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Greek art : from Oxford to Portugal and back again /
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One of the most fascinating topics in the study of ancient art concerns artistic practices and models and the means of transmission of iconographic designs and decorative compositions. This phenomenon, although well known, has not drawn much attention of scholars of the ancient art. Apart from copies of originals, the practice dates back to the first civilizations and may be even older. The media used could be painted vignettes on papyri, paint on leather, or sketches painted on ostraca, used as pattern books. This issue is practically unheard of regarding ancient Greece, although a few media have been found which may have facilitated the transmission of iconographic designs and decorative compositions. In this study we present some examples that suggest the existence of pattern books in the Greek world.
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Previously issued in print: 2017. :
1 online resource : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781784915872 (ebook) :
A Walk in the Park: Kinesthesia in the Arts of Landscape /
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Current neuroscience discloses that all emotional feeling originates as movement. Kinesthesia, our sixth sense, begins with movement of muscle cells and ends as emotion. Depth perception, which depends on movement, is always feeling-laden. To be expressive, art must somehow move our bodies. Studies of expressive dance demonstrate that we unconsciously model observed movements, duplicating in ourselves the feelings that generated the dancer's movements. The art of landscape creates choreography for a walk. But each of the fine arts play a role in landscape design. Here, then, is a new theory of landscape that easily extends to all the fine arts, explaining our enjoyment in landscape, as well as aesthetic enjoyment more generally.
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1 online resource (452 pages) : illustrations. :
Includes bibliographical references and index. :
9789004697591
A History of Fine Art in India & Ceylon /
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The volume is a detailed discussion of the history of Indian and Ceylonese art during ancient, medieval, and modern times. The book is the result of the development of the study of Indian art and archaeology during the nineteenth and early twentieth century India. This work starts from the Indus Valley Civilization, followed by Mauryan, Gupta, Buddhist, Hindu, and the influence of Greek and Roman traditions in Indian art. The author of this book also covers themes, such as cave art, sculptural traditions, and building architecture in ancient Mathura, Amravati, and the entire South India till Ceylon. Moreover, this book covers art from Central Asia, Java, Tibet, and Nepal. This volume also covers the impact of Islamic architecture, which was borrowed from Arabia, Persia, and Central Asia. A special section on Indo-Islamic architecture, prevalent in tile works, calligraphies, lattices, inlay mosaics, numismatics, and sculptures, is also covered in this volume. It concludes with medieval paintings and a separate section on modern schools of Indian art. The work is highly recommended for scholars, researchers, and other professionals interested in South Asian art and architecture.
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1 online resource (448 pages) : illustrations. :
Includes bibliographical references and index. :
9789004752979
tacking and a tacktical methodology : moving towards a different politics for art /
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How can artists (and others) who find themselves in positions of privilege think differently about the way they do what they do in order to create the conditions for better, more just relations to flourish? Finding an answer to that question is at the heart of this book. After critiquing the relationship between contemporary art, race and privilege the author brings together First Nation and feminist philosophies of relationality, the game of string figuring, and her own history as an artist to propose an alternate methodology that puts relation at the centre of practice. She introduces the multivalent concept of "tacking"-a movement at an oblique angle to prevailing winds-in order to traverse the waters of contemporary art to challenge power and create a more just future. See Less
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1 online resource (298 pages) : illustrations. :
Includes bibliographical references and index. :
9789004706958
A collector's fortune : Islamic art from the collection of Edmund de Unger /
: Catalog of an exhibition held at the Pergamonmuseum, Berlin, Nov. 27, 2007-Feb. 17, 2008. : 132 pages : color Illustrations ; 28 cm. : Includes bibliographical references (p. 130-132). : 9783777440859 : Nabil
Inquisitionis Hispanicae artes /
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The Inquisitionis Hispanicae Artes (Heidelberg, 1567), written by exiled Spanish Protestants, is the first systematic denunciation of the Spanish Inquisition. Its first part is a description of the Inquisition's methods, making use of the Inquisition's own instruction manual, which was not publicly known. Its second section presents a gallery of individuals who suffered persecution in Seville during the anti-Protestant repression (1557-1565). The book had a great impact, being almost immediately translated into English, French, Dutch, German, and Hungarian. The portraits very soon passed into Protestant martyrologies, and the most shocking descriptions (torture, auto de fe) became ammunition for anti-Spanish literature. This critical edition presents a new text as well as, for the first time, extensive notes.
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1 online resource. :
Includes bibliographical references and index. :
9789004365766 :
Available to subscribing member institutions only.
A painted ridge : rock art and performance in the Maclear District, Eastern Cape Province, South Africa /
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The San (Bushmen) practice of rock painting is examined in this text. David Witelson explores a suite of spatially close San rock painting sites in the Maclear District of South Africa's Eastern Cape Province. As a suite, the sites are remarkable because, despite their proximity to each other, they share patterns of similarity and simultaneous difference. They are a microcosm that reflects, in a broad sense, a trend found at other painted sites in South Africa. The bygone and almost unrecorded practice of San rock art is considered relative to ethnographically well-documented and observed forms of San expressive culture. The approach in the book draws on concepts and terminology from the discipline of performance studies to characterise the San practice of image-making as well as to coordinate otherwise disparate ideas about that practice.
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1 online resource (x, 148 pages) : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781789692457 (PDF ebook) :