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Published 2025
Studies in Targum Isaiah : Textual Witnesses, Translation Techniques, and Theological Explorations /

: Studies in Targum Isaiah: Textual Witnesses, Translation Techniques, and Theological Explorations is the culmination of 30 years of in-depth research into Targum studies. This comprehensive work offers a detailed description and comparison of available manuscripts, an analysis of translation techniques, and essays exploring the theological perspectives of the translators. The final chapter delves into the risks and opportunities of intertextual comparison with the New Testament, providing a thoughtful perspective for scholars and students alike. Essential for anyone interested in biblical studies, this book offers valuable insights into the complexities of Targum Isaiah and its relevance in theological discourse.
: 1 online resource (372 pages) : illustrations. : Includes bibliographical references and index. : 9789004723917

Published 2025
The Evolution of a Pentecostal Scholar : Twenty Years in Luke-Acts /

: 1 online resource (300 pages) : illustrations. : Includes bibliographical references and index. : 9789004518926

Published 2026
The Privilege of Servitude : The New Service Proletariat in the Digital Age /

: The Privilege of Servitude presents a detailed and up-to-date portrait of today's working class. Antunes examines the main trends in new labour relations, where precariousness, outsourcing, and deregulation have become the rule rather than the exception. He offers an in-depth analysis of the rise of the new service proletariat and contemporary forms of digital labour, while also exploring changes in labour relations globally-with a particular focus on Brazil's recent history, from the period of redemocratisation to the Bolsonaro years.
: 1 online resource (324 pages) : illustrations. : Includes bibliographical references and index. : 9789004743564

Published 2018
Why look at plants? : the botanical emergence in contemporary art /

: Why Look at Plants? proposes a thought-provoking and fascinating look into the emerging cultural politics of plant-presence in contemporary art. Through the original contributions of artists, scholars, and curators who have creatively engaged with the ultimate otherness of plants in their work, this volume maps and problematizes new intra-active, agential interconnectedness involving human-non-human biosystems central to artistic and philosophical discourses of the Anthropocene. Plant's fixity, perceived passivity, and resilient silence have relegated the vegetal world to the cultural background of human civilization. However, the recent emergence of plants in the gallery space constitutes a wake-up-call to reappraise this relationship at a time of deep ecological and ontological crisis. Why Look at Plants? challenges readers' pre-established notions through a diverse gathering of insights, stories, experiences, perspectives, and arguments encompassing multiple disciplines, media, and methodologies.
: 1 online resource. : Includes bibliographical references and index. : 9789004375253 : 2213-0659 ;

Published 2002
Palaeolithic quarrying sites in Upper and Middle Egypt /

: 365 pages : illustrations, maps ; 30 cm. : Includes bibliographical references (p. 361-364). : 9058672662

Published 2014
Exodus und Eisodus : Komposition und Theologie von Josua 1-5 /

: For this book the author has received THE MANFRED LAUTENSCHLAEGER AWARD FOR THEOLOGICAL PROMISE 2015 Kein Auszug ohne Einzug - erst mit dem Eisodus in das verheißene Land kommt der Exodus aus Ägypten an sein Ziel. Es verwundert daher nicht, dass der erste Teil des Josuabuches in den Kapiteln 1-5, in dem dieser Einzug dargestellt wird, vielfältige literarische Bezüge zur Exodusüberlieferung im Pentateuch aufweist. Wie aber sind diese Bezüge zu erklären, als intratextuelle Bindeglieder ein und desselben Werkes oder als intertextuelle Bezugnahmen? Mit dem Aufweis einer sukzessiven Ausgestaltung der Ereignisse beim Eisodus nach dem Vorbild des Exodus bietet die vorliegende Untersuchung der Komposition und Theologie von Josua 1-5 in den drei überlieferten Ausgaben des Josuabuches (MT, LXX, Qumran) Antworten auf alte, angesichts der gegenwärtigen Debatte um Hexateuch und Deuteronomistisches Geschichtswerk hochaktuelle Fragen der Forschung. _______________________________________________ The Exodus from Egypt is perfect only with the Eisodus into the Promised Land. It does not come as a surprise, therefore, that the first part of the Book of Joshua, which is dedicated to the entry into the land, features a variety of literary affinities to the Exodus tradition as found in the Pentateuch. But how are these affinities to be explained? Do they testify to an original literary work which covered both Exodus and Conquest, or do they rather betray subsequent connections through intertextual references? Analyzing the composition and theology of Joshua 1-5 in the three extant versions of the book (MT, LXX, Qumran), the present study contributes to the current debate of the Pentateuch, Hexateuch, and Deuteronomistic History.
: Originally presented as the author's thesis (doctoral)--Universität Tübingen, 2013.
"The Exodus from Egypt is perfect only with the Eisodus into the Promised Land. It does not come as a surprise, therefore, that the first part of the Book of Joshua, which is dedicated to the entry into the land, features a variety of literary affinities to the Exodus tradition as found in the Pentateuch. Analyzing the composition and theology of Joshua 1-5 in the three extant versions of the book (MT, LXX, Qumran), the present study contributes to the current debate of the Pentateuch, Hexateuch, and Deuteronomistic history."-- Publisher description. : 1 online resource (xviii, 488 pages) : Includes bibliographical references (p. 443-473) and indexes. : 9789004267794 : 0083-5889 ; : Available to subscribing member institutions only.

Published 2012
The Crescent on the Temple : The Dome of the Rock as Image of the Ancient Jewish Sanctuary.

: \'The Crescent on the Temple\' by Pamela Berger elucidates an obscured tradition-how the Dome of the Rock came to stand for the Temple of Solomon in Christian, Muslim, and Jewish art. The crusaders called the Dome of the Rock the "Temple of the Lord," while Muslim imagery depicted Solomon enthroned within the domed structure. Jews knew that the ancient Temple had been destroyed. Nevertheless, in their imagery, they commonly labeled the Muslim shrine "The Temple." That domed "Temple" was often represented with a crescent on top. This iconography, long hidden in plain sight, reflects one aspect of an historical affinity between Jews and Muslims.
: Description based upon print version of record. : 1 online resource (393 pages) : 9789004230347 : Available to subscribing member institutions only.