figures egypt » figurines egypt (Expand Search), picures egypt (Expand Search), figures egyptian (Expand Search)
ancient out » ancient south (Expand Search), ancient art (Expand Search), ancient oil (Expand Search)
out figures » et figures (Expand Search)
Ramesses VI (KV9) Sarcophagus Conservation
:
From the destruction of the sarcophagus in antiquity until its restoration beginning in the summer of 2001, the hundreds of fragments making up Ramesses VI’s inner sarcophagus remained scattered around the burial chamber of KV 9. Over the millennia they had been moved from the sarcophagus pit to the platforms at the north and south ends of the burial chamber. Project Director, Dr. Edwin Brock and his team’s goal was to finally reassemble the box and lid. This set, made of green conglomerate and mummiform in shape, is one of two sarcophagi found in the tomb. The other, outer sarcophagus was broken into two pieces and remains in the sarcophagus pit.
The second box is decorated with painted figures and texts. These were documented by the project’s archaeological illustrator, Lyla Pinch-Brock. The decoration is similar to that found on royal sarcophagi of the 19th Dynasty. The decoration was partially obscured by the remains of a resinous substance poured over the sarcophagus as part of the funeral ritual. Test cleaning was carried out but yielded varying results. Due to the inconsistent results and the coating’s ancient context, it was decided not to remove any more of the material.
The face on the lid of the second sarcophagus was missing; it had been taken to England by Giovanni Batista Belzoni who collected antiquities on behalf of the British Consul, Henry Salt. Installed in the British Museum in 1823, the project commissioned a fiberglass replica. This was matched up with the lid fragments and the assembly is now on display in the back of the tomb.
In the spirit of maximizing the informative potential of the artifact by preserving it in its original context, all the work on the sarcophagus was carried out within the tomb. This included conservation, restoration, and final display. Keeping the objects in situ also minimized handling and potential wear. As a result, a significant part of the pilot season was geared towards site preparation -- the installation of an air system to reduce the circulation of dust and other irritants, temporary platforms, an overhead winch, and ramps. All fragments, their surfaces, joins and conservation, were recorded before final assembly. The sarcophagus box was built with the floor laid first, then the sides. Fragments not included in the assembly were displayed nearby.
KV 9, with the restored sarcophagus of Ramesses VI, was re-opened to the public by the Egyptian Antiquities authority on March 21, 2004.
:
694pics, :
Ramesses VI (KV9) Sarcophagus Conservation project was made possible with funding by the United States Agency for International Development (USAID) Grant No. 263-G-00-93-0089-00 (formerly 263-0000-G-00-3089-00) and administered by the Egyptian Antiquities Project (EAP) of the American Research Center in Egypt (ARCE).
The Public Lives of Ancient Women (500 BCE-650 CE) /
:
Building on the important work by Hemelrijk, this volume endeavours to bring ancient women out of the domestic sphere and to examine their presence and activities in the public domain, for example as rulers, patrons, priestesses, wives, athletes and pilgrims. Covering the period 500 BCE to 650 CE and ranging across the Mediterranean and beyond, it fruitfully employs a great variety of source types and thematic approaches to argue that women in the ancient world were active in many parts of the public domain, including the civic, the religious and at times even the political and military spheres.
:
1 online resource :
Includes bibliographical references and index. :
9789004533295
9789004534513
Nefertiti, queen and pharaoh of Egypt : her life and afterlife /
:
During the last half of the fourteenth century BC, Egypt was perhaps at the height of its prosperity. It was against this background that the "Amarna Revolution" occurred. Throughout, its instigator, King Akhenaten, had at his side his Great Wife, Nefertiti. When a painted bust of the queen found at Amarna in 1912 was first revealed to the public in the 1920s, it soon became one of the great artistic icons of the world. Nefertiti's name and face are perhaps the best known of any royal woman of ancient Egypt and one of the best recognized figures of antiquity, but her image has come in many ways to overshadow the woman herself. 0Nefertiti's current world dominion as a cultural and artistic icon presents an interesting contrast with the way in which she was actively written out of history soon after her own death. This book explores what we can reconstruct of the life of the queen, tracing the way in which she and her image emerged in the wake of the first tentative decipherment of Egyptian hieroglyphs during the 1820s-1840s, and then took on the world over the next century and beyond. 0All indications are that her final fate was a tragic one, but although every effort was made to wipe out Nefertiti's memory after her death, modern archaeology has rescued the queen-pharaoh from obscurity and set her on the road to today's international status.
:
xii, 172 pages : illustrations (some color), maps ; 25 cm. :
Includes bibliographical references and index. :
9789774169908
Waters of the Exodus, Jewish Experiences with Water in Ptolemaic and Roman Egypt.
:
In Waters of the Exodus , Nathalie LaCoste examines the Diasporic Jewish community in Ptolemaic and Roman Egypt and their relationship to the hydric environment. By focusing on four retellings of the exodus narrative composed by Egyptian Jews-Artapanus, Ezekiel the Tragedian, Wisdom of Solomon, and Philo of Alexandria-she lays out how the hydric environment of Egypt, and specifically the Nile river, shaped the transmission of the exodus story. Mapping these observations onto the physical landscape of Egypt provides a new perspective on the formation of Jewish communities in Egypt.
:
1 online resource. :
9789004384309
Brill's Companion to the Reception of Alexander the Great.
:
Brill's Companion to the Reception of Alexander the Great offers a considerable range of topics, of interest to students and academics alike, in the long tradition of this subject's significant impact, across a sometimes surprising and comprehensive variety of areas. Arguably no other historical figure has cast such a long shadow for so long a time. Every civilisation touched by the Macedonian Conqueror, along with many more that he never imagined, has scrambled to "own" some part of his legacy. This volume canvasses a comprehensive array of these receptions, beginning from Alexander's own era and journeying up to the present, in order to come to grips with the impact left by this influential but elusive figure.
:
1 online resource. :
9789004359932