Return to Troy : new essays on the Hollywood epic /
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Return to Troy presents essays by American and European classical scholars on the Director's Cut of Troy , a Hollywood film inspired by Homer's Iliad . The book addresses major topics that are important for any twenty-first century representation of ancient Greek myth and literature in the visual media, not only in regard to Troy : the portrayals of gods, heroes, and women; director Wolfgang Petersen's epic technique; anachronisms and supposed mistakes; the fall of Troy in classical literature and on screen; and the place of the Iliad in modern popular culture. Unique features are an interview with the director, a report on the complex filming process by his personal assistant, and rare photographs taken during the original production of Troy .
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1 online resource (x, 284 pages) : illustrations. :
Includes bibliographical references (p. 265-277) and index. :
9789004296084 :
Available to subscribing member institutions only.
The hippos of Troy : why Homer never talked about a horse /
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This title addresses perhaps the most famous episode in Classical mythology: the Wooden Horse of Troy. Through analysis of words, images and wrecks, the author proposes a new interpretation of what Homer actually intended when he spoke of the 'hippos' used by the Greeks to conquer Troy: a particular ship type, used to pay tribute to Levantine kings.
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Also issued in print: 2021. :
1 online resource (120 pages) : illustrations :
Specialized. :
Includes bibliographical references. :
9781789699005 (PDF ebook) :
Redonner vie à une collection : les terres cuites communes du Fort La Tour /
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Research on common earthenware from the first half of the 17th century is very elementary, when it exists at all. This study seeks to bring back to life the ceramics, the inhabitants and the site where the objects were used. The collection includes 1602 fragments from 277 common earthenware objects coming from the period of occupation of Fort La Tour (1631-1645) in Portland Point, New Brunswick. These pieces were mostly made in France, but some are probably of English origin. Mostly through the visual identification of the features included in the ceramic body, a classification system was developed with four main groups, 28 types, and 10 variations. With this classification system, earthenware objects were able to be grouped based on the activities for which they were used and related to their uses and functions.
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"Available both in print and Open Access"--Home page. :
1 online resource (xviii, 248 pages) : illustrations (colour). :
Specialized. :
Includes bibliographical references. :
9781789693843 (ebook) :
