The Petrine instauration : religion, esotericism and science at the court of Peter the Great, 1689-1725 /
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The reign of Peter the Great (1672-1725) was marked by an unprecedented wave of reform in Russia. This book provides an innovative reappraisal of the Petrine Age, in which hitherto neglected aspects of the tsar's transformation of his country are studied. More specifically, the reforms enacted by the tsar are assessed in light of the religious notion of instauration - a belief in the restoration of Adamic knowledge in the last age - and a historical and cultural analysis of the impact of Western esotericism at the Russian court. This book will appeal to scholars of Russian history and religion, as well as being of wider interest to those studying Western esotericism in Early Modern and eighteenth-century Europe.
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1 online resource (xx, 583 pages) : illustrations. :
Includes bibliographical references (p. [551]-575) and index. :
9789004224391 :
1871-1405 :
Available to subscribing member institutions only.
Marine archaeology : developments during sixty years in the Mediterranean /
: Based on the work originally published in 1960 by the Confédération mondiale des activités subaquatiques under title : Le plongeur et l'archéologue. : 208 page : illustrations, maps, portraits ; 26 cm. : Includes bibliographical references.
Seneca on the stage /
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In the absence of the stage directions employed by their modern equivalents, ancient playwrights were obliged to ''encode'' information into their texts that can be described as implicit stage directions. It is the presence of such information that permits modern ''production criticism,'' intended to determine how ancient plays were meant to be staged. Since the early nineteenth century, it has been debated whether Seneca's tragedies were or were not written for stage production. Seneca's dramatic texts contain material that looks precisely like the implicit stage directions found in all other ancient drama, and when his plays are subjected to production criticism, it emerges that they make sound dramaturgic sense. Also, Seneca avails himself of the same artificial and sometimes irrational dramatic conventions used by other ancient playwrights, a fact often ignored by those who argue that Seneca was only writing plays for reading or recitation. The internal evidence of the plays offers much to support, and little to contradict, the idea that his plays were written with the stage in mind.
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1 online resource (vi, 72 pages) :
Includes bibliographical references and index. :
9789004328310 :
Available to subscribing member institutions only.
Mein Grab, mein Esel, mein Platz in der Gesellschaft : Prestige im Alten Ägypten am Beispiel Deir el-Medine /
: Revision of author's dissertation -- (Universität München), 2009. : xiv, 250 pages : color Illustrations, color maps ; 25 cm. + 7 loose, folded sheets in pocket. : Includes bibliographical references and indexes. : 9783981374100