Aux origines du classicisme, Calligraphes et bibliophiles au temps des dynasties mongoles (Les Ilkhanides et les Djalayirides 656-814 / 1258-1411).
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Cet ouvrage explore une période charnière de l'histoire du livre islamique et iranien: la période mongole envisagée dans le long terme, sous les dynasties ilkhanide et djalayiride. Il étudie la question de la maturation de la calligraphie arabe classique à travers la vie et l'œuvre de Yāqūt al-Mustaʿṣimī qui sont, pour la première fois, soumises à une analyse systématique, mettant en avant l'importance de son école et des maîtres bagdadiens pour les arts du livre des décennies suivantes. L'ouvrage se penche aussi sur les manuscrits des Ilkhans musulmans et du vizir Rashīd al-Dīn dans le cadre de la problématique de la naissance de la kitābkhānah et de l'affirmation du statut des calligraphes et des peintres sous les derniers Ilkhanides et les Djalayirides. This book explores a pivotal period in the history of the book in the Islamic world and Iran, id est the Mongol period viewed in a long-term perspective, under the Ilkhanid and the Djalayirid dynasties. It examines the issue of the maturation of classical Arabic calligraphy through the life and work of Yāqūt al-Mustaʿṣimī, which are for the first time subjected to a systematic analysis, highlighting the importance of his school and the Baghdadi masters for the arts of the book of the following decades. The study also looks at the manuscripts of the Muslim Ilkhans and the Vizier Rashīd al-Dīn in the context of the birth of the kitābkhānah and the rise in the status of calligraphers and painters under the last Ilkhanids and the Djalayirids.
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1 online resource. :
9789004369788
Baghdād : From Its Beginnings to the 14th Century /
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Baghdād: From its Beginnings to the 14th Century offers an exhaustive handbook that covers all possible themes connected to the history of this urban complex in Iraq, from its origins rooted in late antique Mesopotamia up to the aftermath of the Mongol invasion in 1258. Against the common perception of a city founded 762 in a vacuum, which, after experiencing a heyday in a mythical "golden age" under the early ʿAbbāsids, entered since 900 a long period of decline that ended with a complete collapse by savage people from the East in 1258, the volume emphasizes the continuity of Baghdād's urban life, and shows how it was marked by its destiny as caliphal seat and cultural hub. Contributors Mehmetcan Akpınar, Nuha Alshaar, Pavel Basharin, David Bennett, Michal Biran, Richard W. Bulliet, Kirill Dmitriev, Desmond Durkin-Meisterernst, Hend Gilli-Elewy, Beatrice Gruendler, Sebastian Günther, Olof Heilo, Damien Janos, Christopher Melchert, Michael Morony, Bernard O'Kane, Klaus Oschema, Letizia Osti, Parvaneh Pourshariati, Vanessa van Renterghem, Jens Scheiner, Angela Schottenhammer, Y. Zvi Stampfer, Johannes Thomann, Isabel Toral.
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Baghdād: From Its Beginnings to the 14th Century offers an exhaustive handbook that covers all possible themes connected to the history of this urban complex from its beginnings up to the 14th century. :
1 online resource. :
Includes bibliographical references and index. :
9789004513372
9789004513365
Mamluk Cairo, a crossroads for embassies : studies on diplomacy and diplomatics /
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Mamluk Cairo, a Crossroads for Embassies offers an up-to-date insight into the diplomacy and diplomatics of the Mamluk sultanate with Muslim and non-Muslim powers. This rich volume covers the whole chronological span of the sultanate as well as the various areas of the diplomatic relations established by (or with) the Mamluk sultanate. Twenty-six essays are divided in geographical sections that broadly respect the political division of the world as the Mamluk chancery perceived it. In addition, two introductory essays provide the present stage of research in the fields of, respectively, diplomatics and diplomacy. With contributions by Frédéric Bauden, Lotfi Ben Miled, Michele Bernardini, Bárbara Boloix Gallardo, Anne F. Broadbridge, Mounira Chapoutot-Remadi, Stephan Conermann, Nicholas Coureas, Malika Dekkiche, Rémi Dewière, Kristof D'hulster, Marie Favereau, Gladys Frantz-Murphy, Yehoshua Frenkel, Hend Gilli-Elewy, Ludvik Kalus, Anna Kollatz, Julien Loiseau, Maria Filomena Lopes de Barros, John L. Meloy, Pierre Moukarzel, Lucian Reinfandt, Alessandro Rizzo, Éric Vallet, Valentina Vezzoli and Patrick Wing.
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1 online resource. :
Includes bibliographical references and indexes. :
9789004384637 :
0929-2403 ;
Kitāb al-adwār fi ʼl-mūsīqī : Tarjuma-yi Fārsī bih inḍimām-i matn-i ʿArabi-yi ān /
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In his younger years, the famous musician and theorist of music Ṣafī al-Dīn al-Urmawī (d. 683/1294) seemed destined for an administrative career. Having moved to Baghdad as an adolescent, he had received a first-class education, excelling in Arabic, calligraphy, and Shāfīʿī and comparative law especially. For a time he was a copyist in the library of the caliph al-Mustaʿṣim (reg. 640-56/1242-58) and a teacher of calligraphy. His talents as a lute-player and musician then led to a brilliant career at al-Mustaʿṣim's court. Under al-Mustaʿṣim he also held juridical office, while under the Mongols he was head of the chancery of Baghdad and supervisor of the religious endowments of Iraq. Administrative talents notwithstanding, it was in musical theory that Urmawī secured himself eternal fame. Innovative and concise, yet complete, his Kitāb al-adwār fi ʼl-mūsīqī became the most popular textbook in music for centuries. An undated, anonymous Persian translation is published here, together with the Arabic original.
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1 online resource. :
9789004402782
9789646781627