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The Provo International Conference on the Dead Sea Scrolls : technological innovations, new texts, and reformulated issues /
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This volume contains the published proceedings of the conference on the Dead Sea Scrolls, held at Provo, Utah, July 15-17, 1996. Forty-three articles, all dealing with various aspects of the Scrolls, are placed under the following divisions: Technology, Editions and Analyses of Texts, The Qumran Community, Calendar, Levi and the Priesthood, Messianism and Eschatology, and Wisdom and Liturgy. The volume offers the most recent scholarship on a number of issues and topics pertaining to the Qumran community, newly translated biblical and non-biblical texts, and technological advances that assist scholars and researchers in accessing and studying the scrolls. The section that pertains to technology, for example, focuses on DNA techniques to analyze Scroll fragments and an imaging radar system that has archaeological applications to Qumran and its environs. Another section addresses the question of how and where the Qumranites lived and speaks concerning Qumran names.
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1 online resource (viii, 711 pages) : illustrations, map. :
Includes bibliographical references and indexes. :
9789004350311 :
0169-9962 ; :
Available to subscribing member institutions only.
Song of song s a close reading /
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This book puts forward an interpretation of the Canticle which is alert to the literal sense of the poem. The author thus distances himself both from the allegorical interpretation and from an interpretation that is purely secular. According to the author, the Song offers a theological vision of human love. Barbiero sees the Song as composed in the third century BC, in the Hellenistic epoch, but also as hugely dependent on the love poetry of the Ancient Near East, particularly that of Egypt. Above all, however, the Song was composed in dialogue with the other books of the Old Testament, especially in contrast with the negative view of sexuality which they represent. The study pays particular attention to the structure of the poem and of the individual cantos: for Barbiero, the Song is a closely unitary work and is only to be understood as a whole.
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1 online resource. :
Includes bibliographical references (p. [509]-521) and indexes. :
9789004203709 :
Available to subscribing member institutions only.
A 'Stepped Approach' to Disputes on International Watercourses /
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With increasing global pressure on scarce international water resources, the importance of dispute avoidance and resolution at the international level cannot be understated. A 'Stepped Approach' to Disputes on International Watercourses explores a conceptual and practical framework for addressing these complex challenges, presenting a structured, multi-faceted approach that integrates technical expertise, diplomatic negotiations, and, when necessary, binding adjudication. Drawing on a broad analysis of 225 international watercourse agreements, it puts forward a 'stepped approach' as an important tool that can foster cooperation, prevent conflicts, and ensure the equitable and sustainable use of our shared water resources.
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1 online resource (224 pages) : illustrations. :
Includes bibliographical references and index. :
9789004736771
"I that is we, we that is I," perspectives on contemporary Hegel : social ontology, recognition, naturalism, and the critique of Kantian constructivism /
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In \'I that is We, We that is I\' , an international group of philosophers explore the many facets of Hegel's formula which expresses the recognitive and social structures of human life. The book offers a guiding thread for the reconstruction of crucial motifs of contemporary thought such as the socio-ontological paradigm; the action-theoretical model in moral and social philosophy; the question of naturalism; and the reassessment of the relevance of work and power for our understanding of human life. This collection addresses the shortcomings of Kantian and constructivist normative approaches to social practices and practical rationality it involves. It sheds new light on Hegel's take on metaphysics and puts into question some presuppositions of the post-metaphysical interpretative paradigm.
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Includes index. :
1 online resource. :
9789004322967 :
1878-9986 ; :
Available to subscribing member institutions only.
Butoh and Suzuki Performance in Australia : Bent Legs on Strange Grounds, 1982-2023 /
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In Butoh and Suzuki Performance in Australia: Bent Legs on Strange Grounds, 1982-2023 , Marshall considers how the originally Japanese forms of butoh dance and Suzuki's theatre reconfigure historical lineages to find ancient yet transcultural ancestors within Australia and beyond. Marshall argues that artists working in Australia with butoh and Suzuki techniques develop conflicted yet compelling diasporic, multicultural, spiritually and corporeally compelling interpretations of theatrical practice. Marshall puts at the centre of butoh historiography the work of Tess de Quincey, Yumi Umiumare, Tony Yap, Lynne Bradley, Simon Woods, Frances Barbe, and Australian Suzuki practitioners Jacqui Carroll and John Nobbs. Jonathan W. Marshall's Bent Legs on Strange Grounds is an important contribution to the body of literature on butoh, as well as to studies of dance in Australia that will be valuable to practitioners and scholars alike. Detailed discussions of Australian butoh artists open up consideration of how global and local histories, migrations, and landscapes not only were key to butoh's formation in Japan, but also to its continued development around the world. Attention to butoh's emplacement in Australia, Marshall convincingly argues, reveals insights about national identity, race, power, and more that are relevant well beyond the Australian performance context. - Rosemary Candelario, Texas Woman's University, co-editor, Routledge Companion to Butoh Performance (2018) Marshall's Bent Legs on Strange Grounds explores the remarkable transformative era of Australia's reconsideration of its place in the region. A definitive study of Australian experiments in butoh and the theatrical vision of Suzuki Tadashi, the book shows how new corporeal and spatial dramaturgies of the Japanese avant-garde fundamentally changed Australian performance. Expansively researched and annotated, this impressive study connects Australian performance after the New Wave with globalization, postmodern dance, Indigeneity, and subcultures, and it details the work of leading Australian/Asian artists. Bent Legs on Strange Grounds speaks about the development of embodied knowledge and the consequential refiguration of Australia's sense of being in the world. It is also a study of butoh and Suzuki's legacy in global terms, wherein Australian experimental performance also becomes something larger than itself. - Peter Eckersall, The Graduate Center, CUNY, author of Performativity and Event in 1960s Japan (2013).
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1 online resource (305 pages) : illustrations. :
Includes bibliographical references and index. :
9789004712317