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Big data and archaeology : proceedings of the XVIII UISPP World Congress (4-9 June 2018, Paris, France) volume 15, session III-1 /
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The advent of Big Data is a recent and debated issue in Digital Archaeology. Papers consider the historiographic context and current developments, as well as comprehensive examples of a multidisciplinary and integrative approach to the recording, management and exploitation of excavation data and documents produced over a long period of research.
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Conference proceedings from two sessions of the 18th UISPP World Congress: Session III-1 (CA) "Big data, databases and archaeology" and Session III-1 (T) "New advances in theoretical archaeology".
Also issued in print: 2021. :
1 online resource (iv, 94 pages) : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781789697223 (PDF ebook) : :
Open access.
Aux origines des messianismes juifs : actes du colloque international tenu en Sorbonne, à Paris, les 8 et 9 juin 2010 /
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Les termes « messie » et « messianisme » recouvrent aujourd'hui une désignation exagérément large au regard de leur sens initial dans le judaïsme et le christianisme. Ils sont utilisés dans des contextes qui empruntent souvent inconsciemment aux modèles rhétoriques à l'oeuvre dans le judaïsme ancien et dans le christianisme primitif. Le livre s'intéresse à ces modèles qui caractérisent l'histoire intellectuelle du premier messianisme juif. Tout d'abord, l'émergence du messianisme est examinée à travers les modèles de divinisation du roi dans le Proche-Orient ancien (Égypte, Mésopotamie, culture cananéenne), et à travers l'évolution de l'idéologie royale dans l'Israël ancien. D'autre part, les premiers textes chrétiens ont mis en avant la fusion des attentes messianiques en une seule figure de messie (Jésus-Christ), mais la pluralité des figures messianiques semble prévaloir dans la littérature juive ancienne. ____________________________________ The words 'messiah' and 'messianism' are presently used in a too wide significance in comparison with their original meaning in Judaism and Christianity. Nevertheless, they often borrow unconsciously from rhetorical models at work in Ancient Judaism and Christianity. The book constitutes a series of studies on these models which characterize the intellectual history of the first Jewish messianism. Firstly, the birth of messianism is studied across the divinization of kings in Ancient Near East (Egypt, Mesopotamia, Canaanite culture) and secondly, the change of royal ideology in Ancient Israel to messianism. Thirdly, the first Christian texts have promoted the merging of messianic expectations in one messianic figure (Jesus-Christ), but the plurality of messiahs seem to prevail in early Jewish literature.
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1 online resource (xi, 240 pages) : illustrations. :
Includes bibliographical references and index. :
9789004251670 :
0083-5889 ; :
Available to subscribing member institutions only.
Earthen construction technology : proceedings of the XVIII UISPP World Congress (4-9 June 2018, Paris, France), volume 11, session V /
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Presents papers from Session IV-5 of the 18th UISPP World Congress (Paris, June 2018). The archaeological study of earthen construction has until now focused on typology and conservation; papers here instead consider their construction and anthropological importance.
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Also issued in print: 2021.
Conference proceedings.
"Available in both print and Open Access"--Homepage. :
1 online resource (ii, 157 pages) : illustrations (black and white, and colour), maps (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781789697247 (ebook) : :
Open access.
Choreonarratives : Dancing Stories in Greek and Roman Antiquity and Beyond /
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Choreonarratives , a collection of essays by classicists, dance scholars, and dance practitioners, explores the uses of dance as a narrative medium. Case studies from Greek and Roman antiquity illustrate how dance contributed to narrative repertoires in their multimodal manifestations, while discussions of modern and contemporary dance shed light on practices, discourses, and ancient legacies regarding the art of dancing stories. Benefitting from the crossover of different disciplinary, historical, and artistic perspectives, the volume looks beyond current narratological trends and investigates the manifold ways in which dance can acquire meaning, disclose storyworlds ranging from myths to individual life-stories, elicit the narratees' responses, and generate powerful narratives of its own. Together, the eclectic approaches of Choreonarratives>/i> rethink dance's capacity to tell, enrich, and inspire stories. Contributors are Sophie M. Bocksberger, Iris J. Bührle, Marie-Louise Crawley, Samuel N. Dorf, Karin Fenböck, Susan L. Foster, Laura Gianvittorio-Ungar, Sarah Olsen, Lucia Ruprecht, Karin Schlapbach, Danuta Shanzer, Christina Thurner, Yana Zarifi-Sistovari, Bernhard Zimmermann.
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1 online resource. :
Includes bibliographical references and index. :
9789004462632
9789004462472
Interaction between Judaism and Christianity in history, religion, art and literature /
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This volume contains a variety of essays that deal with the complex relationships between Judaism and Christianity. From the Jewish side, particularly in Orthodox circles, there is a position maintaining the independence of Judaism from outside influences including Christianity. Traditional Christian theology, on the other hand, held a supercessionist view in which Judaism was seen merely as a historical preparation for the later revelation of Christianity. Was there no real interaction? When and how did Judaism and Christianity become two distinct religions? When did the 'parting of ways\' take place, if indeed there really was such a parting of ways? The present volume takes a bold step forward by assuming that no historical period can be excluded from the interactive process between Judaism and Christianity, conscious or unconscious, as a polemical rejection or as tacit appropriation.
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1 online resource. :
Includes bibliographical references and indexes. :
9789047424826 :
Available to subscribing member institutions only.
Selves Engraved on Stone: Seals and Identity in the Ancient Near East, ca. 1415-1050 BCE /
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Typically carved in stone, the cylinder seal is perhaps the most distinctive art form to emerge in ancient Mesopotamia. It spread across the Near East from ca. 3300 BCE onwards, and remained in use for millennia. What was the role of this intricate object in the making of a person's social identity? As the first comprehensive study dedicated to this question, Selves Engraved on Stone explores the ways in which different but often intersecting aspects of identity, such as religion, gender, community and profession, were constructed through the material, visual, and textual characteristics of seals from Mesopotamia and Syria.
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1 online resource :
Includes bibliographical references and index. :
9789004524569
9789004524576
Signifying place and space : world perspectives of rock art and landscape /
: "This book is the product of a number of conference sessions run between 1997 and 1999 ; the Theoretical Archaeology Group conference at Bournemouth and Birmingham and the IRAC (International Rock Art Congress) held in Vila Real, Portugal in 1998" -- page vii. : vii, 171 pages : illustrations, maps ; 30 cm. : Includes bibliographical references. : 1841710989
Networks and monumentality in the Pacific : proceedings of the XVIII UISPP World Congress (4-9 June 2018, Paris, France), volume 7, session XXXVIII /
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This volume reflects the tremendous progress made in Pacific island archaeology in the last 60 years which has considerably advanced our knowledge of early Pacific island societies, the rise of traditional cultural systems, and their later historical developments from European contact onwards.
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Conference proceedings.
"Available in both print and Open Access"--Homepage.
Also issued in print: 2020. :
1 online resource (vi, 89 pages) : illustrations (black and white, and colour), maps (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781789697162 (PDF ebook) : :
Open access.
Michel Henry et l'affect de l'art : recherches sur l'esthétique de la phénoménologie matérielle /
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Quel est le statut de l'art et de l'affectivité esthétique chez Michel Henry ? Le champ occupé par l'art dans l'économie de la phénoménologie matérielle est-il le lieu le plus propre pour l'exploration immanente de l'apparaître et l'auscultation de l'affectivité transcendantale de la vie ? Ce livre offre un repérage de quelques pistes remarquables à partir desquelles le besoin de poser les jalons d'une esthétique matérielle se fait suffisamment pressant pour qu'on y prête attention. C'est pour frayer cette voie et faire les premiers pas dans la direction qu'elle infléchit que les études ici réunies engagent, chacune à sa manière, l'examen du statut de l'art chez Michel Henry : du côté de la peinture bien sûr, mais aussi dans les champs du langage, de la littérature, de la danse, de l'architecture et de la musique. L'ensemble est précédé par un texte de Michel Henry, consacré à l'œuvre picturale de Pierre Magré. What is the status of art and aesthetic affectivity in Michel Henry? Is the place occupied by art within the economy of his material phenomenology the most appropriate site for the immanent exploration of appearing and the auscultation of the transcendental affectivity of life? This book locates some remarkable avenues through which the need to prepare the ground for a material aesthetic becomes urgent enough to be given attention. In order to clear this path and take the first steps in the direction it leads, the studies gathered here, each in its own way, are engaged in the study of the status of art in Michel Henry, from the perspective of painting, of course, but also the fields of language, literature, dance, architecture and music. The collection is preceded by an essay by Michel Henry, devoted to the painting of Pierre Magré.
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1 online resource (xlii, 343 pages) : illustrations. :
Includes bibliographical references and indexes. :
9789004186811 :
1875-2470 ; :
Available to subscribing member institutions only.
The development of ancient Egyptian art, from 3200 to 1315 B.C. /
: "Contains the author's three works Old Kingdom, Middle Kingdom, and New Kingdom art in ancient Egypt, with an additional introductory preface and an index." : 3 volume in 1 : plates, maps ; 19 cm. : Includes bibliographical references.