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The look of lyric : Greek song and the visual studies in archaic and classical Greek song /
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The Look of Lyric: Greek Song and the Visual addresses the various modes of interaction between ancient Greek lyric poetry and the visual arts as well as more general notions of visuality. It covers diverse poetic genres in a range of contexts radiating outwards from the original performance(s) to encompass their broader cultural settings, the later reception of the poems, and finally also their understanding in modern scholarship. By focusing on the relationship between the visual and the verbal as well as the sensory and the mental, this volume raises a wide range of questions concerning human perception and cultural practices. As this collection of essays shows, Greek lyric poetry played a decisive role in the shaping of both.
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1 online resource. :
Includes bibliographical references and index. :
9789004314849 :
Available to subscribing member institutions only.
Contributions towards a Dictionary of English Bookcollectors, as also of Some Foreign Collectors...
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An alphabetical Dictionary consisting of 78 extensive articles devoted to illustrious book collectors; the 79th- and last article gives a valuable Roll of book collectors, 1316-1898. The article devoted to every collector is preceded by a biographical sketch, followed by a specification of remarkable works in the collection, and concluded by a short account of the fate of the library, with the devolution of some of its items through successive later collections.
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1 online resource (350 pages) : illustrations. :
Includes bibliographical references and index. :
9789004616585
Brill's companion to Greek and Latin epyllion and its reception /
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In classical scholarship of the past two centuries, the term "epyllion" was used to label short hexametric texts mainly ascribable to the Hellenistic period (Greek) or the Neoterics (Latin). Apart from their brevity, characteristics such as a predilection for episodic narration or female characters were regarded as typically "epyllic" features. However, in Antiquity itself, the texts we call "epyllia" were not considered a coherent genre, which seems to be an innovation of the late 18th century. The contributions in this book not only re-examine some important (and some lesser known) Greek and Latin primary texts, but also critically reconsider the theoretical discourses attached to it, and also sketch their literary and scholarly reception in the Byzantine and Middle Ages, the Renaissance, and the Modern Age.
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1 online resource (xxvi, 640 pages) :
Includes bibliographical references (p. 563-596) and indexes. :
9789004233058 :
1872-3357 :
Available to subscribing member institutions only.
Iconoclasm and iconoclash : struggle for religious identity /
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This book focuses on iconoclastic controversies and, in particular, their impact on the creation of religious identities. In the history of Jewish, Christian and Muslim culture, religious identity was not only formed through historical claims, but also through the use of certain images: 'images of God', 'images of the others', and 'images of the self.' Moreover, in the struggle for religious identity these 'images' were time and again employed for the purpose of establishing distinct groups, both ortho- dox and deviant. At the same time, they supplied weapons in the theological debate and found explicit expression in certain rituals or liturgical traditions. These conference proceedings include a discussion of the role of images in society, politics, theology and liturgy, in particular addressing the 'iconoclash' of physical, mental and verbal images on the construction of religious identity.
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"Second conference of church historians Utrecht; University of Tilburg, faculty of Catholic Theology, Theology Department of Utrecht University." :
1 online resource. :
Includes bibliographical references and index. :
9789047422495 :
Available to subscribing member institutions only.
Fichte und seine Zeit : Kontext, Konfrontationen, Rezeptionen /
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Mit dem Ausdruck "Fichte und seine Zeit" können die letzten Jahre des 18. und das erste Jahrzehnt des 19. Jahrhunderts bis zur Völkerschlacht von 1813 überschrieben werden: die ertragreichsten Jahre im Schaffen und Wirken Fichtes. Fichte erarbeitete das System der Wissenschaftslehre keineswegs in Selbstisolierung und ohne Rücksicht auf die spekulativen Anregungen, die er von dem ihn prägenden geistigen und kulturellen Milieu erhielt. Die Jahre des Übergangs vom 18. zum 19. Jahrhundert sind auch diejenigen, in welche man die Geburt der ,romantischen Bewegung' ansetzt, deren Vaterschaft man wohl Fichte zusprechen muss, obzwar er bald von vielen seiner Schülern verleugnet wurde. Diese Jahre machen zugleich einen entscheidenden Zeitabschnitt in der deutschen Geschichte aus, welcher große Veränderungen - sowohl in staatlich-institutioneller als auch in gesellschaftlicher Hinsicht - mit sich gebracht hat und der mit den Eroberungskriegen Napoleons zu Ende geht, welche eine Zäsur in der deutschen Geschichte des 19. Jahrhunderts bewirkt haben. Die Absicht vorliegenden Buches ist es, das Geflecht der unterschiedlichen Fragestellungen, die mit dem Stichwort "Fichte und seine Zeit" verbunden sind, in Betracht zu nehmen und ihre internen Zusammenhänge und ihre Geschlossenheit deutlich zu machen. Das Ziel ist daher, nicht nur die einzelnen Themen in ihrem Entstehen, Aufblühen, Sich-Entfalten zu verfolgen, sondern näher zu verstehen, wie Fichtes Gedanke gerade dank dem intellektuellen und wissenschaftlichen Austausch und der Auseinandersetzung mit ,seiner Zeit' bzw. seinen Zeitgenossen gereift und selbstbewusst geworden ist. Die Beiträge stammen von Elena Alessiato (Greifswald/Turin), Marco Bazzan (Toulouse), Carla De Pascale (Bologna), , Faustino Fabbianelli (Parma), Luca Fonnesu (Pavia), Erich Fuchs (Eichenau/München), Jonas Gralle (Freiburg), Laurent Guyot (Toulouse), Tamás Hankovszky (Budapest), Silvan Imhof (Bern), Marco Ivaldo (Neapel), Jindřich Karàsek (Prag), Hans Georg von Manz (München), Monica Marchetto (Palermo), Hitoshi Minobe (Tokyo), Alessandro Novembre (Lecce), Ernst-Otto Onnasch (Utrecht), Francisco Prata Gaspar (São Paulo/München), Manuel Roy (Montréal), Irene Sacchi (Berlin), Stefan Schick (Pentling/Regensburg), Jürgen Stahl (Leipzig), Nobukuni Suzuki (Tokyo), Hartmut Traub (Mühlheim/Ruhr), Martin Vrabec (Hradec Kralove)
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1 online resource (i, 412 pages) :
Includes bibliographical references. :
9789004319820 :
0925-0166 ; :
Available to subscribing member institutions only.
Eris vs. Aemulatio : valuing competition in classical antiquity /
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Competition is everywhere in antiquity. It took many forms: the upper class competed with their peers and with historical and mythological predecessors; artists of all kinds emulated generic models and past masterpieces; philosophers and their schools vied with one another to give the best interpretation of the world; architects and doctors tried to outdo their fellow craftsmen. Discord and conflict resulted, but so did innovation, social cohesion, and political stability. In Hesiod's view Eris was not one entity but two, the one a "grievous goddess," the other an "aid to men." Eris vs. Aemulatio examines the functioning and effect of competition in ancient society, in both its productive and destructive aspects.
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1 online resource. :
Includes bibliographical references and index. :
9789004383975 :
0169-8958 ;