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The Dance of Shiva : Fourteen Indian Essays /
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The Dance of Shiva by Coomaraswamy explores the metaphysical part of India. It explains India's contribution to the entire humanity. This book addresses the Indian ethos in a more detailed manner since Indian philosophy is often misinterpreted by the Westerners. Topics associated with fine arts, philosophy, and music are covered in this book; these include the Hindu and Buddhist perception of art from the aesthetical and historical points of view. Popular sculptures such as Nataraja, another incarnation of Shiva, represented as the God of dance, and multiple-armed images in Indian art are studied extensively. There is also a section on Indian music, which is also studied in great detail. Besides, this volume also covers the issue of the status of Indian women, Sahaja philosophy, the intellectual community, Indian youth, and individualism.
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1 online resource (224 pages) : illustrations. :
Includes bibliographical references and index. :
9789004752368
The ancient English morris dance /
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The idea that morris dancing captures the essence of ancient Englishness, inherently carefree and merry, has been present for over 400 years. This book traces the history of those attitudes, from the dance's introduction to England in the fifteenth century, through the contention of the Reformation and Civil War, during which morris dancing and maypoles became potent symbols of the older ways of living. Thereafter it developed and diversified, neglected and disdained, until antiquaries began to take an interest in its history, leading to its re-invention as emblematic of Victorian concepts of Merrie England in the nineteenth century.
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Also issued in print: 2023. :
1 online resource (xi, 517 pages) : illustrations (black and white, and colour), maps (colour) :
Specialized. :
Includes bibliographical references and index. :
9781803273877 (PDF ebook) :
Choreonarratives : Dancing Stories in Greek and Roman Antiquity and Beyond /
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Choreonarratives , a collection of essays by classicists, dance scholars, and dance practitioners, explores the uses of dance as a narrative medium. Case studies from Greek and Roman antiquity illustrate how dance contributed to narrative repertoires in their multimodal manifestations, while discussions of modern and contemporary dance shed light on practices, discourses, and ancient legacies regarding the art of dancing stories. Benefitting from the crossover of different disciplinary, historical, and artistic perspectives, the volume looks beyond current narratological trends and investigates the manifold ways in which dance can acquire meaning, disclose storyworlds ranging from myths to individual life-stories, elicit the narratees' responses, and generate powerful narratives of its own. Together, the eclectic approaches of Choreonarratives>/i> rethink dance's capacity to tell, enrich, and inspire stories. Contributors are Sophie M. Bocksberger, Iris J. Bührle, Marie-Louise Crawley, Samuel N. Dorf, Karin Fenböck, Susan L. Foster, Laura Gianvittorio-Ungar, Sarah Olsen, Lucia Ruprecht, Karin Schlapbach, Danuta Shanzer, Christina Thurner, Yana Zarifi-Sistovari, Bernhard Zimmermann.
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1 online resource. :
Includes bibliographical references and index. :
9789004462632
9789004462472
Writing, Dancing and Performing Death Across Late Medieval Europe : Texts and Contexts /
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Our understanding of the medieval Danse macabre is changing with the recent discoveries of a theatrical script from Savoy, and of a related Castilian poem. This collection of texts from the Burgundian realm, France and Savoy, England, Castile-Aragon and the Empire, also contains critical essays that examine these texts and contexts from the fourteenth to the late fifteenth centuries. This volume re-examines the development and impact of the Danse macabre within broader considerations of performance and poetry that focus on Death as a protagonist. It includes texts never before studied or translated and moves beyond the traditional focus on Paris and London to reassess the wide dissemination of this tradition. The volume complements a collection of studies by the same editors (Oosterwijk, Ungeheuer and Léglu) of the visual tradition across Europe, from Burgundy to Finland, Death and the Danse Macabre in Late Medieval Art: Dissemination and Reception .
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1 online resource (300 pages) : illustrations. :
Includes bibliographical references and index. :
9789004743052
Trade and Finance in Global Missions (16th-18th centuries) /
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"The book was drafted by Jesuits and their students of the Flemish province to commemorate the Society of Jesus's hundred years of existence. It was as much a homage to the Society's founders as a celebration of the spiritual and material achievements of its members over the century, with a particular emphasis on the order's missionary vocation. From the moment of its publication, the Imago was attacked by the Jesuits' enemies: both Protestants and Jansenists denounced the Society's arrogance as well as its casuistical methods. Here is not the place to relate the history of the work or its reception, but it seemed essential to us to highlight the significance of the emblems illustrating the book's"--
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1 online resource. :
Includes bibliographical references and index. :
9789004444195
9789004444171
Jewish Immigrants, Nationalism and Finance Sourcing in Argentina : Otherness and Industrial Entrepreneurship /
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"The book represents an innovative and outstanding contribution to the economic, social, and business history of Argentina. It focuses on the factors that conditioned the emergence and development, between 1930 and the early 1960s, of large industrial enterprises founded by Jewish immigrants, with emphasis on the absence of community financial institutions to support their creation and expansion. lt is characterized both by the relevance of the issues it addresses and by the author's ability to conduct original and solid research based on a non-dogmatic conceptual framework, on the analysis of a wide variety of unexplored sources, and the virtuous combination of different scales of observation." Professor Dr. María Inés Barbero, Universidad de Buenos Aires
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1 online resource (205 pages) : illustrations. :
Includes bibliographical references and index. :
9789004732124
The choruses of Sophokles' Antigone and Philoktetes : a dance of words /
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Dance of Words argues for a fundamental difference in the modes of expression of actor and chorus. The chorus views the action from the perspective of dancers and singers, while the actors' understanding is shaped by the responsibility they have to make things happen. While this responsibility fashions the actors' considerations of cause and effect, linear movement through time and space, and a sense of history, the chorus' sensibilities arise out of the rhythms of its song and movements. Its mode of expression is a particular way of communicating and elaborating on man's place in the larger order, and its view of the action is bounded by the way that song and dance mirror that order.
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1 online resource. :
Includes bibliographical references (p. [139]-142) and index. :
9789047432869 :
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