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Studies in Targum Isaiah : Textual Witnesses, Translation Techniques, and Theological Explorations /
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Studies in Targum Isaiah: Textual Witnesses, Translation Techniques, and Theological Explorations is the culmination of 30 years of in-depth research into Targum studies. This comprehensive work offers a detailed description and comparison of available manuscripts, an analysis of translation techniques, and essays exploring the theological perspectives of the translators. The final chapter delves into the risks and opportunities of intertextual comparison with the New Testament, providing a thoughtful perspective for scholars and students alike. Essential for anyone interested in biblical studies, this book offers valuable insights into the complexities of Targum Isaiah and its relevance in theological discourse.
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1 online resource (372 pages) : illustrations. :
Includes bibliographical references and index. :
9789004723917
The Privilege of Servitude : The New Service Proletariat in the Digital Age /
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The Privilege of Servitude presents a detailed and up-to-date portrait of today's working class. Antunes examines the main trends in new labour relations, where precariousness, outsourcing, and deregulation have become the rule rather than the exception. He offers an in-depth analysis of the rise of the new service proletariat and contemporary forms of digital labour, while also exploring changes in labour relations globally-with a particular focus on Brazil's recent history, from the period of redemocratisation to the Bolsonaro years.
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1 online resource (324 pages) : illustrations. :
Includes bibliographical references and index. :
9789004743564
Why look at plants? : the botanical emergence in contemporary art /
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Why Look at Plants? proposes a thought-provoking and fascinating look into the emerging cultural politics of plant-presence in contemporary art. Through the original contributions of artists, scholars, and curators who have creatively engaged with the ultimate otherness of plants in their work, this volume maps and problematizes new intra-active, agential interconnectedness involving human-non-human biosystems central to artistic and philosophical discourses of the Anthropocene. Plant's fixity, perceived passivity, and resilient silence have relegated the vegetal world to the cultural background of human civilization. However, the recent emergence of plants in the gallery space constitutes a wake-up-call to reappraise this relationship at a time of deep ecological and ontological crisis. Why Look at Plants? challenges readers' pre-established notions through a diverse gathering of insights, stories, experiences, perspectives, and arguments encompassing multiple disciplines, media, and methodologies.
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1 online resource. :
Includes bibliographical references and index. :
9789004375253 :
2213-0659 ;
Islam at 250 : Studies in Memory of G.H.A. Juynboll /
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Islam at 250: Studies in Memory of G.H.A. Juynboll is a collection of original articles on the state of Islamic sciences and Arabic culture in the early phases of their crystallization. It covers a wide range of intellectual activity in the first three centuries of Islam, such as the study of ḥadīth , the Qurʾān, Arabic language and literature, and history. Individually and taken together, the articles provide important new insights and make an important contribution to scholarship on early Islam. The authors, whose work reflects an affinity with Juynboll's research interests, are all experts in their fields. Pointing to the importance of interdisciplinary approaches and signalling lacunae, their contributions show how scholarship has advanced since Juynboll's days.
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1 online resource. :
9789004427952
9789004427945
The Crescent on the Temple : The Dome of the Rock as Image of the Ancient Jewish Sanctuary.
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\'The Crescent on the Temple\' by Pamela Berger elucidates an obscured tradition-how the Dome of the Rock came to stand for the Temple of Solomon in Christian, Muslim, and Jewish art. The crusaders called the Dome of the Rock the "Temple of the Lord," while Muslim imagery depicted Solomon enthroned within the domed structure. Jews knew that the ancient Temple had been destroyed. Nevertheless, in their imagery, they commonly labeled the Muslim shrine "The Temple." That domed "Temple" was often represented with a crescent on top. This iconography, long hidden in plain sight, reflects one aspect of an historical affinity between Jews and Muslims.
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Description based upon print version of record. :
1 online resource (393 pages) :
9789004230347 :
Available to subscribing member institutions only.