Arab music ; a survey of its history and its modern practice /
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Offering a comprehensive survey of the history and the development of Arab music and musical theory from its pre-Islamic roots until 1970, this book also offers a discussion of the major genres and forms practiced today, such as the Egyptian gil, the Algerian raï and Palestinian hip hop; it also touches upon musical instruments and folk music.
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Also issued in print: 2021. :
1 online resource (viii, 200 pages) : illustrations :
Specialized. :
Includes bibliographical references, discography and index. :
9781789699333 (PDF ebook) :
Henry George Farmer and the First International Congress of Arab Music (Cairo 1932) /
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Henry George Farmer (1882-1965) was a pioneering musicologist who specialized in Arab music. In 1932, he participated in the First International Congress of Arab Music in Cairo, during which he maintained a journal recording his daily activities, interactions with fellow delegates and dignitaries, and varied perambulations throughout the city. This journal, and the detailed minutes he kept for his chaired Commission on History and Manuscripts, were never published. They reveal aspects and inner-workings of the Congress that have hitherto remained unknown. The illustrations and photos contained therein, as well as additional photos that were never seen, provide visual documentation of the Congress's participants and musical ensembles.
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1 online resource (xxvi, 430 pages) : illustrations. :
Includes bibliographical references and index. :
9789004284142 :
Available to subscribing member institutions only.
Aesthetics in Arabic thought : from pre-Islamic Arabia through al-Andalus /
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In Aesthetics in Arabic Thought from Pre-Islamic Arabia through al-Andalus José Miguel Puerta Vílchez analyzes the discourses about beauty, the arts, and sense perception that arose within classical Arab culture from pre-Islamic poetry and the Quran (sixth-seventh centuries CE) to the Alhambra palace in Granada (fourteenth century CE). He focuses on the contributions of such great thinkers as Ibn Ḥazm, Avempace, Ibn Ṭufayl, Averroes, Ibn ʿArabī, and Ibn Khaldūn in al-Andalus, and the Brethren of Purity, al-Tawḥīdī, al-Fārābī, Avicenna, Alhazen, and al-Ghazālī in the East. The work also explores literary criticism, calligraphy, music, belles-lettres ( adab ), and erotic literature, and highlights the contribution of Arab humanism to shaping the field of Aesthetics in the West.
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1 online resource (xvii, 936 pages) :
Includes bibliographical references (p. 855-883) and index. :
9789004345041 :
Available to subscribing member institutions only.
Arabic humanities, Islamic thought : essays in honor of Everett K. Rowson /
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This volume brings together studies that explore the richness of the Arabic literary tradition and of Islamic intellectual life, from the beginnings of Islam to the present. The contributors cover an unusually wide range of subjects, including such topics as guile in the Quran, marriage in Islamic law, early esoterica, commentaries on al-Ḥarīrī's Maqamāt , Hellenistic philosophy in Arabic, medieval music and song, scurrilous poetry, Arabic rhetoric, cursing, the modern social and legal history of the Middle East, al-Kharrat's modernist project, and contemporary Islamic thought and responses to it. The volume's range reflects the enormous breadth of Everett Rowson's scholarship and his impact over a lifetime of publishing, editing, teaching, and mentoring in the many fields that constitute the Arabic humanities and Islamic thought. Contributors: Ali Humayun Akhtar, Thomas Bauer, Hans Hinrich Biesterfeldt, Kevin van Bladel, Marilyn Booth, Michael Cooperson, Kenneth M. Cuno, Geert Jan van Gelder, Hala Halim, Lara Harb, David Hollenberg, Matthew L. Keegan, David Larsen, Joseph E. Lowry, Zainab Mahmood, Jon McGinnis, Jeannie Miller, John Nawas, Bilal Orfali, Alex Popovkin, Dwight F. Reynolds, Susan A. Spectorsky, Tara Stephan, Adam Talib, Sarra Tlili, Shawkat M. Toorawa, James Toth, Mark S. Wagner.
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1 online resource. :
Includes bibliographical references and index. :
9789004343290 :
Available to subscribing member institutions only.
O ye gentlemen : Arabic studies on science and literary culture in honour of Remke Kruk /
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O ye Gentlemen explores two vital strands in Arabic culture: the Greek tradition in science and philosophy and the literary tradition. They are permanent and, though drawing on Islam as a dominant religion, they are by no means dependent on it. That the strands freely interweave within the broader scope of Schrifttum is shown by more than thirty essays on subjects as varied as the social organisation of bees, spontaneous generation in the Shiʿite tradition, astronomy in the Arabian nights, the benefits of sex, precious stones in a literary text, the virtue of women in Judaeo-Arabic stories, animals in Middle Eastern music and the transmission of Arabic science and philosophy to the medieval West.
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1 online resource. :
Includes bibliographical references and index. :
9789047422051 :
Available to subscribing member institutions only.
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān : Annotated Translation and Commentary /
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Ḥāwī l-Funūn (Encompasser of the Arts) of Ibn al-Ṭaḥḥān (d. ca. 1057) is a medieval Arabic music dictionary that complements other sources because of the practical knowledge of the author who was an accomplished singer, lutenist and composer. The first part in 80 chapters deals with compositions; voice production and characteristics, unison and duet singing, taking care of the voice; preludes, ornaments, ṭarab; the importance of tonality; approaches to teaching; musical and extra-musical behavior at the court; names of Syrian Fatimid and Ishshīdid singers. The second part in 22 chapters includes lute manufacturing, frets placement, stringing and tuning; 47 rhythmic ornaments, names and definitions of rhythmic and melodic modes; types of dances; descriptions of 12 instruments.
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1 online resource. :
Includes bibliographical references and index. :
9789004465497
9789004465466
Musical and socio-cultural anecdotes from Kitab al-aghani al-kabir
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The present volume consists of translated anecdotes, on musicological and socio-cultural topics, from al-Iṣbahānī's Kitāb al-Aghānī al-Kabīr ( The Grand Book of Songs ) with annotations and commentaries. It deals with musical rhythmic and melodic modes, technical terms and treatises; music instruments; composition techniques and processes; education and oral/written transmissions; vocal and instrumental performances and their aesthetics; solo and ensemble music; change and its inevitability; musical and textual improvisations; ṭarab and the acute emotions of joy or grief; medieval dances; social status. Though extracts from The Grand Book of Songs have been translated in European languages since 1816, this work presents a much larger and more comprehensive scope that will benefit musicologists, medievalist and Middle Eastern scholars as well as the general reader.
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1 online resource. :
Includes bibliographical references and index. :
9789004383654 :
0929-2403 ;
Nūbat Ramal al-Māya in cultural context : the pen, the voice, the text /
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In this unique edition, Carl Davila takes an original approach to the texts of the modern Moroccan Andalusian music tradition. This volume offers a literary-critical analysis and English translation of the texts of this nūba , studies their linguistic and thematic features, and compares them with key manuscripts and published anthologies. Four introductory chapters and four appendices discuss the role of orality in the tradition and the manuscripts that lie behind the print anthologies. Two supplements cross-reference key poetic images in English and Arabic, and provide information on known authors of the texts. This groundbreaking contribution will interest scholars and students of pre-modern Arabic poetry, muwashshaḥāt , Andalusian music traditions, Arabic Studies, orality, and sociolinguistics.
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1 online resource (xxii, 624 pages) :
Includes bibliographical references and indexes. :
9789004294530 :
1571-5183 ; :
Available to subscribing member institutions only.
Like Joseph in beauty : Yemeni vernacular poetry and Arab-Jewish symbiosis /
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Like Joseph in Beauty traces the evolution of an Arabic poetic form called 'Humayni poetry'. From Muslim mystical circles, the courts of aristocrats in Highland Yemen, and kabbalist circles of Yemenite Jews, Humayni poetry distinguishes itself with lyricism, musicality, and eroticism. It also plays a variety of code-switching linguistic games. The book addresses the connections between the Humayni poetry of Yemen and the sacred poetry of Jews from Yemen, a hitherto-neglected chapter in the history of Arabic and Jewish literatures. The book culminates with a discussion of ways in which poets and critics in modern-day Yemen and in Israel transformed this poetry.
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1 online resource. :
Includes bibliographical references (p. [327]-339) and index. :
9789047442196 :
Available to subscribing member institutions only.
Höfische Musikkultur im klassischen Islam : Ibn Faḍlallāh al-'Umarī (gest. 749/1349) über die dichterische und musikalische Kunst der Sängersklavinne /
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"In Der Ṭarab der Sängersklavinnen gibt Yasemin Gökpinar einen Einblick in Ibn Faḍl-Allāh al-'Umarī's Masālik al-abṣār fīmamālik al-amṣār (vol. 10) über Hofmusik von den Abbasiden bis zu den Mamluken mit Schwerpunkt auf den Sängersklavinnen (qiyān). Die interdisziplinäre Studie stellt Autor und Werk vor und etabliert das Liederbuch als historische Quelle. Zudem werden unterschiedliche strukturelle und inhaltliche Aspekte kombiniert: eine Untersuchung der Liedtextüberlieferer und des soziokulturellen Kontextes des Hoflebens im Lichte von Thomas Bauer's Ambiguitätstheorie, eine musikwissenschaftliche Analyse des Verhältnisses zwischen poetischem Metrum der Lieder und ihren musikalischen Rhythmen, schliesslich eine Betrachtung des Handlungsspielraumes der Sängerinnen und ihrer (relativen) Macht über ihre Besitzer durch ihre hervorragende Ausbildung und natürlichen Anlagen. In this volume Yasemin Gökpinar provides insight into Ibn Faḍl-Allāh al-'Umarī's Masālik al-abṣār fīmamālik al-amṣār (vol. 10) about court music from the Abbasids to the Mamluks, with special emphasis on the subject of high ranking singing slave-girls (qiyān). Her interdisciplinary study focuses on the author and his work, and presents the songbook as a historical source. Different aspects concerning structure and contents are combined: an investigation of the song transmitters, a study into the socio-cultural context of courtly life with an application of Thomas Bauer's theory of ambiguity, a musicological analysis of the relation between metre of song texts and rhythmic modes in music, and finally an exploration of the singing-girls' leeway and even power over their owners, through education".
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1 online resource. :
Includes bibliographical references and index. :
9789004417649