pariss » paris (Expand Search), parish (Expand Search), mariss (Expand Search), ppariss (Expand Search), partss (Expand Search)
parisian » persian (Expand Search), parthian (Expand Search), parisiis (Expand Search), pparisian (Expand Search), partsian (Expand Search)
partsian » parthian (Expand Search), cartesian (Expand Search), parthians (Expand Search)
aris » paris (Expand Search), arts (Expand Search)
maris » mparis (Expand Search), marts (Expand Search), paris (Expand Search), maria (Expand Search), marie (Expand Search)
We Have Always Been Transcultural: The Arts as an Example /
:
Wolfgang Welsch demonstrates for the first time that transculturality - the mixed constitution of cultures - is by no means only a characteristic of the present, but has de facto determined the composition of cultures since time immemorial. The historical transculturality is demonstrated using examples from the arts. While transculturality was often viewed with reservation where political, social, or psychological levels were at stake, it was rather welcomed and appreciated in the field of art. The book therefore demonstrates the historical prevalence of transculturality via all areas of art and does so with respect to all cultures and continents of our world.
:
1 online resource (238 pages) : illustrations. :
Includes bibliographical references and index. :
9789004697829
Yours the Power : Faith-Based Organizing in the USA.
:
Despite shifts in the religious landscape in North America--reflected in the significant increase in those with no religious affiliation and emptier pews across the religious spectrum--there has also been a rise in participation in faith-based grassroots organizations. People of faith are increasingly joining broad-based organizing efforts to seek social change in their communities, regions and country. This unique volume brings together the most current thinking on faith-based organizing from the perspective of theologians, social researchers and practitioners. The current state of faith based organizing is critically presented, as it has evolved from its roots in the mid-twentieth century into a context which raises new questions for its philosophical assumptions, methodology, and very future. Originally published as issue 4 of Volume 6 (2012) of Brill's International Journal of Public Theology .
:
1 online resource (165 pages) :
9789004246010 :
Available to subscribing member institutions only.
Sacred tropes : Tanakh, New Testament, and Qur'an as literature and culture /
:
Contemporary sacred text scholarship has been stimulated by a number of intersecting trends: a surging interest in religion, sacred texts, and inspirational issues; burgeoning developments in and applications of literary theories; intensifying academic focus on diverse cultures whether for education or scholarship. Although much has been written individually about Tanakh, New Testament, and Qur'an, no collection combines an examination of all three. Sacred Tropes interweaves Tanakh, New Testament, and Qur'an essays. Contributors collectively and also often individually use mixed literary approaches instead of the older single theory strategy. Appropriate for classroom or research, the essays utilize a variety of literary theoretical lenses including environmental, cultural studies, gender, psychoanalytic, ideological, economic, historicism, law, and rhetorical criticisms through which to examine these sacred works.
:
1 online resource. :
Includes bibliographical references and indexes. :
9789047430964 :
Available to subscribing member institutions only.
Montreal Museum of Fine Arts, collection of Mediterranean antiquities /
:
This catalogue raisonné describes a little-known but very interesting collection originally assembled by one of the important Canadian collectors of the early 20th century. After an account of the collection's history and a brief discussion of the techniques of ancient glass-making, the catalogue proper presents 191 pieces comprising a very wide range of typical forms, each of them fully illustrated. Publishing this extensive collection renders it available to a wide readership: students, curators, archaeologists, art historians, collectors and everybody with serious interest in the material culture of the ancient world. It is the first of a series intended to make public the different parts of the museum's collection of Mediterranean antiquities.
:
1 online resource. :
Includes bibliographical references and index. :
9789047431138 :
Available to subscribing member institutions only.
Choreonarratives : Dancing Stories in Greek and Roman Antiquity and Beyond /
:
Choreonarratives , a collection of essays by classicists, dance scholars, and dance practitioners, explores the uses of dance as a narrative medium. Case studies from Greek and Roman antiquity illustrate how dance contributed to narrative repertoires in their multimodal manifestations, while discussions of modern and contemporary dance shed light on practices, discourses, and ancient legacies regarding the art of dancing stories. Benefitting from the crossover of different disciplinary, historical, and artistic perspectives, the volume looks beyond current narratological trends and investigates the manifold ways in which dance can acquire meaning, disclose storyworlds ranging from myths to individual life-stories, elicit the narratees' responses, and generate powerful narratives of its own. Together, the eclectic approaches of Choreonarratives>/i> rethink dance's capacity to tell, enrich, and inspire stories. Contributors are Sophie M. Bocksberger, Iris J. Bührle, Marie-Louise Crawley, Samuel N. Dorf, Karin Fenböck, Susan L. Foster, Laura Gianvittorio-Ungar, Sarah Olsen, Lucia Ruprecht, Karin Schlapbach, Danuta Shanzer, Christina Thurner, Yana Zarifi-Sistovari, Bernhard Zimmermann.
:
1 online resource. :
Includes bibliographical references and index. :
9789004462632
9789004462472
Interaction between Judaism and Christianity in history, religion, art and literature /
:
This volume contains a variety of essays that deal with the complex relationships between Judaism and Christianity. From the Jewish side, particularly in Orthodox circles, there is a position maintaining the independence of Judaism from outside influences including Christianity. Traditional Christian theology, on the other hand, held a supercessionist view in which Judaism was seen merely as a historical preparation for the later revelation of Christianity. Was there no real interaction? When and how did Judaism and Christianity become two distinct religions? When did the 'parting of ways\' take place, if indeed there really was such a parting of ways? The present volume takes a bold step forward by assuming that no historical period can be excluded from the interactive process between Judaism and Christianity, conscious or unconscious, as a polemical rejection or as tacit appropriation.
:
1 online resource. :
Includes bibliographical references and indexes. :
9789047424826 :
Available to subscribing member institutions only.
Selves Engraved on Stone: Seals and Identity in the Ancient Near East, ca. 1415-1050 BCE /
:
Typically carved in stone, the cylinder seal is perhaps the most distinctive art form to emerge in ancient Mesopotamia. It spread across the Near East from ca. 3300 BCE onwards, and remained in use for millennia. What was the role of this intricate object in the making of a person's social identity? As the first comprehensive study dedicated to this question, Selves Engraved on Stone explores the ways in which different but often intersecting aspects of identity, such as religion, gender, community and profession, were constructed through the material, visual, and textual characteristics of seals from Mesopotamia and Syria.
:
1 online resource :
Includes bibliographical references and index. :
9789004524569
9789004524576
Signifying place and space : world perspectives of rock art and landscape /
: "This book is the product of a number of conference sessions run between 1997 and 1999 ; the Theoretical Archaeology Group conference at Bournemouth and Birmingham and the IRAC (International Rock Art Congress) held in Vila Real, Portugal in 1998" -- page vii. : vii, 171 pages : illustrations, maps ; 30 cm. : Includes bibliographical references. : 1841710989
Michel Henry et l'affect de l'art : recherches sur l'esthétique de la phénoménologie matérielle /
:
Quel est le statut de l'art et de l'affectivité esthétique chez Michel Henry ? Le champ occupé par l'art dans l'économie de la phénoménologie matérielle est-il le lieu le plus propre pour l'exploration immanente de l'apparaître et l'auscultation de l'affectivité transcendantale de la vie ? Ce livre offre un repérage de quelques pistes remarquables à partir desquelles le besoin de poser les jalons d'une esthétique matérielle se fait suffisamment pressant pour qu'on y prête attention. C'est pour frayer cette voie et faire les premiers pas dans la direction qu'elle infléchit que les études ici réunies engagent, chacune à sa manière, l'examen du statut de l'art chez Michel Henry : du côté de la peinture bien sûr, mais aussi dans les champs du langage, de la littérature, de la danse, de l'architecture et de la musique. L'ensemble est précédé par un texte de Michel Henry, consacré à l'œuvre picturale de Pierre Magré. What is the status of art and aesthetic affectivity in Michel Henry? Is the place occupied by art within the economy of his material phenomenology the most appropriate site for the immanent exploration of appearing and the auscultation of the transcendental affectivity of life? This book locates some remarkable avenues through which the need to prepare the ground for a material aesthetic becomes urgent enough to be given attention. In order to clear this path and take the first steps in the direction it leads, the studies gathered here, each in its own way, are engaged in the study of the status of art in Michel Henry, from the perspective of painting, of course, but also the fields of language, literature, dance, architecture and music. The collection is preceded by an essay by Michel Henry, devoted to the painting of Pierre Magré.
:
1 online resource (xlii, 343 pages) : illustrations. :
Includes bibliographical references and indexes. :
9789004186811 :
1875-2470 ; :
Available to subscribing member institutions only.
Der Platoniker Tauros in der Darstellung des Aulus Gellius /
:
Aulus Gellius' accounts of his studies in Athens are a major source for the personality of Taurus the Platonic philosopher of the 2nd century A.D. and besides, give important insights into the history of Platonic school of that time. The present work puts together Gellius' reports on the Middle Platonist for the first time and - by its detailed commentary - offers a new understanding of contents, form and methods of his philosophical instructions, of the relationship between teacher and students, and of student life in the 2nd century A.D. in general. By this means numerous topics in ancient philosophy, philology, science, and pedagogics are dealt with. Finally the results thus gained are combined with all remaining literary and epigraphic evidence, so that a lively portrait of Taurus as a philosophical teacher emerges. A collection of testimonies and fragments concerning Taurus' life and work, a comprehensive bibliography, and indices complete the work.
:
Revision of the author's thesis, Münster, 1992-1993. :
1 online resource (xi, 294 pages) :
Includes bibliographical references (p. 259-279) and indexes. :
9789004320857 :
0079-1687 ; :
Available to subscribing member institutions only.
The development of ancient Egyptian art, from 3200 to 1315 B.C. /
: "Contains the author's three works Old Kingdom, Middle Kingdom, and New Kingdom art in ancient Egypt, with an additional introductory preface and an index." : 3 volume in 1 : plates, maps ; 19 cm. : Includes bibliographical references.
Bilderwelten : ägyptische Bilder und ägyptologische Kunst : Vorarbeiten für eine bildwissenschaftliche Ägyptologie /
:
Egyptologists have been debating for decades about whether or not Egyptian images classify as art . Nevertheless, the term 'art' still serves as a guiding concept for Egyptology. Kai Widmaier offers an overview of how different art-historical interpretive methods influence Egyptological research. His study demonstrates that, due to its adherence to the term art , Egyptology has considerably dissociated Egyptian images from their original contexts. Bilderwelten combines the analysis of Egyptian images from the 6th to the 18th Dynasty with methodological reflection. This leads to both a new terminology of style as well as to an alternative approach to Egyptian images. By differentiating systematically between Egyptian images and Egyptological art , this book lays the foundation for an Egyptology that follows the path of Visual Studies instead of adhering to questionable art-historical methods.
:
1 online resource. :
Includes bibliographical references and index. :
9789004347748 :
0169-9601 ; :
Available to subscribing member institutions only.
Selves Engraved on Stone: Seals and Identity in the Ancient Near East, ca. 1415-1050 BCE /
:
Selves Engraved on Stone explores the ways in which multiple aspects of identity were constructed through the material, visual, and textual characteristics of personal seals from ancient Mesopotamia and Syria in the latter half of the 2nd millennium BCE.
Typically carved in stone, the cylinder seal is perhaps the most distinctive art form to emerge in ancient Mesopotamia. It spread across the Near East from ca. 3300 BCE onwards, and remained in use for millennia. What was the role of this intricate object in the making of a person's social identity? As the first comprehensive study dedicated to this question, Selves Engraved on Stone explores the ways in which different but often intersecting aspects of identity, such as religion, gender, community and profession, were constructed through the material, visual, and textual characteristics of seals from Mesopotamia and Syria.
:
1 online resource. :
Includes bibliographical references and index. :
9789004524569
9789004524576