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Shakespeare's Tragic Language /
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In Shakespearean tragedy, language is used to bring about the downfall of characters, but there is also a tragedy which affects language itself through the decomposition of the fundamental concepts and mythologies which give identity to both societies and individuals. This book shows how in Shakespeare's English history plays, Roman plays, tragicomedies, and romances, characters use language to manipulate and destroy others, but also imprison themselves in false reasoning. The misuse of language creates tragedies for individuals but also for society at large, as its conceptual building blocks lose their capacity to function. For Shakespeare, tragedy happens both to individuals and to cultures, and happens both in language and to language.
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1 online resource (165 pages) : illustrations. :
Includes bibliographical references and index. :
9789004687790
Between grammar and rhetoric : Dionysius of Halicarnassus on language, linguistics and literature /
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The Greek rhetorician Dionysius of Halicarnassus was active in Augustan Rome. For a long time, modern scholars have regarded him as a rather mediocre critic, whose works were only interesting because of the references to earlier scholars and the citations of literary fragments. By interpreting Dionysius' views within the context of his rhetorical programme, this book shows that Dionysius was in fact an intelligent scholar, who combined theories and methods from various language disciplines and used them for his own practical purposes. His rhetorical writings not only inform us about the linguistic knowledge of intellectuals at the end of the first century BC, but also demonstrate the close connections between philology, technical grammar, philosophy, music studies and rhetoric.
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1 online resource. :
Includes bibliographical references (p. [401]-421) and index. :
9789047443131 :
Available to subscribing member institutions only.
Performance in Greek and Roman theatre /
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In recent years, classicists have begun aggressively to explore the impact of performance on the ways in which Greek and Roman plays are constructed and appreciated, both in their original performance context and in reperformances down to the present day. While never losing sight of the playscripts, it is necessary to adopt a more inclusive point of view, one integrating insights from archaeology, art, history, performance theory, theatre semiotics, theatrical praxis, and modern performance reception. This volume contributes to the restoration of a much-needed balance between performance and text: it is devoted to exploring how performance-related considerations (including stage business, masks, costumes, props, performance space, and stage-sets) help us attain an enhanced appreciation of ancient theatre.
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1 online resource (ix, 591 pages) :
Includes bibliographical references and index. :
9789004245457 :
Available to subscribing member institutions only.