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The Gospel of Judas in context : proceedings of the First International Conference on the Gospel of Judas, Paris, Sorbonne, October 27th-28th, 2006 /
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The papers gathered in this book were presented at the First International Conference (held in Paris, University of Sorbonne, October 27th-28th 2006), devoted to the newly discovered Gospel of Judas, preserved in the 4th century Coptic Codex Tchacos. These essays explore several crucial literary, historical and doctrinal issues related to this gospel, composed in the second half of the 2nd century. This unexpected discovery sheds a new light on the role attributed to Judas by some Gnostic Christian movements. A hotly debated question is precisely the significance of Judas in this gospel: hero or villain? Special attention is given to the sources - Greek, Jewish, Christian and even Iranian - used by the unknown author. This book will be of special interest for historians of late Antiquity religions and scholars in New Testament studies, Gnosticism and Coptic literature.
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xv, 404 p. ; 25 cm. :
Includes bibliographical references (p. [361]-374) and indexes. :
9789047442851 :
Available to subscribing member institutions only.
La Carrière de Molière : Entre protecteurs et éditeurs /
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A new interpretation of Molière's work, drawn from contemporary archival sources, showing for the first time how he shaped an independent career between the opposing pressures of aristocratic patrons and mercantile publishers. Exploiting the alternate roles of actor and courtier, he progressed from social success to artistic achievement but, to the dissatisfaction of his royal patrons, Molière put the priorities of his own authorial status before the notion of service at Court; important new bibliographical material illustrates his long war in defence of his authorial rights against a cartel of unscrupulous publishers. The six chapters of this absorbing study challenge the current orthodoxy of a programmatic ideology in Molière's work. Raising basic questions about the writer's perception of her/himself, and about the French cult of classicism, this work will interest all specialists of seventeenth-century French theatre and social history. Une carrière qui se définit lentement, cherchant un point d'équilibre entre les demandes opposées de ses protecteurs à la Cour d'une part et celles des éditeurs peu scrupuleux de la Communauté des libraires de l'autre. S'appuyant sur des sources d'époque, l'auteur présente une étude neuve qui éclaire pour la première fois un conflit d'intérêt majeur mais peu documenté dans la carrière de Molière. Ayant savamment exploité ses talents d'acteur et de courtisan afin d'atteindre les limites de son art, le chef de la troupe du Roi finit par affirmer des priorités indépendantes et peu appréciées à la Cour, celles de son propre statut d'auteur. Présentée en six chapitres, soulevant des questions fondamentales sur le statut de l'écrivain au 17e siècle et sur la nature même du classicisme (si mal compris en dehors de la France), cette étude intéressera tous les spécialistes du théâtre et de l'histoire sociale du 17e siècle français. See Less
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1 online resource (228 pages) : illustrations. :
Includes bibliographical references and index. :
9789004657137