants? proposes a thought-provoking and fascinating look into the emerging cultural politics of plant-presence in contemporary art. Through the original contributions of artists, scholars, and curators who have creatively engaged with the ultimate otherness of plants in their work, this volume maps and problematizes new intra-active, agential interconnectedness involving human-non-human biosystems central to artistic and philosophical discourses of the Anthropocene. Plant's fixity, perceived passivity, and resilient silence have relegated the vegetal world to the cultural background of human civilization. However, the recent emergence of plants in the gallery space constitutes a wake-up-call to reappraise this relationship at a time of deep ecological and ontological crisis. Why Look at Plants? challenges readers' pre-established notions through a diverse gathering of insights, stories, experiences, perspectives, and arguments encompassing multiple disciplines, media, and methodologies.
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1 online resource. :
Includes bibliographical references and index. :
9789004375253 :
2213-0659 ;
Inquisitionis Hispanicae artes /
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The Inquisitionis Hispanicae Artes (Heidelberg, 1567), written by exiled Spanish Protestants, is the first systematic denunciation of the Spanish Inquisition. Its first part is a description of the Inquisition's methods, making use of the Inquisition's own instruction manual, which was not publicly known. Its second section presents a gallery of individuals who suffered persecution in Seville during the anti-Protestant repression (1557-1565). The book had a great impact, being almost immediately translated into English, French, Dutch, German, and Hungarian. The portraits very soon passed into Protestant martyrologies, and the most shocking descriptions (torture, auto de fe) became ammunition for anti-Spanish literature. This critical edition presents a new text as well as, for the first time, extensive notes.
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1 online resource. :
Includes bibliographical references and index. :
9789004365766 :
Available to subscribing member institutions only.
Ecclesial identification beyond late modern individualism? : a case study of life strategies in growing late modern churches /
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Why do some late modern churches grow, counter to the trend in Western Europe? Why do people identify with such churches - and does identification lead to morally transforming commitments beyond late modern consumerism? This case study investigates these questions based on 'real life' or empirical research, which include both the level of individual life strategies and organisational practice in two growing European churches. This innovative and interdisciplinary study draws on recent findings in theology, moral philosophy, sociology and organisational psychology. Its findings may prove useful not only for scholars in these disciplines, it may also enrich the reflection of practitioners who seek to perform the difficult art of transformational leadership in a late modern context.
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Revision of the author's thesis (doctoral)--Norwegian School of Theology, 2009. :
1 online resource (xx, 385 pages) : illustrations. :
Includes bibliographical references (p. [373]-381) and index. :
9789004184800 :
1876-2247 ; :
Available to subscribing member institutions only.
Japanese Art - Transcultural Perspectives /
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The transcultural approach to Japanese art history embraced by the contributors to this volume centers on the dynamic aesthetic, artistic, and conceptual negotiations across cultural, temporal, and spatial boundaries. It not only acknowledges material objects, people, and technologies as agents, but also intangible practices such as knowledge and concepts as vital agencies of interaction in transcultural processes. With its premise on connectivity, trans-territoriality, networks, and their transformative potential, this research destabilizes categorical configurations such as "center vs. periphery" and "high vs. low," calling into question the classical canon of Japanese art history. See Less
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1 online resource (420 pages) : illustrations. :
Includes bibliographical references and index. :
9789004704176
Kabbalah and modernity : interpretations, transformations, adaptations /
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The persistence of kabbalistic groups in the twentieth century has largely been ignored or underestimated by scholars of religion. Only recently have scholars began to turn their attention to the many-facetted roles that kabbalistic doctrines and schools have played in nineteenth- and twentieth-century culture. Often, and necessarily, this new interest and openness went along with a contextualization and re-valuation of earlier scholarly approaches to kabbalah. This volume brings together leading representatives of this ongoing debate in order to break new ground for a better understanding and conceptualization of the role of kabbalah in modern religious, intellectual, and political discourse.
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1 online resource. :
Includes bibliographical references and indexes. :
9789004182875 :
1871-1405 ; :
Available to subscribing member institutions only.
Manifestations of a Sufi Woman in Central Asia : A Critical Edition of Ḥāfiẓ-i Baṣīr's Maẓhar al-ʿAjāʾib /
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The Maẓhar al-ʿajāʾib is the devotional work written to expound upon the teachings of Aghā-yi Buzurg, a female religious master active in the early 16th century in Bukhara. The work was produced in 16th century Central Asia, when the region underwent major socio-economic and religio-political changes in the aftermath of the downfall of the Timurid dynasty and the establishment of the Shibanid dynasty in Mavarannahr and the Safavid dynasty in Iran. In its portrayal of Aghā-yi Buzurg, the Maẓhar al-ʿajāʾib represents a tradition that maintained an egalitarian conception of gender in the spiritual equality of women and men, attesting to the presence of multiple voices in Muslim discourse and challenging conventional ways of thinking about gender history in early modern Central Asia.
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1 online resource. :
Includes bibliographical references and index. :
9789004441354
9789004441347
Gardens and Academies in Early Modern Italy and Beyond /
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This collection of essays explores the role of gardens in early modern academies and, conversely, the place of what might be called 'academic culture' in early modern gardens. While studies of botanical gardens have often focused on their association with a research institution, the intention of this book is deliberately broader, seeking to explore the interactions and intersections between the built environment of the early modern garden and the more or less organised social and intellectual life it supported. As such, the book contributes to the intersection of several fields of research: garden history, literary history, architectural history and socio-political history, and considers the garden as a site of performance that requires an intermedial approach.
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Includes bibliographical references and index. :
9789004517547
Discussing modernity : a dialogue with Martin Jay /
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Martin Jay is one of America's leading intellectual historians. His work spans almost all important questions concerning the subject of modernity. Outstanding Polish scholars engage in a dialogue with Jay's work, discussing significant problems of modernity and postmodernity. The book offers a broad panorama of contemporary thought approached from various angles. It is also a unique exercise of intercultural intellectual dialogue covering many areas from literature to politics. The book also includes an essay on photography by Martin Jay and his detailed response to the other contributors, which has the character of an extended conversation with them. The book can serve as an assessment of the uptake of Jay's ideas, and equally well as a general introduction to the genealogy of modernity and postmodernity.
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1 online resource (153 pages) : illustrations. :
Includes bibliographical references and index. :
9789401209304 :
Available to subscribing member institutions only.
Supplices et Tortures (Littérature, Théâtre, Cinéma) /
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How has torture shaped art? This book explores in an unprecedented way the links between physical suffering and artistic creation. Beyond the simple representation of torture, the work analyzes how this extreme experience has modified literary and artistic forms themselves. By traversing the centuries, from antiquity to the present day, it reveals how violence has influenced discourses, genres, and artistic techniques. An essential study to understand how art, far from being a mere reflection of reality, is also a tool to question and transform the world. Comment la torture a-t-elle façonné l'art ? Ce livre explore de manière inédite les liens entre la souffrance physique et la création artistique. Au-delà de la simple représentation de la torture, l'ouvrage analyse comment cette expérience extrême a modifié les formes littéraires et artistiques elles-mêmes. En parcourant les siècles, de l'Antiquité à nos jours, il révèle comment la violence a influencé les discours, les genres et les techniques artistiques. Une étude essentielle pour comprendre comment l'art, loin d'être un simple reflet du réel, est aussi un outil pour interroger et transformer le monde.
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1 online resource (215 pages) : illustrations. :
Includes bibliographical references and index. :
9789004729247
Enargeia in classical antiquity and the early modern age : the aesthetics of evidence /
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The present study provides an extensive treatment of the topic of enargeia on the basis of the classical and humanist sources of its theoretical foundation. These serve as the basis for detailed analyses of verbal and pictorial works of the Classical Antiquity and the Early Modern Age. Their theoretical basis is the tradition of classical rhetoric with its principal representatives (Aristotle, Cicero, Quintilian) and their reception history. The 'enargetic' approach to the arts may be described as rhetoric of presence and display, or aesthetics of evidence and imagination. Visual imagination plays a major role in the concepts of effect in oratory, poetry, and drama of the Classical Antiquity and the Early Modern Age. Its implementations are manifested in the Second Sophistic and in the Early Modern Age, there above all in the works of William Shakespeare.
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1 online resource. :
Includes bibliographical references and index. :
9789004231184 :
1865-1148 ; :
Available to subscribing member institutions only.
Arabic studies in the Netherlands : a short history in portraits, 1580-1950 /
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Arabic is the only living language to have been taught in Dutch higher education for more than four centuries. Practical usefulness, however, has been a prerequisite from the start. Knowledge of Arabic was to promote Dutch interests in the Muslim world, or to help refute Islam. As a cognate of Classical Hebrew, the study of Arabic served as an ancillary science to Biblical studies. Nevertheless, many Arabists such as Thomas Erpenius and Jacobus Golius rose to international distinction. With more than 110 colour illustrations from the Leiden Oriental collections, Arabic Studies in the Netherlands. A Short History in Portraits, 1580-1950 by Arnoud Vrolijk and Richard van Leeuwen will help the reader to gain insight into a fascinating aspect of Dutch intellectual history.
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1 online resource. :
9789004266339
Anatomie und Physiologie der Seele bei Leonardo da Vinci /
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Leonardo da Vinci war kein gläubiger Christ. Er schrieb um 1500: »Seele und Leben sind unglaubwürdige Dinge... Gegen das Wesen Gottes und der Seele sträuben sich die Sinne«. Die Seele ist bei Leonardo eine visuell dominante Wahrnehmungsseele, eng verbunden mit dem Gemeinsinn, dem sensus communis, und mit der mittelalterlichen Lehre von den Hirnkammern. Sein Konzept geht von physiologischen Funktionen der Seele aus und verzichtet auf jegliche Metaphysik. Für seine eigene Seele lässt Leonardo die Frage nach ihrem Wesen (che cosa è anima? ) unbeantwortet. Erstmals befasst sich eine Monographie mit Leonardos Konzept der Seele. In klarer und ansprechender Sprache geschrieben, mit zahlreichen Abbildungen, einer ausführlichen Bibliographie und einem Personen- und Sachregister versehen, bereichert das vorliegende Buch die Leonardo-Forschung um substantielle neue Erkenntnisse. See Less
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Includes bibliographical references and index. :
9783846768976