Redonner vie à une collection : les terres cuites communes du Fort La Tour /
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Research on common earthenware from the first half of the 17th century is very elementary, when it exists at all. This study seeks to bring back to life the ceramics, the inhabitants and the site where the objects were used. The collection includes 1602 fragments from 277 common earthenware objects coming from the period of occupation of Fort La Tour (1631-1645) in Portland Point, New Brunswick. These pieces were mostly made in France, but some are probably of English origin. Mostly through the visual identification of the features included in the ceramic body, a classification system was developed with four main groups, 28 types, and 10 variations. With this classification system, earthenware objects were able to be grouped based on the activities for which they were used and related to their uses and functions.
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"Available both in print and Open Access"--Home page. :
1 online resource (xviii, 248 pages) : illustrations (colour). :
Specialized. :
Includes bibliographical references. :
9781789693843 (ebook) :
La voie d'Hermès : pratiques rituelles et traités hermétiques /
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The Hermetic writings transmitted in Greek, Latin and Coptic ( Corpus hermeticum , Asclepius and the three Hermetic texts in Codex VI of Nag Hammadi) are evidences of different religious trends within the Hermetic tradition, between the 2nd and the 4th centuries. These currents belong to Egyptian wisdom, while mixing Egyptian and Greek traditions, and they propose a way to salvation, the way of Hermes. This volume is the first monograph which explores the ritual practices and their place on this way to salvation. Sacrifices, prayers, the baptism in the crater, regeneration and visions are successively analyzed in Greek, Latin and Coptic literature. A large place is reserved for didactic practice, which participates in the spiritual formation of the disciple, especially through spiritual exercises. This book studies also how at least some authors participate in philosophical and religious debates of their time. It will be of interest to both historians of the end of Antiquity and historians of religion and philosophy. Les écrits hermétiques transmis en grec, latin et copte ( Corpus hermeticum , Asclepius et les trois textes hermétiques du Codex VI de Nag Hammadi) sont les témoins de différents courants religieux qui relèvent de la tradition hermétique, entre le IIe et le IVe siècle. Ces courants appartiennent à un milieu de sagesse égyptien, tout en mêlant tradition égyptienne et tradition grecque, et proposent une voie de salut, la voie d'Hermès. Ce volume est la première monographie qui étudie les pratiques rituelles et leur place dans la voie de salut. À partir de la documentation grecque, latine et copte, sont tour à tour analysées les sacrifices, les prières, le baptême dans le cratère, la régénération et les visions. Une place importante est accordée à la pratique didactique, qui participe à la formation spirituelle du disciple, notamment par le biais d'exercices spirituels. Ce livre étudie aussi la manière dont au moins certains auteurs s'intègrent dans les débats philosophico-religieux de leur époque. Il intéressera aussi bien les historiens de la fin de l'Antiquité, les historiens des religions que ceux de la philosophie.
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IV. La mise en corpus de textes hermetiques. :
1 online resource (466 pages) :
Includes bibliographical references and index. :
9789004223653 :
0929-2470 ; :
Available to subscribing member institutions only.
The encoded Cirebon mask : materiality, flow, and meaning along Java's Islamic northwest coast /
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In The Encoded Cirebon Mask: Materiality, Flow, and Meaning along Java's Islamic Northwest Coast , Laurie Margot Ross situates masks and masked dancing in the Cirebon region of Java (Indonesia) as an original expression of Islam. This is a different view from that of many scholars, who argue that canonical prohibitions on fashioning idols and imagery prove that masks are mere relics of indigenous beliefs that Muslim travelers could not eradicate. Making use of archives, oral histories, and the performing objects themselves, Ross traces the mask's trajectory from a popular entertainment in Cirebon-once a portal of global exchange-to a stimulus for establishing a deeper connection to God in late colonial Java, and eventual links to nationalism in post-independence Indonesia.
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1 online resource (xvi, 374 pages) :
Includes bibliographical references and index. :
9789004315211 :
Available to subscribing member institutions only.
Galien de Pergame ou la Rhétorique de la Providence, Médecine, Littérature et Pouvoir à Rome.
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Le livre de Caroline Petit, Galien de Pergame ou la rhétorique de la Providence: Médecine, littérature et pouvoir à Rome constitue la première étude d'ensemble du rôle de la rhétorique dans l'œuvre de Galien. Médecin de plusieurs empereurs romains et auteur du corpus le plus impressionnant de l'antiquité avant 350 de notre ère, Galien a façonné une figure d'autorité fascinante à plus d'un titre. Le livre analyse l'éventail de la maestria rhétorique de Galien à travers cinq chapitres, étudiant tour à tour Galien et la tradition hellénique, les stratégies démonstratives de Galien, le rôle de l' enargeia dans ses descriptions et récits, l'hymne à la Nature contenu dans son principal traité anatomique, le De usu partium , et enfin l'autobiographie et l'autoportrait qui se dessinent dans son œuvre. Caroline Petit's book, Galien de Pergame ou la rhétorique de la Providence: Médecine, littérature et pouvoir à Rome is the first comprehensive study of the role of rhetoric in Galen's œuvre . Physician to several Roman emperors and author of the most impressive body of works in antiquity up to AD 350, Galen created a compelling figure of authority through his medical and philosophical works. The book analyses the range of Galen's rhetorical mastery through five chapters, studying in turn Galen and the Hellenic tradition, Galen's demonstrative and refutative tactics, the role of enargeia in Galen's descriptions and narratives, his 'hymn' to Nature in his main anatomical work, De usu partium , and finally autobiography and self-portrait in his œuvre.
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1 online resource. :
9789004380967
Crutched Pharaoh, Seated Hunter: An Analysis of Artistic Portrayals of Tutankhamun’s Disabilities /
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Academic and popular sources alike regularly refer to Tutankhamun as “disabled” at the time of his death, citing artistic representations from the items in his tomb to back up such claims. This group of objects has been said to depict the young king seated while hunting and using a staff as a walking aid seemingly highlighting the presence of a leg-based disability. This narrative of the image depicting the truth of Tutankhamun’s physical condition has publicly become accepted as fact with images of the seated king even being used in the advertising for the touring exhibit “Tutankhamun: Treasures of the Golden Pharaoh” to suggest Tutankhamun’s “fragile constitution.” A comparison of these depictions to historical representations of kings hunting and using staffs of authority, however, suggests that these depictions of Tutankhamun were part of a traditional iconography utilized by Tutankhamun’s artists, not to highlight his disability, but instead to situate his image within the artwork of kings of the Old, Middle, and New Kingdoms. This study, thus, works to dispel the pervasive myth of the existence of artistic representations of a disabled Tutankhamun, while providing a basis for understanding the true nature of the representation of disability in Egyptian art. Furthermore, this work urges Egyptologists to avoid relying on physical remains to “decipher” mortuary artwork. Such a change in method can only lead to a better understanding of the purpose of the depicted body within the mortuary context and its role as separate but complementary to the physical body in New Kingdom thought.