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Mapping value orientations in Central and Eastern Europe
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Since the dramatic events in 1989 and 1990, Central and Eastern Europeans have been engaged in a process of democratization and liberalization which are transforming their societies fundamentally. The rapid transformation processes appear to be very differential and the particular patterns are complex to interpret and understand. This volume elaborates on a number of issues that seem particular important for the people in Central and Eastern Europe: the development and working of democracy, the public support for, legitimacy and efficacy of democracy and the free market economy, and of course the stability of the newly established political culture.
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1 online resource. :
Includes bibliographical references and indexes. :
9789004216488 :
Available to subscribing member institutions only.
Bharatanatyam Evolves : From Temple to Theatre and Back Again /
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Bharatanatyam is currently one of the most popular Indian classical dance styles, performed throughout India and the world. It originated in southern India, where it was taught by males and performed by female Devadasis, both of whom belonged to the same caste. Traditionally, the dance was associated with Hindu temples and courts and was performed in a variety of sacred and secular settings. Since the early twentieth century, both practitioners of and venues for the dance have expanded. It is now taught and performed globally by people from all castes and nationalities, including teachers and dancers of all genders and religions. Most performances are now public events presented on the concert stage. Anne-Marie Gaston traces the development of Bharatanatyam from its religious and secular roots. She gives details of the teachers who were most influential in the transmission of the dance from traditional to modern practitioners and discusses the role of different interpretations (banis). By describing traditional and modern performances and choreography, she traces changes in the repertoire and presentation that have taken place during the post-revival era. Trends in performances at the MMA, considered the most important venue for Bharatanatyam, are described. Comments from the author's in-depth studies of Bharatanatyam, as both performer and academic, give a historical perspective to the current manifestation of the dance. Her observations are drawn especially from recitals at the Madras Winter Festivals, 2011-15. The volume is profusely illustrated with the author's own photographs.
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1 online resource (180 pages) : illustrations. :
Includes bibliographical references and index. :
9789004754010