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Published 2016
Archival theory, chronology and interpretation of rock art in the Western Cape, South Africa /

: This work advocates the archival capacity of rock art and uses archival perspectives to analyse the chronology of paintings in order to formulate a framework for their historicised interpretations.
: Previously issued in print: 2016. : 1 online resource : illustrations (black and white, and colour), maps (colour). : Specialized. : Includes bibliographical references. : 9781784914479 (ebook) :

Published 2016
Archival theory, chronology and interpretation of rock art in the Western Cape, South Africa /

: This work advocates the archival capacity of rock art and uses archival perspectives to analyse the chronology of paintings in order to formulate a framework for their historicised interpretations.
: Previously issued in print: 2016. : 1 online resource : illustrations (black and white, and colour), maps (colour). : Specialized. : Includes bibliographical references. : 9781784914479 (ebook) :

Published 2005
The Orientalists Western artists in Arabia, the Sahara, Persia & India

: 301p. color illus. 32cm. : 975978306

Published 1996
The tomb of Nakht : the art and history of an eighteenth dynastie official's tomb at Western Thebes /

: The German ed. of this handbook originated as a supplement to a special exhibition entitled "Egypt--the search for immortality," organized by the Roemer and Pelizaeus Museum in Hildesheim in 1991. : 83 pages : illustrations (some color), maps (some color) ; 24 cm : 3805318944
9783805318945

Published 2022
Women in Western and Eastern Manichaeism : Selected Papers from the International Conference Les...

: The exceptional place women held in Manichaeism, in everyday life or myth, is the object of this book. Relying on firsthand Manichaean texts in several languages and on polemical sources, as well as on iconography, the various papers analyze aspects of women's social engagement by spreading Mani's doctrine, working to support the community, or corresponding with other Manichaean groups. Topics such as women's relation to the body and elect or hearer status are also investigated. The major role played by female entities in the myth is enlightened through occidental and oriental texts and paintings discovered in Central Asia and China.
: 1 online resource : Includes bibliographical references and index. : 9789004472228
9789004472211

Published 2013
Wadi Sura -- the cave of beasts : a rock art site in the Gilf Kebir (SW-Egypt) /

: Folded illustration in pocket at rear cover.
Map on lining papers. : 542 p. : ill., maps, charts ; 35 cm. : Includes bibliographical references (p. 538-542) : 9783927688407
3927688401

Published 2016
Post-palaeolithic filiform rock art in western Europe : proceedings of the XVII UISPP World Congress (1-7 September 2014, Burgos, Spain).

: This session focuses on Filiform rock art which appears as a spontaneous technique, more simple and immediate than pecking, good either for autonomous strands of expression, or for sketches and first drafts regarding works of painting or pecking.
: Selected conference papers.
Previously issued in print: 2016. : 1 online resource : illustrations (black and white), maps (black and white). : Specialized. : Includes bibliographical references. : 9781784913687 (ebook) :

Published 2016
Post-palaeolithic filiform rock art in western Europe : proceedings of the XVII UISPP World Congress (1-7 September 2014, Burgos, Spain).

: This session focuses on Filiform rock art which appears as a spontaneous technique, more simple and immediate than pecking, good either for autonomous strands of expression, or for sketches and first drafts regarding works of painting or pecking.
: Selected conference papers.
Previously issued in print: 2016. : 1 online resource : illustrations (black and white), maps (black and white). : Specialized. : Includes bibliographical references. : 9781784913687 (ebook) :

Published 2020
À l'orientale : collecting, displaying and appropriating Islamic art and architecture in the 19th and early 20th centuries /

: "The present volume offers a collection of essays that examine the mechanisms and strategies of collecting, displaying and appropriating Islamic art in the nineteenth and early twentieth centuries. Many studies in this book concentrate on lesser known collections of Islamic art, situated in Central and Eastern Europe that until now have received little attention from scholars. A section of the volume focuses on the figure of the Swiss collector Henri Moser Charlottenfels, whose important, still largely unstudied collection of Islamic art is now being preserved at the Bernisches Historisches Museum, Switzerland. Contributors to the volume include young researchers and established scholars from Western and Eastern Europe and beyond: Albert Lutz (foreword), Roger Nicholas Balsiger, Moya Carey, Valentina Colonna, Francine Giese, Hélène Guérin, Barbara Karl, Katrin Kaufmann, Sarah Keller, Agnieszka Kluczewska Wójcik, Inessa Kouteinikova, Axel Langer, Maria Medvedeva, Ágnes Sebestyén, Alban von Stockhausen, Ariane Varela Braga, Mercedes Volait. Les contributions de l'ouvrage examinent le mécanisme et les stratégies relatifs à la collection, la présentation et l'appropriation des arts de l'Islam au XIXe siècle et début du XXe siècle. Elles mettent l'accent sur des collections situées en Europe centrale et orientale, lesquelles ont été peu étudiées jusqu'à présent. Une partie de l'ouvrage est dédiée à la figure du collectionneur Suisse Henri Moser Charlottenfels, dont les objets se trouvent aujourd'hui au Bernisches Historisches Museum (Suisse) et qui ont été de même peu étudiés. Les textes émanent de jeunes chercheurs comme de chercheurs confirmés, basés en Europe occidentale et orientale, et au-delà".
: 1 online resource. : Includes bibliographical references and indexes. : 9789004412644

Published 2018
Forest family : Australian culture, art, and trees /

: Forest Family highlights the importance of the old-growth forests of Southwest Australia to art, culture, history, politics, and community identity. The volume weaves together the natural and cultural histories of Southwest eucalypt forests, spanning pre-settlement, colonial, and contemporary periods. The contributors critique a range of content including historical documents, music, novels, paintings, performances, photography, poetry, and sculpture representing ancient Australian forests. Forest Family centers on the relationship between old-growth nature and human culture through the narrative strand of the Giblett family of Western Australia and the forests in which they settled during the nineteenth century. The volume will be of interest to general readers of environmental history, as well as scholars in critical plant studies and the environmental humanities.
: 1 online resource. : Includes bibliographical references. : 9789004368651 : 2213-0659 ; : Available to subscribing member institutions only.

Published 2022
Powerful pictures : rock art research histories around the world /

: Focusing on stunning paintings and engravings from around the world, 16 papers interrogate the driving forces behind global rock art research. Many of the motifs featured were created by Indigenous hunter-gatherer groups; this book sheds new light on non-Western rituals and worldviews, many of which are threatened or on the point of extinction.
: Also issued in print: 2022. : 1 online resource : illustrations (colour) : Specialized. : Includes bibliographical references. : 9781803273891 (PDF ebook) :

Published 2010
After one hundred years : the 1910 exhibition "Meisterwerke muhammedanischer Kunst" reconsidered /

: The exhibition \'Meisterwerke muhammedanischer Kunst\' that took place in Munich in 1910 marked a turning point in the approach to Islamic Art. The show attempted to break free of Orientalism and exotic fantasies and, in doing so, set a new standard for the reception of Islamic art in Europe. Moreover, naming the Islamic artefacts masterpieces, it layed claim to bestow upon Islamic art "a place equal to that of other cultural periods". This book is the first comprehensive study on this path-breaking exhibition. It includes a wealth of unpublished material and numerous novel ideas on the subject and addresses the exhibition's historical context, organization, realization and display as well as its reception in the West and its later influence on the study of Islamic art.
: Outgrowth of a scholarly conference held in Munich on the 24th and 25th of October 2008 in the International Meeting Centre (IBZ) of the Ludwig-Maximilians-University of Munich. : 1 online resource. : Includes bibliographical references and indexes. : 9789004191020 : Available to subscribing member institutions only.

Published 2015
After orientalism : critical perspectives on western agency and eastern re-appropriations /

: The debate on Orientalism began some fifty years ago in the wake of decolonization. While initially considered a turning point, Edward Said's Orientalism (1978) was in fact part of a larger academic endeavor - the political critique of "colonial science" - that had already significantly impacted the humanities and social sciences. In a recent attempt to broaden the debate, the papers collected in this volume, offered at various seminars and an international symposium held in Paris in 2010-2011, critically examine whether Orientalism, as knowledge and as creative expression, was in fact fundamentally subservient to Western domination. By raising new issues, the papers shift the focus from the center to the peripheries, thus analyzing the impact on local societies of a major intellectual and institutional movement that necessarily changed not only their world, but the ways in which they represented their world. World history, which assumes a plurality of perspectives, leads us to observe that the Saidian critique applies to powers other than Western European ones - three case studies are considered here: the Ottoman, Russian (and Soviet), and Chinese empires. Other essays in this volume proceed to analyze how post-independence states have made use of the tremendous accumulation of knowledge and representations inherited from previous colonial regimes for the sake of national identity, as well as how scholars change and adapt what was once a hegemonic discourse for their own purposes. What emerges is a new landscape in which to situate research on non-Western cultures and societies, and a road-map leading readers beyond the restrictive dichotomy of a confrontation between West and East. With contributions by: Elisabeth Allès; Léon Buskens; Stéphane A. Dudoignon; Baudouin Dupret; Edhem Eldem; Olivier Herrenschmidt; Nicholas S. Hopkins; Robert Irwin; Mouldi Lahmar; Sylvette Larzul; Jean-Gabriel Leturcq; Jessica Marglin; Claire Nicholas; Emmanuelle Perrin; Alain de Pommereau; François Pouillon; Zakaria Rhani; Emmanuel Szurek; Jean-Claude Vatin; Mercedes Volait
: Original French title: Après l'orientalisme : l'Orient créé par l'Orient.
Includes index. : 1 online resource (xiii, 289 pages) : Includes bibliographical references and index. : 9789004282537 : Available to subscribing member institutions only.

Published 2016
The western Christian presence in the Russias and Qajar Persia, c.1760-1870 /

: Winner of The 2018 Saidi-Sirjani Book Award In The Western Christian Presence in the Russias and Qājār Persia, c.1760-c.1870 , Thomas O'Flynn vividly paints the life and times of missionary enterprises in early nineteenth-century Russia and Persia at a moment of immense change when Tsarist Russia embarked on an expansionist campaign reaching to the Caucasus. Simultaneously he charts the relationship between the new Persian dynasty of the Qājārs and missionary activity on the part of European and American missionaries. This book reconstructs that world from a predominantly religious perspective. It recounts the sustaining ideals as well as the everyday struggles of the western missionaries, Protestant (Scottish, Basel and American Congregationalist) and Catholic (Jesuit and Vincentian). It looks at the reactions of diverse tribal peoples, the Tatars of the North Caucasus, the Kabardians and Circassians. Persia was the ultimate goal of these missionaries, which they eventually reached in the 1820s. Altogether this study throws light on the troubled course of history in West Asia and provides the background to politico-religious conflicts in Chechnya and Persia that persist to the present day.
: 1 online resource. : Includes bibliographical references and index. : 9789004313545 : 0924-9389 ; : Available to subscribing member institutions only.

Interactions : artistic interchange between the Eastern and Western worlds in the Medieval period /

: xiv, 300 pages : illustrations (some color) ; 28 cm. : Includes bibliographical references and index. : 9780976820246

Published 2000
Chāchājī : Professor Walter M. Spink felicitation volume /

: 135 pages : illustrations, portraits ; 28 cm. : 0571-1371 ;

Published 2014
Quantifying decoration interaction : a study of the decoration on the cult chapel walls of the Old Kingdom tombs at Giza /

: In The Decoration on the Cult Chapel Walls of the Old Kingdom Tombs at Giza Leo Roeten presents a method that evaluates the degree of interaction between the various decoration themes that are placed on the western wall of the cult chapels at the tombs of Giza. Diagrams resulting from that method show that during the 5th dynasty the focus of the mode of food supply for the ka of the deceased changed from primarily active to primarily magical. On the other walls of the chapel this change not only led to the loss of some secondary cultic functions like the inviting and guiding functions, but also to an increasing focus on scenes from the daily life of the tomb owner.
: 1 online resource. : Includes bibliographical references and index. : 9789004265462 : 1566-2055 ;

Published 2013
Jesus incognito : the hidden Christ in western art since 1960 /

: In this book Martien Brinkman explores the Jesus incognito as found in Western film, literature, and the visual arts since 1960. His interest here is focused primarily on indirect references to the Jesus figure. To his surprise, he found an abundance of allusions to Jesus in key figures in modern art. This confirmed his view that film, literature, and the visual arts make a substantial contribution, even in secular Western culture, to continuing reflection on Jesus' significance. Brinkman finds important characteristics of a hidden Christ in films by Gabriel Axel, Ingmar Bergman, Krzysztof Kieslowski, and Lars von Trier, novels by Peter De Vries, J.M. Coetzee, and Arnon Grunberg, poems by Les Murray and Czeslaw Milosz, and paintings by Andy Warhol, Harald Duwe, and Frans Franciscus. He defines a hidden Christ as a fictional human individual who can be seen as a new embodiment of the meaning that can be attributed in the present to the biblical figure of Jesus. The hidden Christ is therefore a contemporized Jesus figure. This book will be of interest for everyone who shares Brinkman's quest for this Jesus incognito .
: Translation from the Dutch of: Jezus incognito : de verborgen Christus in de westerse kunst vanaf 1960. Zoetermeer : Meinema, 2012. : 1 online resource (viii, 240 pages) : illustrations (some color) : Includes bibliographical references (p. 217-231) and indexes. : 9789401208949 : Available to subscribing member institutions only.

Published 1998
Myth, sexuality and power : images of Jupiter in Western art : papers delivered at the Georgia...

: xi, 113 pages : illustrations ; 28 cm. : Includes bibliographical references.

Published 2015
Receptions of antiquity, constructions of gender in European art, 1300-1600 /

: Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 presents scholarship in classical reception at its nexus with art history and gender studies. It considers the ways that artists, patrons, collectors, and viewers in late medieval and early modern Europe used ancient Greek and Roman art, texts, myths, and history to interact with and shape notions of gender. The essays examine Giotto's Arena Chapel frescoes, Michelangelo's Medici Chapel personifications, Giulio Romano's decoration of the Palazzo del Te, and other famous and lesser-known sculptures, paintings, engravings, book illustrations, and domestic objects as well as displays of ancient art. Visual responses to antiquity in this era, the volume demonstrates, bore a complex and significant relationship to the construction of, and challenges to, contemporary gender norms.
: 1 online resource (XV, 467 pages) : illustrations. : Includes bibliographical references and index. : 9789004289697 : Available to subscribing member institutions only.