architecture early » architecture turkey (توسيع البحث), architecture egypt (توسيع البحث)
early italian » early iranian (توسيع البحث), art italian (توسيع البحث), early indian (توسيع البحث)
The origins of visual culture in the Islamic world : aesthetics, art and architecture in early Islam /
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"In tenth-century Iraq, a group of Arab intellectuals and scholars known as the Ikhwan al-Safa began to make their intellectual mark on the society around them. A mysterious organisation, the identities of its members have never been clear. But its contribution to the intellectual thought, philosophy, art and culture of the era - and indeed subsequent ones - is evident. In the visual arts, for example, Hamdouni Alami argues that the theory of human proportions which the Ikwan al-Safa propounded (something very similar to those of da Vinci), helped shape the evolution of the philosophy of aesthetics, art and architecture in the tenth and eleventh centuries CE, in particular in Egypt under the Fatimid rulers. With its roots in Pythagorean and Neoplatonic views on the role of art and architecture, the impact of this theory of specific and precise proportion was widespread. One of the results of this extensive influence is a historic shift in the appreciation of art and architecture and their perceived role in the cultural sphere. The development of the understanding of the interplay between ethics and aesthetics resulted in a movement which emphasised more abstract and pious contemplation of art, as opposed to previous views which concentrated on the enjoyment of artistic works (such as music, song and poetry). And it is with this shift that we see the change in art forms from those devoted to supporting the Umayyad caliphs and the opulence of the Abbasids, to an art which places more emphasis on the internal concepts of 'reason' and 'spirituality'. Using the example of Fatimid art and views of architecture (including the first Fatimid mosque in al-Mahdiyya, Tunisia), Hamdouni Alami offers analysis of the debates surrounding the ethics and aesthetics of the appreciation of Islamic art and architecture from a vital time in medieval Middle Eastern history, and shows their similarity with aesthetic debates of Italian Renaissance." -- Publisher's website.
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xiii, 184 pages : illustrations, plans ; 23 cm. :
Includes bibliographical references and index. :
9781784530402
1784530409
Sacred text-- sacred space : architectural, spiritual and literary convergences in England and Wales /
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This book is not designed to define the sacred. It is, rather, a bringing together of case histories (a rich, varied collection from medieval, early modern and nineteenth-century contexts in England and Wales) that goes beyond familiar paradigms to explore the dynamic, protean interaction, in different times and places, between sacred space and text. Essentially an interdisciplinary enterprise, it focuses a range of historical and critical methodologies on that complex process of transformation and transmission whereby spiritual intuitions, experiences and teachings are made palpable 'in art and architecture, poetry and prayer, in histories, scriptures and liturgies, even landscapes. So the sacred, variously constructed and inscribed, makes itself felt 'on the pulse'; is a presence, a voice even now not stilled.
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1 online resource. :
9789004216457 :
1877-3192 ; :
Available to subscribing member institutions only.
The Codex of the Anonimo Magliabechiano : Newly edited with a transcription faithful to the original manuscript and provided with an Introduction /
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This book offers a new edition of one of the most important art historical sources on Italian art. Written not long before Vasari's famous Lives (1550), this source provides an overview of art from Cimabue to Michelangelo. Moreover, the author's ambition was to provide a sketch of the art of classical antiquity. First published in the late nineteenth century, the Codex has led to numerous questions, the main one being: who was its author? We believe we have found the answer to this question, which led us to come up with a new edition of the Codex.
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1 online resource (312 pages) : illustrations. :
Includes bibliographical references and index. :
9789004539785
Thresholds of the sacred : architectural, art historical, liturgical, and theological perspectives on religious screens, East and West /
: "Collection of nine papers and introduction concerning the development and meaning of the iconostasis ... presented in the May 2003 Dumbarton Oaks Byzantine Studies symposium"--Data view. : 245 pages : illustrations (some color) ; 29 cm. : Includes bibliographical references (pages 236-240) and index. : 0884023117
From concept to monument : time and costs of construction in the ancient world : papers in honour of Janet Delaine /
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21 papers focus on modelling the costs of construction over the course of 2500 years, from Bronze Age Greece to the early Middle Ages. They discuss both broader issues of methodology and particular case studies, with particular attention to the exploitation of raw materials (e.g. quarries), transport, and construction processes on building sites.
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Also issued in print: 2023. :
1 online resource (450 pages) : illustrations (colour) :
Specialized. :
Includes bibliographical references. :
9781789694239 (PDF ebook) :
Brill's companion to the classics, fascist Italy and Nazi Germany /
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The first ever guide to the manifold uses and reinterpretations of the classical tradition in Mussolini's Italy and Hitler's Germany, Brill's Companion to the Classics, Fascist Italy and Nazi Germany explores how political propaganda manipulated and reinvented the legacy of ancient Greece and Rome in order to create consensus and historical legitimation for the Fascist and National Socialist dictatorships. The memory of the past is a powerful tool to justify policy and create consensus, and, under the Fascist and Nazi regimes, the legacy of classical antiquity was often evoked to promote thorough transformations of Italian and German culture, society, and even landscape. At the same time, the classical past was constantly recreated to fit the ideology of each regime.
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1 online resource (xiii, 471 pages) :
Includes bibliographical references and index. :
9789004299061 :
2213-1426 ; :
Available to subscribing member institutions only.
A Companion to Rome (c. 400-1050) /
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Rome was the most accomplished urban form of Mediterranean antiquity. Due to its remarkable and complex urban continuity, it remained the version of a way of living that other cities aspired to achieve throughout the early Middle Ages. Yet Rome between 400 and 1050 is often only studied as an idea that inspired imaginations, or for the papacy's role in cultural transmission across Europe. This volume drastically refocuses our attention on Rome's inhabitants, their identities, relationships, institutions, experiences, agencies, and spaces, and on how these local aspects interacted with the city's universal character. It also bridges two periods of Rome that are typically separated, namely late antiquity and the early Middle Ages. Through collaborative authorship of thematic essays, it integrates Anglophone discourses and approaches to Rome by scholars from Italian as well as other European traditions. Contributors are: Margaret Andrews, Shane Bobrycki, Giulia Bordi, François Bougard, Samuel Cohen, Marios Costambeys, Joseph Dyer, Clemens Gantner, Caroline Goodson, Robert Heffron, Julia Hillner, Mark Humphries, Paul Johnson, Maijastina Kahlos, Paolo Liverani, Markus Löx, Carlos Machado, Federico Marazzi, Maya Maskarinec, Silvia Orlandi, Riccardo Santangeli Valenzani, Kristina Sessa, Lucrezia Spera, Francesca Romana Stasolla, Michela Stefani, Francesca Tinti, Dennis Trout, Andrea Verardi, Massimiliano Vitiello, Giorgia Vocino, Veronica West Harling, and Sarah Whitten.
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Includes bibliographical references and index. :
9789004741775
The reliefs of the chapel of Nebhepetre Mentuhotep at Gebelein (CGT 7003/1-277) /
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In 1910 Ernesto Schiaparelli, along with the Italian Archaeological Mission on behalf of the Regio Museo di Antichità Egizie, excavated the area where, during the Eleventh Dynasty, King Nebhepetre Mentuhotep erected a chapel to the goddess Hathor at the site of Gebelein. Some of the blocks belonging to this chapel had already been moved to the Cairo Museum during the nineteenth century, and finds during Schiaparelli's campaign were taken to the Egyptian Museum at Turin. In this work, Elisa Fiore Marochetti presents documents from these two museums and gives an architectonic and decorative reconstitution of an unknown monument. The mostly unpublished blocks and fragments, presented here as the General Catalogue of the Turin Museum, follow a general introduction to the geographical, religious, and historical setting of Gebelein and of the chapel before Mentuhotep's reunification of the land. The dating of the chapel is formulated on the basis of the iconographical style of the reliefs and of the titulary borne by Mentuhotep. \'The publication therefore not only presents a valuable reference to the Egyptian antiquities housed in Turin's Egyptian Museum. It also presents a valuable addition to literature on Egyptian temple decoration and development, royal iconography,kingship and the course of events on the verge of the Middle Kingdom.\' Nico Staring, Macquarie University
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1 online resource. :
Includes bibliographical references. :
9789047443940 :
1566-2055 ; :
Available to subscribing member institutions only.
The Torah ark in Renaissance Poland : a Jewish revival of classical antiquity /
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The volume explores the stone carved shrines for the scrolls of the Mosaic Law from the mid-sixteenth to the mid-seventeenth century synagogues in the former Polish Kingdom. Created on the margin of mainstream art and at a crossroad of diverse cultures, artistic traditions, aesthetic attitudes and languages, these indoor architectural structures have hitherto not been the subject of a monographic study. Revisiting and integrating multiple sources, the author re-evaluates the relationship of the Jewish culture in Renaissance Poland with the medieval Jewish heritage, sepulchral art of the Polish court and nobles, and earlier adaptations of the Christian revival of classical antiquity by Italian Jews. The book uncovers the evolution of artistic patronage, aesthetics, expressions of identities, and emerging visions among a religious minority on the cusp of the modern age.
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1 online resource (xxviii, 240 pages) :
Includes bibliographical references and index. :
9789004244405 :
Available to subscribing member institutions only.
Il Martyrion di Hierapolis di Frigia (Turchia) : Analisi archeologica e architettonica /
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"Hierapolis (Phrygia) is located in Turkey in the territory of Pamukkale-Denizli. The city was known in antiquity for the cult of Cyble, patron goddess of the colony since its foundation. Hierapolis experienced a period of extraordinary prosperity both economically and politically throughout the 2nd century A.D. and into the early years of the 3rd century A.D., corresponding to the phase of monumentalization of the city. On the hill overlooking the east of the city is an imposing octagonal building, built in the late 4th and early 5th centuries A.D, erected as a 'martyrion' in honour of Saint Philip. Among other key monuments of this important ancient city, this study concentrates on the martyrion with the main objective of increasing knowledge of the building from an architectural point of view and aimed at retrieving a data set useful for planning a future restoration project. In addition, an aim of the research was to contribute to the knowledge of religious architecture between the 4th and 6th centuries in Asia Minor within the field of the history of late antique architecture. Most of the work was dedicated to the realization of plans and prospects which have allowed detailed analysis of each part of the building. It is hoped this work on the topographical-historical framework of Hierapolis will contribute to the study of similar architectural structures by presenting a seriation of masonry structures and technical solutions applicable also to other regions." -- Publisher's web site.
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169 pages : illustrations, maps ; 30 cm. :
Includes bibliographical references (p. 166-169). :
1407309773
9781407309774 :
Omnia
The Crescent on the Temple : The Dome of the Rock as Image of the Ancient Jewish Sanctuary.
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\'The Crescent on the Temple\' by Pamela Berger elucidates an obscured tradition-how the Dome of the Rock came to stand for the Temple of Solomon in Christian, Muslim, and Jewish art. The crusaders called the Dome of the Rock the "Temple of the Lord," while Muslim imagery depicted Solomon enthroned within the domed structure. Jews knew that the ancient Temple had been destroyed. Nevertheless, in their imagery, they commonly labeled the Muslim shrine "The Temple." That domed "Temple" was often represented with a crescent on top. This iconography, long hidden in plain sight, reflects one aspect of an historical affinity between Jews and Muslims.
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Description based upon print version of record. :
1 online resource (393 pages) :
9789004230347 :
Available to subscribing member institutions only.
Ägyptisches Kulturgut im phönikischen und punischen Sardinien /
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From the early part of the first century BC, Egyptian cultural artefacts spread to an increasing degree into Palestine and Syria and (via the Greeks and Phoenicians) into the Greek, Italian and Western Phoenician spheres. Following a presentation of the Near Eastern background and a survey of Sardinian findspots, this work lists the types of monument found on Sardinia (from the 8th c. to the Roman period). In the case of both amulets (gods in human and animal form) and scarabs made if steatite and fayence an attempt is made, using a carefully developed typology (both of material and form) and other statistical criteria, to derive a characterisation of groups of differing origin (Egyptian, Eastern Phoenician, Punic). These objects reflect the expansion and adaptation of polupar Egyptian magic. Even the Egyptian motifs on hard-stone Punic scarabs and precious-metal artefacts have a religious significance, which is very closely related to Egyptian concepts. In the same way the Egyptian elements on Punic steles and portions of architecture underline their sacral character. This study pursues methodological goals using evidence from the whole of Mediterranean area.
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1 online resource (2 volumes) : illustrations (some color) :
Includes bibliographical references (v. 1, pages xv-xxi) and indexes. :
9789004301375 :
Available to subscribing member institutions only.