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Mediaeval Manichaean Book Art : A Codicological Study of Iranian and Turkic Illuminated Book Fragments from 8th-11th Century East Central Asia /
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Mediaeval Manichean Book Art focuses on a corpus of c. one hundred fragments of exquisitely illuminated manuscripts that were produced under the patronage of the Turkic-speaking Uygurs in the Turfan region of East Central Asia between the 8th and 11th centuries CE, and used in service of the local Manichaean church. By applying a codicological approach to the analysis of these sources, this study casts light onto a lost episode of Central Asian art history and religious book culture. Each of the five chapters in this book accomplishes a well-defined goal. The first justifies the formation of the corpus . The second examines its dating on the basis of scientific and historical evidence. Chapter three assesses the artistry of their bookmakers, scribes, and illuminators. The fourth documents the patterns of page layout preserved on the fragments. The final chapter analyses the contextual relationship of their painted and written contents . Mediaeval Manichaean Book Art represents a pioneer study in its subject, research methodology, and illustrations. It extracts codicological and art historical data from torn remains of lavishly decorated Middle-Persian, Sogdian, and Uygur language manuscripts in codex, scroll, and "palm-leaf" formats. Through detailed analyses and carefully argued interpretations aided by precise computer drawings, the author introduces an important group of primary sources for future comparative research in Central Asian art, mediaeval book illumination, and Manichaean studies.
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1 online resource. :
Includes bibliographical references and index. :
9789047405962
9789004139947
Under the Adorned Dome, Four Essays on the Arts of Iran and India : Ehsan Yarshater Lecture Series /
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These essays are the revised and updated version of four lectures given in the Yarshater Lecture Series, at SOAS in London in 2013. They concern some aspects of the arts from pre-modern Iran and India, namely, the "making of" of Persian illustrated manuscripts, the iconography of Kashan wares, the use and re-use of luster tiles in Ilkhanid Iran, and the glazed tiles made in three Indian sultanates (Delhi, Bengal and Malwa). These four topics share concepts of influence and impact, although inflected on different modes. The productions they embody represent many poles of influence, even if working on different scales, from the extensive diffusion of products, techniques, and systems to almost isolated productions.
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1 online resource (270 pages) : illustrations. :
Includes bibliographical references and index. :
9789004549722
A Walk in the Park: Kinesthesia in the Arts of Landscape /
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Current neuroscience discloses that all emotional feeling originates as movement. Kinesthesia, our sixth sense, begins with movement of muscle cells and ends as emotion. Depth perception, which depends on movement, is always feeling-laden. To be expressive, art must somehow move our bodies. Studies of expressive dance demonstrate that we unconsciously model observed movements, duplicating in ourselves the feelings that generated the dancer's movements. The art of landscape creates choreography for a walk. But each of the fine arts play a role in landscape design. Here, then, is a new theory of landscape that easily extends to all the fine arts, explaining our enjoyment in landscape, as well as aesthetic enjoyment more generally.
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1 online resource (452 pages) : illustrations. :
Includes bibliographical references and index. :
9789004697591
The book in Mamluk Egypt and Syria (1250-1517) : scribes, libraries and market /
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This book is the first to date to be dedicated to the circulation of the book as a commodity in the Mamluk sultanate. It discusses the impact of princely patronage on the production of books, the formation and management of libraries in religious institutions, their size and their physical setting. It documents the significance of private collections and their interaction with institutional libraries and the role of charitable endowments (waqf) in the life of libraries. The market as a venue of intellectual and commercial exchanges and a production centre is explored with references to prices and fees. The social and professional background of scribes and calligraphers occupies a major place in this study, which also documents the chain of master-calligraphers over the entire Mamluk period. For her study the author relies on biographical dictionaries, chronicles, waqf documents and manuscripts.
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xi, 178 pages : illustrations (cheifly color), plans ; 25 cm. :
Includes bibliographical references and index. :
9789004387003 (hardback : alk. paper)
La littérature arabe et l'Islam par les textes : les XIXe et XXe siècles /
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"Addenda et corrigenda" (supplément aux pages 239-240) : leaf inserted.
Textes in Arabic, preceded by brief biographies of modern authors of the Lebanon, Egypt, Syria, Irak, Yemen and Northern Africa. :
xxiv, 240 pages ; 24 cm. :
Bibliography : pages [xv]-xxiv.
Le Coran par lui-même : vocabulaire et argumentation du discours coranique autoréférentiel /
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Dans Le Coran par lui-même , Anne-Sylvie Boisliveau livre une analyse passionnante de la manière dont le Coran est l'architecte de sa propre image. Loin d'être un texte sans relief, celui-ci utilise un vocabulaire, des procédés rhétoriques et une argumentation soigneusement choisis pour orienter l'image qu'auditeurs ou lecteurs se feront de lui. Une analyse serrée du vocabulaire autoréférentiel montre que le Coran se décrit lui-même comme Ecriture « façon judéo-chrétienne » représentant un enjeu de communication. Mais surtout, par un triple discours - sur les actions divines, sur les Ecritures révélées antérieurement, telles la Bible, et sur la fonction prophétique -, le Coran se confère à lui-même le monopole de l'autorité issue de la révélation divine et pousse l'auditeur/lecteur à s'y soumettre. In Le Coran par lui-même , Anne-Sylvie Boisliveau provides a ground-breaking analysis of the way the Qurʾān is the architect of its own image. Far from being a flat text, the Qurʾān uses carefully chosen vocabulary, rhetorical tools and argumentation to direct the image that listeners or readers will then have in mind. A close analysis of its self-referential vocabulary shows that the Qurʾān describes itself as a Scripture "in a Judeo-Christian style" which communicative function is stressed. By a triple discourse (on divine actions, on previous Scriptures such as the Bible and on prophethood), the Qurʾān grants itself the monopoly of divine authority through revelation and pushes the listener/reader into a decisive submission. Winner of the I. R. Iran World Award for the Book of the Year 2014
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1 online resource. :
Includes bibliographical references and index. :
9789004259706