The dragon in medieval East Christian and Islamic art
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This book is a pioneering work on a key iconographic motif, that of the dragon. It examines the perception of this complex, multifaceted motif within the overall intellectual and visual universe of the medieval Irano-Turkish world. Using a broadly comparative approach, the author explores the ever-shifting semantics of the dragon motif as it emerges in neighbouring Muslim and non-Muslim cultures. The book will be of particular interest to those concerned with the relationship between the pre-Islamic, Islamic and Eastern Christian (especially Armenian) world. The study is fully illustrated, with 209 (b/w and full colour) plates, many of previously unpublished material. Illustrations include photographs of architectural structures visited by the author, as well as a vast collection of artefacts, all of which are described and discussed in detail with inscription readings, historical data and textual sources.
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1 online resource. :
Includes bibliographical references and index. :
9789004209725 :
Available to subscribing member institutions only.
Essays on Christian art and culture in the Middle East.
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Vol. 1 (1998)-volume 3 (2000) :
Holdings volume2 (1999) volume3 (2000)
Published by the projects : Egyptian-Netherlands Cooperation for Coptic Art Preservation (ENCCAP), and Syrian-Netherlands Cooperation for the Study of Art in Syria (SYNCAS). :
volumes : illustrations ; 28 cm. :
Annual
The Cross in the Visual Culture of Late Antique Egypt /
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In The Cross in the Visual Culture of Late Antique Egypt Gillian Spalding-Stracey brings the design of crosses in monastic and ecclesiastical settings to the fore. Visual representations of the Holy Cross are often so ubiquitous in Christian art that they are often overlooked as artistic devices themselves. This volume offers an exploration of the variety of designs and associated imagery by which the Cross was expressed across the Egyptian landscape in late antiquity. A survey of locations and images leads to an analysis of artistic influences, possible symbolism, variance across time and place and the contextual use of the motif. Gillian Spalding-Stracey provides the reader with an art-historical perspective of the socio-cultural situation in Egypt at the time.
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1 online resource. :
9789004430518
9789004411593
Pottery, pavements, and paradise : iconographic and textual studies on late antiquity /
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These essays on late antiquity traverse a territory in which Christian and pagan imagery and practices compete, coexist, and intermingle. The iconography of the most significant late antique ceramic, African Red Slip Ware, is an important and relatively unexploited vehicle for documenting the diversity and interpenetration of late antique cultures. Literary texts and art in other media, particularly mosaics, provide imagery that complement and enhance the messages of the ceramics. Popular entertainments, pagan cults, mythic heroes, beasts, monsters, and biblical visions are themes dealt with on the patrician and popular levels. With interpretive supplements from these diverse realms, it is possible to achieve greater insight into the life, attitudes, and thought of Late Antiquity.
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1 online resource (xxii, 582 pages) : illustrations (some color) :
Includes bibliographical references (p. 435-459) and index. :
9789004256934 :
Available to subscribing member institutions only.
Early Anglo-Saxon Christian reliquaries /
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This volume presents a corpus and discussion of seventy-one Anglo-Saxon copper-alloy containers from forty-nine sites across England dating to the seventh and possibly eighth centuries, and variously described as work boxes, needle cases, amulet containers or Christian reliquaries.
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Also issued in print: 2022. :
1 online resource : illustrations (black and white, and colour) :
Specialized. :
Includes bibliographical references. :
9781789694093 (PDF ebook) :
Coptic art revealed : a milestone exhibition : Palace of Amir Taz, Cairo, December 8, 2010-April 30, 2011 /
: "'Coptic art revealed' was the first locally curated temporary exhibition on Coptic art in Egypt that displayed a large variety of objects shown together exclusively to highlight key topics of the Coptic culture"--Pages [4] of cover. : 83 pages : color illustrations, color maps, color plan ; 30 cm + 1 CD-ROM (4 3/4 in.)
L'Art copte, Petit Palais, Paris, 17 juin 15 septembre 1964 /
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"Catalogue ... redige d'apres le catalogue de l'exposition d'Essen: Koptische Kunst; Christentum am Nil, Essen, 1963 ... L'adaptation ... et la redaction ... ont ete realisees par Pierre du Bourguet, S.J."
Exposition organized by Reunion des musees nationaux and Direction des beaux-arts de la ville de Paris. :
283, 5 unnumbered pages, color plates : illustrations ; 23 cm. :
Includes bibliographical references.