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Egypt in Italy : visions of Egypt in Roman imperial culture /
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"This book examines the appetite for Egyptian and Egyptian-looking artwork in Italy during the century following Rome's annexation of Aegyptus as a province. In the early imperial period, Roman interest in Egyptian culture was widespread, as evidenced by works ranging from the monumental obelisks, brought to the capital over the Mediterranean Sea by the emperors, to locally made emulations of Egyptian artifacts found in private homes and in temples to Egyptian gods. Although the foreign appearance of these artworks was central to their appeal, this book situates them within their social, political, and artistic contexts in Roman Italy. Swetnam-Burland focuses on what these works meant to their owners and their viewers in their new settings, by exploring evidence for the artists who produced them and by examining their relationship to the contemporary literature that informed Roman perceptions of Egyptian history, customs, and myths"-- |c Provided by publisher.
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xii, 249 pages ; 26 cm. :
Includes bibliographical references and index. :
9781107040489
Ancient Egypt in the Modern Imagination : Art, Literature and Culture
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Cover; Half Title; Title; Copyright; Dedication; Contents; Figures; Contributors; Introduction; Part I The Egyptological Imaginary; Chapter 1 'Wonderful Things' in Kingston upon Hull; Chapter 2 'Let Sleeping Scarabs Alone': When Egypt Came to Stonehenge; Chapter 3 3 'Mummy First: Statue After': Wyndham Lewis, Diffusionism, Mosaic Distinctions and the Egyptian Origins of Art; Chapter 4 Ancient Egypt in William S. Burroughs's Novels; Chapter 5 Between Success and Controversy: Christian Jacq and the Marketing of 'Egyptological' Fiction; Part II Death and Mysticism Chapter 6 Egyptomania, English Pyramids and the Quest for ImmortalityChapter 7 Obituaries and Obelisks: Egyptianizing Funerary Architecture and the Cemetery as a Heterotopic Space; Chapter 8 Tutankhartier: Death, Rebirth and Decoration; Or, Tutmania in the 1920s as a Metaphor for a Society in Recovery after World War One; Chapter 9 Celtic Egyptians: Isis Priests of the Lineage of Scota; Chapter 10 Jack the Ripper and the Mummy's Curse: Ancient Egypt in From Hell; Part III Gender and Sexuality; Chapter 11 From Sekhmet to Suffrage: Ancient Egypt in Early Twentieth-Century Women's Culture Chapter 12 'The Use of Old Objects': Ancient Egypt and English Writers around 1920Chapter 13 Women Surrealists and Egyptian Mythology: Sphinxes, Animals and Magic; Chapter 14 Egyptian Excesses: Taylor, Burton and Cleopatra; Chapter 15 The Mummy, the Priestess and the Heroine: Embodying and Legitimating Female Power in 1970s Girls' Comics; Notes; Introduction; 1 'Wonderful Things' in Kingston upon Hull; 2 'Let Sleeping Scarabs Alone': When Egypt Came to Stonehenge; 3 'Mummy First: Statue After': Wyndham Lewis, Diffusionism, Mosaic Distinctions and the Egyptian Origins of Art 4 Ancient Egypt in William S. Burroughs's Novels5 Between Success and Controversy: Christian Jacq and the Marketing of 'Egyptological' Fiction; 6 Egyptomania, English Pyramids and the Quest for Immortality; 7 Obituaries and Obelisks: Egyptianizing Funerary Architecture and the Cemetery as a Heterotopic Space; 8 Tutankhartier: Death, Rebirth and Decoration; Or, Tutmania in the 1920s as a Metaphor for a Society in Recovery after World War One; 9 Celtic Egyptians: Isis Priests of the Lineage of Scota; 10 Jack the Ripper and the Mummy's Curse: Ancient Egypt in From Hell 11 From Sekhmet to Suffrage: Ancient Egypt in Early Twentieth-Century Women's Culture12 'The Use of Old Objects': Ancient Egypt and English Writers around 1920; 13 Women Surrealists and Egyptian Mythology: Sphinxes, Animals and Magic; 14 Egyptian Excesses: Taylor, Burton and Cleopatra; 15 The Mummy, the Priestess and the Heroine: Embodying and Legitimating Female Power in 1970s Girls' Comics; Bibliography; Index