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The performing arts in medieval Islam : shadow play and popular poetry in Ibn Daniyal's Mamluk Cairo /
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This is a study of the life and work of Ibn Dāniyāl (d. 1310), a Cairo-based eye doctor, poet, playwright, court jester, and arguably one of the most controversial cultural figures of his time. Drawing on medieval Arabic sources, many still in manuscript and some used for the first time, the author further contextualizes Ibn Dāniyāl's work with respect to poetry production and popular culture in the Islamic Near East in the post-Mongol period. The book also presents the first full English translation of "The Phantom," one of Ibn Dāniyāl's three shadow plays, the only surviving pre-Ottoman Arabic theatrical texts.
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1 online resource (xiii, 240 pages) :
Includes bibliographical references (p. [229]-233) and index. :
9789004218802 :
0929-2403 ; :
Available to subscribing member institutions only.
Dust : Egypt's forgotten architecture /
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"Between 1860 and 1940, Cairo and other large cities in Egypt witnessed a major construction boom that gave birth to extraordinary palaces and lavish buildings. These incorporated a mix of architectural styles, such as Beaux-Arts and Art Deco, with local design influences and materials. Today, many lie empty and neglected, rapidly succumbing to time, a real-estate frenzy, and an ongoing population crisis. In 2006 Russian-born photographer Xenia Nikolskaya began the process of documenting these structures. She gained exceptional access to them, taking photographs at some thirty locations, including Cairo, Alexandria, Luxor, Minya, Esna, and Port Said. These photographs were documented in the first edition of Dust: Egypt's Forgotten Architecture, which soon after its release in 2012 became a rare collector's item. This revised and expanded edition includes photographs from the first edition together with extra unseen images and new photographs taken by Nikolskaya between 2013 and 2021. It also includes previously unpublished essays by Heba Farid, co-owner of the Cairo-based photo gallery Tintera, and architect and urban planner Omar Nagati, co-founder of CLUSTER, an urban design and research platform also in Cairo. Dust: Egypt's Forgotten Architecture leads us seductively into some of the most breathtaking architectural spaces of Egypt's recent past, filled with a sense of both the immense weight and impermanence of history."--
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157 pages : color illustrations ; 26 x 32 cm. :
9781649031365
Conquête ottomane de l'Égypte (1517) : arrière-plan, impact, échos /
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Conquête ottomane de l'Égypte (1517) est le premier ouvrage collectif consacré à la victoire de Selīm Ier sur les Mamelouks, qui a fait du sultanat ottoman l'unique puissance musulmane en Méditerranée orientale, et ravalé l'Égypte au rang de province. Il en renouvelle l'approche en faisant appel à des sources ottomanes, arabes et occidentales très variées. Les contributions réunies par Benjamin Lellouch et Nicolas Michel s'attachent à mesurer les transformations structurelles qu'a induites l'événement dans la société, les pouvoirs, la culture littéraire, artistique et matérielle en Égypte. Elles explorent ses antécédents et son impact géopolitique, et restituent les échos, bruyants puis assourdis, qu'il a suscités, au Proche-Orient, en Italie, et plus généralement en Méditerranée. Conquête ottomane de l'Égypte (1517) is the first collective work that deals with Selīm Ist's crushing victory over the Mamluks, which made the Ottoman sultanate into the sole remaining Muslim power in the eastern Mediterranean, and reduced Egypt to the rank of a province. The book offers new insights into this major event by using a wide range of Ottoman and Arabic as well as Western sources. These essays in French and English collected by Benjamin Lellouch and Nicolas Michel examine to what extent the Ottoman conquest altered the structures of Egyptian society, power relations, literature, arts and material culture. They explore both its backgrounds and geopolitical aftermath, and reconstruct its echoes - loud at first, then gradually fading out - in the Middle East, Italy, and the Mediterranean.
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1 online resource (xxi, 434 pages) : illustrations (some color) :
Includes bibliographical references and indexes. :
9789004232082 :
Available to subscribing member institutions only.
The art and architecture of Islam, 650-1250 /
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Overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar's original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book. With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.
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Continued by : The art and architecture of Islam 1250-1800 / Sheila S. Blair and Jonathan M. Bloom. New Haven, Conn. : Yale University Press, 1994. (Yale University Press Pelican history of art) :
448 pages : illustrations ; 22 cm. :
Includes bibliographical references (pages [415]-428) and index. :
0300053304
Adab and modernity : a "civilising" process? (sixteenth--twenty-first century) /
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Adab is a concept situated at the heart of Arabic and Islamic civilisation. Adab is etiquette, ethics, and literature. It is also a creative synthesis, a relationship within a configuration. What became of it, towards modernity ? The question of the "civilising process" (Norbert Elias) helps us reflect on this story. During the modern period, maintaining one's identity while entering into what was termed "civilisation" ( al-tamaddun ) soon became a leitmotiv . A debate on what was or what should be culture, ethics, and norms in Middle Eastern societies accompanied this evolution. The resilient notion of adab has been in competition with the Salafist focus on mores ( akhlāq ). Still, humanism, poetry, and transgression are constants in the history of adab . Contributors: Francesca Bellino, Elisabetta Benigni, Michel Boivin, Olivier Bouquet, Francesco Chiabotti, Stéphane Dudoignon, Anne-Laure Dupont, Stephan Guth, Albrecht Hofheinz, Katharina Ivanyi, Felix Konrad, Corinne Lefevre, Cathérine Mayeur-Jaouen, Astrid Meier, Nabil Mouline, Samuela Pagani, Luca Patrizi, Stefan Reichmuth, Iris Seri-Hersch, Chantal Verdeil, Anne-Sophie Vivier-Muresan.
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Includes index. :
1 online resource. :
9789004415997
Dalmatia and the Mediterranean : portable archeology and the poetics of influence /
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Using the Braudelian concept of the Mediterranean this volume focuses on the condition of "coastal exchanges" involving the Dalmatian littoral and its Adriatic and more distant maritime network. Spalato and Ragusa intersect with Constantinople, Cairo and Spanish Naples just as Sinan, Palladio and Robert Adam cross paths in this liquid expanse. Concentrating on materiality and on the arts, architecture in particular, the authors identify portability and hybridity as characteristic of these exchanges, and tease out expected and unexpected serendipitous moments when they occurred. Focusing on translation and its instruments these essays expand the traditional concept of influence by thrusting mobility and the \'hardware\' of cultural transmission, its mechanisms, rather than its effects, into the foreground. Contributors include: Doris Behrens-Abouseif , SOAS, University of London ; Joško Belamarić , Institute of Art History , Split; Marzia Faietti , Uffizi , Florence; Jasenka Gudelj , University of Zagreb ; Cemal Kafadar , Harvard University ; Ioli Kalavrezou , Harvard University ; Suzanne Marchand , State University of Louisiana ; Erika Naginski , Harvard University ; Gülru Necipoğlu , Harvard University ; Goran Nikšić , City of Split , Split; Alina Payne , Harvard University ; Avinoam Shalem , Columbia University and David Young Kim , University of Pennsylvania
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1 online resource. :
Includes bibliographical references and index. :
9789004263918 :
2213-3399 ;
The history of the peoples of the Eastern Desert /
: Proceedings of a conference held Novrmber 25-27, 2008 at the Netherlands-Flemish Institute in Cairo. : xii, 506 pages : illustrations, maps ; 29 cm + 1 CD-ROM (sd., color ; 4 3/4 in.). : Includes bibliographical references and index. : 9781931745963 (hbk.)
The architecture of Ramses Wissa Wassef /
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The pioneering Egyptian architect and teacher Ramses Wissa Wassef (1911-74) is best known for his founding in 1951 of the Ramses Wissa Wassef Art Centre in Harraniya, a small village near the Giza Pyramids in Greater Cairo. The center, internationally acclaimed for its tapestries and sculptures, began partly as an art school for young villagers, reflecting Wissa Wassef's aim of reviving traditional Egyptian architecture and crafts, and his belief in the innate creative power and potential of children. Less well known are Wissa Wassef's prolific architectural output and his efforts and influence beyond the confines of the Harraniya center to promote artistic expression among Egyptian youth. This generously illustrated volume is the first comprehensive survey of Wissa Wassef's architectural works, both extant and non-extant, shedding light on his legacy and significant engagement with vernacular and contemporary Egyptian architecture. Wissa Wassef renounced self-promotion and monetary reward in his work, placing human physical and psychological well-being at the center of his architectural philosophy. An astute observer and modest personality, he saw himself as part of the people and began experimenting with participatory design and people-centered architecture before they became popular. The Architecture of Ramses Wissa Wassef reveals Wissa Wassef's profuse architectural oeuvre, which spanned private villas and rural houses, as well as public buildings, such as churches, schools, and museums, highlighting his rich contribution to Egypt's architectural heritage at a moment when that heritage is at risk of being lost.
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vii, 259 pages : illustrations (some color), plans (some color) ; 22 x 25 cm. :
9789774169243
9774169247
Christianity and monasticism in Alexandria and the Egyptian deserts /
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The great city of Alexandria is undoubtedly the cradle of Egyptian Christianity, where the Catechetical School was established in the second century and became a leading center in the study of biblical exegesis and theology. According to tradition, St. Mark the Evangelist brought Christianity to Alexandria in the middle of the first century and was martyred in that city, which was to become the residence of Egypt's Coptic patriarchs for nearly eleven centuries. By the fourth century Egyptian monasticism had began to flourish in the Egyptian deserts and countryside. The contributors to this volume, international specialists in Coptology from around the world, examine the various aspects of Coptic civilization in Alexandria and its environs, and in the Egyptian deserts, over the past two millennia. The contributions explore Coptic art, archaeology, architecture, language, and literature. The impact of Alexandrian theology and its cultural heritage as well as the archaeology of its 'university' are highlighted. Christian epigraphy in the Kharga Oasis, the art and architecture of the Bagawat cemetery, and the archaeological site of Kellis (Ismant al-Kharab) with its Manichaean texts are also discussed.
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"A Saint Mark Foundatoin book".
Papers presented at the eighth international symposium of the St. Mark Foundation for Coptic History Studies and the St. Shenouda the Archimandrite Coptic Society, held at the Logos Center in Wadi al-Natrun, February 12-15, 2017.
"[T]his last volume of the series Christianity and Monasticism in Egypt ..." --Foreword. :
xxvi, 390 pages : illustrations, maps ; 24 cm. :
Includes bibliographical references (pages 355-390). :
9774169611
9789774169618
The origins of visual culture in the Islamic world : aesthetics, art and architecture in early Islam /
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"In tenth-century Iraq, a group of Arab intellectuals and scholars known as the Ikhwan al-Safa began to make their intellectual mark on the society around them. A mysterious organisation, the identities of its members have never been clear. But its contribution to the intellectual thought, philosophy, art and culture of the era - and indeed subsequent ones - is evident. In the visual arts, for example, Hamdouni Alami argues that the theory of human proportions which the Ikwan al-Safa propounded (something very similar to those of da Vinci), helped shape the evolution of the philosophy of aesthetics, art and architecture in the tenth and eleventh centuries CE, in particular in Egypt under the Fatimid rulers. With its roots in Pythagorean and Neoplatonic views on the role of art and architecture, the impact of this theory of specific and precise proportion was widespread. One of the results of this extensive influence is a historic shift in the appreciation of art and architecture and their perceived role in the cultural sphere. The development of the understanding of the interplay between ethics and aesthetics resulted in a movement which emphasised more abstract and pious contemplation of art, as opposed to previous views which concentrated on the enjoyment of artistic works (such as music, song and poetry). And it is with this shift that we see the change in art forms from those devoted to supporting the Umayyad caliphs and the opulence of the Abbasids, to an art which places more emphasis on the internal concepts of 'reason' and 'spirituality'. Using the example of Fatimid art and views of architecture (including the first Fatimid mosque in al-Mahdiyya, Tunisia), Hamdouni Alami offers analysis of the debates surrounding the ethics and aesthetics of the appreciation of Islamic art and architecture from a vital time in medieval Middle Eastern history, and shows their similarity with aesthetic debates of Italian Renaissance." -- Publisher's website.
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xiii, 184 pages : illustrations, plans ; 23 cm. :
Includes bibliographical references and index. :
1784530409
9781784530402
The Red Monastery Church : Beauty and asceticism in Upper Egypt /
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"The Red Monastery church is the most important extant early Christian monument in Egypt's Nile Valley, and one of the most significant of its period in the Mediterranean region. A decade-long conservation project has revealed some of the best surviving and most remarkable early Byzantine paintings known to date. The church was painted four times during the 5th and 6th centuries, and significant portions of each iconographic program are preserved. Extensive painted ornament also covers the church's elaborate architectural sculpture, echoing the aesthetics found at San Vitale in Ravenna and the Hagia Sophia in Istanbul. Distinguished contributors from a wide range of disciplines, including art and architectural history, ancient religion, history, and conservation, discuss the church's importance. Topics include late antique aesthetics, early monastic concepts of beauty and ascetic identity, and connections between the center and the periphery in the early Byzantine world. Beautifully illustrated with more than 300 images, this landmark publication introduces the remarkable history and magnificence of the church and its art to the public for the first time"--Publisher's website.
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xxxix, 390 pages : illustrations (chiefly color), maps (some color), plans ; 32 cm. :
Includes bibliographical references (pages 350-376) and index. :
9780300212303
Hellenistic Alexandria : Celebrating 24 Centuries : papers presented at the conference held on December 13-15 2017 at Acropolis Museum, Athens /
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Hellenistic Alexandria: Celebrating 24 Centuries' presents the proceedings of a conference held at the Acropolis Museum in Athens, on December 13-15, 2017, and includes high-level dialogues and philosophical discussions between international experts on Hellenistic Alexandria. The goal was to celebrate the 24 centuries which have elapsed since its foundation and the beginning of the Library and the Museum of Alexandria. The conference was divided into two parts, to include in the first part archaeology, history, philosophy, literature, art, culture and legal issues and in the second part science, medicine, technology and environment. A total of 28 original and peer-reviewed articles point to the importance of the brilliantly-original ideas that emerged during the Hellenistic age and the curious modernity of the whole atmosphere of the time. The range of presented topics covers a variety of new data on the foundation of Alexandria to comparison between Ptolemaic Alexandria and Ptolemaic Greece through philosophy, culture and drama to the forgotten revolution of science, medicine and the prevailing climatological and geophysical conditions throughout the Hellenistic Period.
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xx, 296 pages : illustrations (chiefly color), maps (some color) ; 30 cm. :
Includes bibliographical references. :
9781789690668
Cinematic Cairo : Egyptian urban modernity from reel to real /
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"The relationship between the city and cinema is formidable. The images and sounds of the city found in movies are perhaps the only experience that many people will have of cities they may never visit. Films influence the way we construct images of the world, and accordingly, in many instances, how we operate within it. Cinematic Cairo offers a history of Cairo's urban modernity using film as the primary source of exploration, and cinematic space as both an analytical tool and a medium of critique. Cairo has provided rich subject material for the Egyptian film industry since the inception of the art form at the end of the nineteenth century. The "reel" city-imagined, perceived, and experienced-provides the spatial domain that mirrors change and allows for an interrogation of the "real" city as it encountered modernity over the course of a century. Bringing together chapters by architects and art and literary historians, this volume explores this parallel and convergent relationship through two sections. The first uses films from the 1930s to the end of the twentieth century to illustrate the development of a modern Cairo and its modern subjects. The second section is focused on tracing the transformation of the cinematic city under conditions of neoliberalism, religious fundamentalism, and gender tensions. The result is a comprehensive narrative of the urban modernity of one of the most important cities in the Arab world and Global South."--
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xxxiii, 288 pages : illustrations ; 24 cm. :
Includes bibliographical references. :
9781649031334
The kingdom of Kush : handbook of the Napatan-Meroitic civilization /
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The individual character of Kingdom of Kush has often been overshadowed by the overwhelming cultural presence of its neighbour Egypt. This handbook in our series \'Handbuch der Orientalistik/Handbook of Oriental Studies\' for the first time presents a comprehensive survey of the rich textual, archaeological and art historical evidence for this Middle Nile Region Kingdom of Kush . Basing itself both on the evidence and scholarly literature, this work discusses the emergence of the native state of Kush (after the Pharaonic domination in the 11th century B.C.), the rule of the Kings of Kush in Egypt (c. 760-656) and the intellectual foundations and political history of the Kingdom in the Napatan (7th - Third centuries) and Meroitic (3rd century B.C. - 4th century A.D.) periods.
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1 online resource (xv, 589 pages) : maps. :
Includes bibliographical references (p. 533-559) and index. :
9789004294011 :
0169-9423 ; :
Available to subscribing member institutions only.
Genesis : A Pentecostal Commentary /
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The Mediality of Sugar probes the potential of reading sugar as a mediator across some of the disciplinary distinctions in early twenty-first century research in the arts, literature, architecture, and popular culture. Selected artistic practices and material cultures of sugar across Europe and the Americas from the sixteenth to the twenty-first century are investigated and connected to the transcontinental and transoceanic history of the sugar plants cane and beet, their botanical and cultural dissemination, and global sugar capital and trade under colonialism and in decoloniality. The collection contributes to the vision of a Transnational and Postdisciplinary Sugar Studies.
This commentary, written from a distinctively Pentecostal perspective, is primarily for pastors, lay persons and Bible students. It is based upon the best scholarship, written in popular language, and communicates the meaning of the text with minimal technical distractions. The authors offer a running exposition on the text and extended comments on matters of special signicance for Pentecostals. They acknowledge and interact with alternative interpretations of individual passages. This commentary also provides periodic opportunities for reflection upon and personal response to the biblical text.
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1 online resource. :
Includes bibliographical references and index. :
9789004511064
9789004511071
Genesis : A Pentecostal Commentary /
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The Mediality of Sugar probes the potential of reading sugar as a mediator across some of the disciplinary distinctions in early twenty-first century research in the arts, literature, architecture, and popular culture. Selected artistic practices and material cultures of sugar across Europe and the Americas from the sixteenth to the twenty-first century are investigated and connected to the transcontinental and transoceanic history of the sugar plants cane and beet, their botanical and cultural dissemination, and global sugar capital and trade under colonialism and in decoloniality. The collection contributes to the vision of a Transnational and Postdisciplinary Sugar Studies.
This commentary, written from a distinctively Pentecostal perspective, is primarily for pastors, lay persons and Bible students. It is based upon the best scholarship, written in popular language, and communicates the meaning of the text with minimal technical distractions. The authors offer a running exposition on the text and extended comments on matters of special signicance for Pentecostals. They acknowledge and interact with alternative interpretations of individual passages. This commentary also provides periodic opportunities for reflection upon and personal response to the biblical text.
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1 online resource. :
Includes bibliographical references and index. :
9789004511064
9789004511071