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The memory of pain : women's testimonies of the Holocaust /
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In this book, Camila Loew analyzes four women's testimonial literary writings on the Holocaust to examine and question some of the tenets of the fields of Holocaust studies, gender studies, and testimony. Through a close reading of the works of Charlotte Delbo, Margarete Buber-Neumann, Ruth Klüger, and Marguerite Duras, Loew foregrounds these authors' search for a written form to engage with their experiences of the extreme. Although each chapter contains its individual focus and features, the book possesses a unity in intention, concerns, and consequences. In the theoretical introduction that unites the four chapters, Loew eschews essentialism and revises the emergence of the field of Women and Holocaust studies from the early 1980s on, and signals some of its shortcomings. In response, and in accordance with a recent turn in various disciplines of the Humanities, Loew highlights the ethical dimension of testimony and its responsible commitment to the other. In dealing with the texts as literary testimonies-a complex genre, between literature and history-, testimony is freed from the obligation to respond to the requirements of factual truth, and becomes a privileged form to voice the traumatic event, and to symbolically explore the role of excess.
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1 online resource (xxii, 227 pages) : illustrations. :
Includes bibliographical references (p. 191-205) and index. :
9789401207065 :
Available to subscribing member institutions only.
Pain and Pleasure in Classical Times.
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Pain and Pleasure in Classical Times attempts to blaze a trail for the cross-disciplinary humanistic study of pain and pleasure, with literature scholars, historians and philosophers all setting out to understand how the Greeks and Romans experienced, managed and reasoned about the sensations and experiences they felt as painful or pleasurable. The book is intended to provoke discussion of a wide range of problems in the cultural history of antiquity. It addresses both the physicality of erôs and illness, and physiological and philosophical doctrines, especially hedonism and anti-hedonism in their various forms. Fine points of terminology (Greek is predictably rich in this area) receive careful attention. Authors in question run from Homer to (among others) the Hippocratics, Plato, Aristotle, Lucretius, Seneca, Plutarch, Galen and the Aristotle-commentator Alexander of Aphrodisias.
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1 online resource. :
9789004379503
The Apocalypse of Paul (Visio Pauli) in Sahidic Coptic : Critical Edition, Translation and Commentary /
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The apocryphal Apocalypse of Paul (Visio Pauli) plunges us right into the heart of early-Christian conceptions of heaven and hell. Its vivid eyewitness account of otherworldly punishment and reward was translated into many different languages and inspired numerous later authors, among whom Dante. This book offers a re-edition and English translation of the ancient Coptic version. An exhaustive commentary makes the text accessible and situates it in the time and place where it was written, fourth-century Egypt. As this new study shows, the Coptic version is by far the best available witness of the original Apocalypse of Paul .
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1 online resource :
9789004526464
9789004526471
The Apocalypse of Paul (Visio Pauli) in Sahidic Coptic : Critical Edition, Translation and Commentary /
:
The apocryphal Apocalypse of Paul (Visio Pauli) plunges us right into the heart of early-Christian conceptions of heaven and hell. Its vivid eyewitness account of otherworldly punishment and reward was translated into many different languages and inspired numerous later authors, among whom Dante. This book offers a re-edition and English translation of the ancient Coptic version. An exhaustive commentary makes the text accessible and situates it in the time and place where it was written, fourth-century Egypt. As this new study shows, the Coptic version is by far the best available witness of the original Apocalypse of Paul .
:
1 online resource :
9789004526464
9789004526471
Saying All That Can Be Said : The Art of Describing Sex in Jin Ping Mei /
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In Saying All That Can Be Said , Keith McMahon presents the first full analysis of the sexually explicit portrayals in the Ming novel Jin Ping Mei 金瓶梅 (The Plum in the Golden Vase). Countering common views of those portrayals as "just sex" or as "bad sex," he shows that they are rich in thematic meaning and loaded with social and aesthetic purpose. McMahon places the novel in the historical context of Chinese sexual culture, from which Jin Ping Mei inherits the style of the elegant, metaphorical description of erotic pleasure, but which the anonymous author extends in an exploration of the explicit, the obscene, and the graphic. The novel uses explicit description to evaluate and comment on characters, situations, and sexual and psychic states of being. Echoing the novel's way of taking sex as a vehicle for reading the world, McMahon celebrates the richness and exuberance of Jin Ping Mei's language of sex, which refuses imprisonment within the boundaries of orthodox culture's cleanly authoritative style, and which continues to inspire admiration from readers around the world. Saying All That Can Be Said will change the way we think about sexual culture in premodern China. See Less
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Includes bibliographical references and index. :
9780674291355
9781684176564